Always at the forefront with an active role in emerging stylistic nuances Century Media has truly shattered the barriers and exemplified diversity in extremes while remaining rooted in the underground but giving bands opportunities outside of the normal means with major league international touring, commercial radio play, and music placement in high-profile films, TV and commercials. Despite all of the years and breakthroughs the company maintains their organic, family feel and business is still being conducted by fans of the music for fans of the music.

BΔSTILLE

For more information please visit:

http://www.bastillebastille.com


OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

Fat Wreck Chords is an indie label co-founded in San Francisco by NOFX frontman Fat Mike (Michael Burkett) and Erin Kelly-Burkett, in 1990. The first wave of bands signed to FAT (No Use For A Name, NOFX, Propagandhi, Lagwagon, and more) shaped what became known as the Fat Wreck sound. FAT continues to be an artist-friendly label and has a unique business model of signing bands to one record deals. Going on its third decade, FAT boastfully remains a 100% independently owned and operated company.

Grammy-nominated reggae/hip-hop/alternative artist. The new self-titled album, Matisyahu, is out now on vinyl, digital and CD.

Schon als Teenager machte er sich auf, um die einzigartigen Vibes der Karibikinsel Jamaika aufzusaugen.
Er hat Jamaika und die Kultur mit großem Respekt aufgenommen und den direkten Draht zu den Menschen dort gesucht – genau das macht diesen Künstler aus. Nach über 1000 Konzerten rund um den Globus ist es immer diese verbindende Energie, die ihn als Künstler ausmacht – der direkte Draht zu den Menschen. Spätestens seit seiner Hitsingle „Intoxication“, die in der Karibik den Sommer 2004 musikalisch geprägt hatte, gehört er zur absoluten Top Riege der internationalen Reggae Gemeinschaft und Festivallandschaft.
In über 25 Jahren entstanden dabei über 100 Kollaborationen mit Top Stars wie: Shaggy, Sean Paul, Marcia Griffiths, Tanya Stephens, Ky-Mani Marley, Christopher Martin, um nur einige Jamaikaner aufzuzählen. Auch in den USA hat Gentleman mit einigen Stars zusammengearbeitet: Aloe Blacc, Pink, Destiny´s Child, SOJA, Michael Franti uvam.
Selbst in unseren Breitengraden ist die Liste lang und bekannt: Freundeskreis, Udo Lindenberg, Die Toten Hosen, Michael Patrick Kelly, Beginner uvam.
Gentleman veröffentlichte über 12 Alben mit 4 Gold- und einer Platinauszeichnung. Darunter mittlerweile Genre-Klassiker wie „Journey to Jah“, „Confidence“ oder das großartige „MTV Unplugged“. 
Zusammenfassend kann man dem Reggae Connaisseur und Autor Ulli Güldner nur zustimmen, in dem er Gentleman als „bis heute ersten & einzigen Reggae-A-List-Ambassador dieses Landes“ tituliert.

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