Short excerpt from 'the traces that remain', performed by members of the LSO at LSO St Luke's July 2018.

for 3 Gramophones, Stroh Violin, Stroh Cello, Bass Clarinet, Percussion, Sine Waves

for video of full piece please see:

https://www.youtube.com/watch?v=QQcX3aU0Pxs

the traces that remain LSO (Excerpt- full vid below)

mostly archived work- new sounds will be found at:
www.nicholasmorrish.com

Pianist and Composer. The Hague/Tel-Aviv.

Sonic soup for the mind. Please listen on headphones

Head to Bandcamp for full versions of Samsaminia & Nuit albums, etc. and consider purchasing them if you regularly enjoy our music

All tracks are edited from improvisations recorded in the wee hours at our studio.....

We also make experimental films to project at our performances, some of which you can see on Vimeo and our instagram profile (see links below)

Extended edits of the improvisations are also available on Mixcloud

Samuel Pradalie is a composer whose musical output consists of naïve, witty pieces, focusing on an aesthetic of Brechtian Alienation and the uncanny. Drawing heavily from the surrealist tradition, particularly the anti-virtuosic approach of Erik Satie his aesthetic language consists of awkward interruptions, repetitious materials, surreal thematic dialogues, fragrantly sentimental harmonies and kitschy melodies as well as experimenting with endurance. His music draws also draws on a number of extra musical influences including Montage techniques from Soviet Cinema, and DIY aesthetics. Samuel has worked with a number of ensembles and organisations including the Amatis Trio, Birmingham Contemporary Music Group, Lietzeorchester Berlin, Tête á Tête opera Festival and Borough New Music and has been performed at such diverse venues as the Rundfunk Hall Berlin, Blackheath Halls London, West Road Theatre Cambridge, St Georges Bristol.

I have studied composition and musicology, both at Conservatorio de las Rosas in Morelia, México. I am a performer of open compositions, classical music, and contemporary music. Also, I am a teacher of ear training, counterpoint, harmony, orchestration, and music forms. I like to play the electric bass guitar, take photos, and write short stories about Mixtli and his friends. Mixtli is my Xoloitzcuintle dog and my piece for piano and choreography, Danzas y Cuentos Infantiles, is based on her adventures.

the traces that remain LSO (Excerpt- full vid below)

Nicholas Morrish