Pan Daijing - Tissues 
Label: PAN
Cat.No. PAN 118
Format: 2xLP / DL
Release Date: 21 January 2022
Purchase: pan.lnk.to/Tissues

Pan Daijing’s exhibition-performance Tissues premiered in the Tanks at the Tate Modern in autumn 2019. A five-part immersion in performance, sound, movement, space, and most of all emotion in its most distilled and conflicted states, Tissues engaged with the conventions of opera and tragedy to present a searing representation of the embattled human psyche in space and time. While the ambitious multi-sensory artwork made use of the range of Daijing’s artistic capabilities, music, particularly the voice, was at its formal and emotional core. The vinyl and digital release of Tissues on PAN serves as a record of that work, in the form of an hour-long, studio-recorded audio excerpt: an invaluable archival document from Daijing’s practice.  
 
Tissues is both a solitary work and a formal study in relation. Composed, directed, designed, written, and performed by Daijing (alongside a cast of twelve dancers and opera singers), the work—its libretto written in a mixture of old and modern Chinese—lingers inside a single human perspective. Daijing conjures states that are by turns delicate and severe, the tension between opposing modes animating the work as it unfolds. And yet, for all its interiority, Tissues foregrounds an intimate relationship with its audience through details like its engulfing visual landscape and its rattling, confrontational narrative arcs. Daijing uses the opera form as a prism through which to question the boundaries of music itself: perhaps, she proposes, music is much more than simply what is heard. It is in the relationship between voice and electronics that this limit is most clearly breached. Across the four parts gathered in this documentation, a counter-tenor, a soprano, a mezzo-soprano, and the artist herself voice a mixture of stunning laments and cries over an instrumental landscape, built out from industrial texture. Meant to be heard in a single listen, rather than track by track, the work unfolds through tender hollows and agitated peaks. At its crescendo, the operatic vocals melt away and the synthesizers themselves seem to howl with grief.
 
Daijing uncovers an essential, sometimes painful, music in all that surrounds us, inviting something like catharsis but also a greater understanding of the thing she and her cast conjure and draw close. A tissue, after all, is both a disposable object one uses to wipe away a tear, and the building block of our fleshy human forms. Daijing reaches and excavates the roiling core of what it is to be alive and full of feeling. 

Music from Tissues, an opera of five acts at Tate Modern, London on Oct 2nd, 4th and 5th, 2019
Composed, written, produced and directed by Pan Daijing. 

Performed by Anna Davidson, soprano ; Marie Gailey, mezzo soprano, Steve Katona, countertenor and Pan Daijing,  additional vocals.
The recording is mixed by James Ginzburg , Jan Urbiks and Pan Daijing, mastered by Rashad Becker. 

@pan-daijing

Tissues

Pan Dajing - Excerpt from Tissues Part Two "A Found Lament"(PAN 118)

Vanessa Amara returns with a new full length for Posh Isolation. Fonetica Amara is an adventurous and uncompromising addition to the body of work that is Vanessa Amara. New music from a truly singular voice in Scandinavian experimental music.

“‘Poses’ was in some weird way a return to form for us, being our first structured work since ‘You’re Welcome Here’. It was also the first music Sebastián and I worked on together after I had moved to Ireland. I don’t think we really knew how to go about having a long distance relationship, separated from the practice we had built in Copenhagen.
I only had my computer to work with and without access to the internet I was stuck with sampling from my digital collection of music. ‘Poses’ is almost solely made using the DAW; Logics pitch shifter plug-in and a quite limited source of samples. But it was inspiring to work with music like this. Having a clear compositional focus on orchestrating and organising rather than squeezing out notes from today’s mood. So without thinking much about it we’ve continued to work like this. We were working on ‘Fonetica Amara’ from October 2020 - December 2021.

I’m sitting here writing this because Posh Isolation don’t know what to think of ‘Fonetica Amara’ and have - on a friendly note - compared it to when Darkthrone released ‘Panzerfaust’.

I guess their point being a departure from trying to be genuine about making music, successfully perceived as being bulletproof serious. I want to believe there’s more nuance to seriousness and I wonder if Darkthrone wasn’t being humorous in their earlier material. The most recent Matrix film moved me to shed some secret tears. Surprisingly so. I’ve wondered why.
I recently made my first friend after moving to Ireland almost 4 years ago. I was volunteering during the West Cork Chamber Music Festival and Kevin Terry, who’s a brilliant composer based in Cork City, was down here with a couple of compositions. One night at the pub I was going on about the beauty of humour in music for a good while and Kevin summed it up perfectly by calling it self-awareness. It was that playful self-awareness that got to me while watching The Matrix: Resurrection.

Since ‘You’re Welcome Here’ we’ve been deviating from a path we might previously have started out on. More than anything we try to change, because we can’t let go of that feeling of not understanding, not knowing, not recognising.
We wish to stay curious about our voice, to not become specific, avoid exercising some kind of “disciplinary correctness” and to “want more questions than answers” (Jack Halberstam’s: The Queer Art of Failure).”

-Birk Gjerlufsen Nielsen, 2022

Posh Isolation 271

Fonetica Amara

Pescado

Vanessa Amara - Pescado

floaters in space

Disruptive Muzak Clip (out now on Death of Rave)

VARIOUS ARTISTS 1
(DAWNTAPE001)
50 TAPES

PHOTOS : LEILA RICHOU
DESIGN : HAJJ
MASTERED BY : YAKOV
TRANSFERED BY : LORENZO TARGHETTA

Silvia Kastel - Heart To Tape I

"How To Swallow A Sword"

4. HOW TO SWALLOW A SWORD

Life

First release from CAF? with the work of Flammkuch, ARIS 1201, Tissu, FSS, lks, Morizio Lemano, 909 Hz, Mystic V, lks & Tissu.

IR-90

Tissu - how many guns do you own

Heith - Tree Stand

Taken from Troth's 'Flaws In The Glass', available here:

https://alteredtapedstates.bandcamp.com/album/flaws-in-the-glass

Troth - Silva Plana

Taken from the album Caterina Barbieri - Fantas Variations released as 2LP and Digital

Fantas Variations

Bendik Giske 'Fantas for Saxophone and Voice' (EMEGO 279)

booking: matt@quovadisproductions.com

Lots of records and tapes///Played lots of shows all over the place

4. HOW TO SWALLOW A SWORD

NICK KLEIN

Recent comments

Hades Militia

Fergus McQueenie

Maŕa

ROBBY NEIGHBOR

Related tracks