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Nick mulvey

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Order the album: http://goo.gl/eLyTIW.
Buy the single: http://goo.gl/Z1WbE9

Heavenly Beat // Complete

Buy PSB's debut album "Inform - Educate - Entertain" here:
Digital: bit.ly/11cHjJP
Physical: http://cargorecordsdirect.co.uk/products/public-service-broadcasting

After a triumphant festival season which has seen Public Service Broadcasting playing to packed stages and tents across the UK, the duo return this Autumn with Night Mail, the stand-out track from their critically-acclaimed debut album ‘Inform - Educate – Entertain’. 

‘Night Mail’ takes as its subject matter from the eponymous film of 1936, a pioneering documentary film produced by the General Post Office and the Royal Mail Group. Setting the original words of the documentary – including the much loved Night Mail poem – to a song that evokes the rhythm, speed and excitement of the railway in the era of the steam train, PSB breathe a new lease of life into a gem of a film.

Night Mail (Radio Edit)

Earlier this year I produced an EP with Sell Your Sky. Vocals are yet to be tracked but the instrumental mix is shaping up well. Drums were recorded at Moles Studio, such a great sounding room.

Sell Your Sky - instrumental sample from upcoming EP

Bruno Nicolai
Marquis De Sade
FKR069LP (vinyl only)

De Sade 70? La Isla De La Muerte? Decameron Francese? Wildkatzen? Philosophy In The Boudoir? Les Inassouvies? Eugenie And The Story Of Her Journey Into Perversion?... De Sade, De Sade.. The film so odd they named it fifteen times!

Represented here on this special commemorative format you will find some of the finest fruits from an infamous fertile creative relationship between two of the most dedicated and productive bastions of the 1960/70s Eurotica genre - Spanish born director Jess Franco (Vampyros Lesbos) and Bruno Nicolai (The Good The Bad And The Ugly/All The Colours Of The Dark). Thrown into a long-running partnership following a rare/lost 1969 Italian/Spanish co-production with the emblematic title Sex Charade (which also marked the debut collaboration between Franco and actress Soledad Miranda), the unison of shocking image and rocking sound provided an inspirational exchange of new experimental and uninhabited avenues for both of these workaholic European artists. In the late 60s, as the rise of Italian horror directors, such as a young Dario Argento, test- ed the boundaries of censorship and common decency, the Giallo comic book adaptation movies had began to open new channels for established symphonic composers such as Ennio Morricone, who was able to exercise his off-menu interests in the free jazz (exemplified by his non-soundtrack work with Gruppo di improvvisazione Nuova Consonanza) as budget restrictions were exchanged for creative freedom thus creating an important niche in European cinema which came to typify the burgeoning movement. The boom in the Horrotica/exploitation industry that rapidly sprawled across central Europe to Germany and Spain virtually overnight made extensive work for a long line of established Italian composers such as Alessandroni, Sorgini, Piccioni, Nicolai, and Cipriani - all of whom spread their spaghetti western roots (often under multiple pseudonyms) and took tight hold of the sonic aesthetic of European thriller cinema. While working in the organised ranks of production houses and library labels Like Deneb, CAM, Octopus, Beat and Liuto, the syndication of Italian music in Spanish horror cinema became synonymous. 

When Jess Franco began to work on Italian co-productions he forged a consistent relationship with conductor and arranger Bruno Nicolai, who had already worked very closely with Morricone on some of his greatest feature films while remaining tightly committed to arthouse cinema such as Pasolini’s Theorem and Pontecorvo’s The Battle Of Algiers. As a one-time professional jazz musician himself, Franco always had a good ear for emotive music, an integral facet that has ulti- mately given wider wings to his films and longevity for future generations of film/music enthusiasts. Where many directors would employ musical supervisors or license library recordings, Franco would often synchronise his own compositions alongside tracks from LPs that he sourced in record shops on his travels, as typified by the economic use of the German Sexadelic and Vampire Sound Incorporated LPs by Sigi Scwhab and Manfred Huber (which became the soundtrack for a film trilogy starting with Vampyros Lesbos in 1970) or the Blue Phantom LP as used on his film Sinner in 1975. 

What originally began as a one-off relationship of convenience for the production company became a fruitful and habitual unison of choice and Nicolai would spend much of the early 70s balancing his time as a conductor for Morricone with repeat commissions for two notable horror directors - Sergio Martino in Italy and Franco in Spain. Forming a faithful relationship similar to that of Argento/Goblin and Fellini/Rota, the Franco/Nicolai partnership is arguably best illustrated on the soundtrack to this version of De Sade, presented here for the first time with a sharper focus on the free avant garde elements and the previously unpressed heavier psychedelic music that was prevalent and integral to Franco’s tastes. Including titles such as Drug Party, this set of full-length instrumental songs (as opposed to short cues) benefit from the extra collaborative energies of Italian studio luminaries Edda Dell’Orso (breathy onomatopoeic vocals) and Alessandro Allesandroni (sitar), striking comparisons with the aforementioned work under The Pawnshop moniker or the music from the Sergio Martino film All The Colours Of The Dark which enhance the displaced hallucinogenic and inebriated subtext of the film’s exploitative and counter cultural tenuous source of inspiration.

www.finderskeepersrecords.com

Bruno Nicolai - De Sade 70/Circle (edit)

Follow Monstaz.: @monstaz-1
Follow On A Sunday: facebook.com/onasundaymusic
Follow Playmusic: facebook.com/playmusic

Thony Vera, Monstaz. and Jnkyhead  bring a new side to the great tune from the German band "On A Sunday". Three remixes you won't be able to stop listening.

FREE Download: https://www.toneden.io/playmusic/post/on-a-sunday-keep-on-waiting-monstaz-remix

BUY on Beatport: https://pro.beatport.com/release/keep-on-waiting-the-remixes/1172258

Check out the video: http://youtu.be/3qhb411hw4I

FREE Download

On A Sunday - Keep On Waiting (Monstaz. Remix)

Thai Stylee's My kinda gal remixed on the 'We the greatest Riddim" produced by Sabbo from Israel - 2ND LINK: https://soundcloud.com/thai-stylee/thai-stylee-my-kinda-gal-r-f-s

Thai Stylee - My kinda gal (RFS Remix) - We the greatest Riddim - Sept. 2013

Willow - Aurora Night Sky
Tell me what you guys think! :)


Lyrics:

The willow calls, and the wind blows my back
We've slept with forces that pull us to the ground
  
We will rise from this ignorance
We will fly and make our way to the sky
 
Refrain:
Drown your sorrow under the willow tree and we'll find our way through the madness
We'll sleep with foreign pictures in our minds and we'll drift away 

Our minds will save us from closed and sealed ideals
Escaping sorrow, arriving paradise

We will rise from this ignorance
We will fly and make our way to the sky 

[Refrain]

[Epic Ass Guitar Solo]

[Refrain]

Willow (Demo, With Vocals)

Stream/Buy: http://nvrsyd.co/NSDX045

youtube.com/zomboyofficialmusic
facebook.com/zomboyofficial
twitter.com/zomboy_music
@zomboy

wewillneversaydie.com
ntrecordings.com

Are you ready to join the Zomb Squad? Get involved and receive exclusive merchandise and offers. Sign Up here:
bit.ly/1abQfG3

Reanimated EP

Zomboy - Terror Squad

The new single from Nick Mulvey out October 27th. Buy 'Nitrous' on iTunes now http://po.st/NitrousYT

Follow Nick on
Facebook http://po.st/NMfacebook
Official website http://po.st/NMwebsite
Follow on twitter http://po.st/NMtwitter
YouTube http://po.st/NMYouTube
Soundcloud http://po.st/NMSoundCloud
Sign up to database http://po.st/eSignUp

Nitrous

Nitrous (Single Version)

Jungle - The Heat. Download here: http://smarturl.it/theheatlucky


The Heat / Lucky I Got What I Want

The Heat

Guitarist, composer, and podcast producer Anthony Joseph Lanman has racked up over 350,000 followers on Soundcloud – a number most classical musicians can only dream of. In this episode of Composer Quest, Anthony talks with me about his career path, his music, and his answer to the question, "What would Beethoven be writing today?"

Every episode of Composer Quest is available to stream or download for free at http://composerquest.com

Anthony Joseph Lanman's music can be found at http://soundcloud.com/anthonylanman

Episode Soundtrack:
    0:00 – Imaginary Cadenza (original Composer Quest intro)
    0:24 – Three Lamentations on the Death of John Dowland – I. Flow My Tears
    1:22 – The Five Rings of Miyamoto Musashi – III. Water Scroll
    5:44 – Rush
    11:06 – Viridian Soliloquy
    12:20 – Eleven (Revised, Remastered)
    25:55 – Green Grass (demo of a new song by Charlie McCarron)
    28:52 – Meditation, Dance & Sacrifice
    29:31 – Sonata 46 (Haniszewska-Kandulski Duo)

Composer Quest Ep. 49 - Anthony Joseph Lanman

Written by Shoemansky, Tenor Sax by Dave McKeown, Lyrics by Tony Harris

Thank you guys for this special collab! Appreciate a lot! The first time I worked with two clouders in one song! What an amazing experience...the musical sky seems to be the limit! ;-)

Dave's page: https://soundcloud.com/dave-mckeown
Tony's page: https://soundcloud.com/tonyslyrics

Shoemansky - Silver Moon (feat. Dave McKeown & Tony Harris)

Played the popular song by Metallica "nothing else matters" last year! never published it so here it is!

Nothing Else Matters, Metallica (arr. Sebastian Dankel)

OK Every One of the tracks/songs in this mix was made by each and every one of their respectable owners.
Also, None of the songs in this mix are in their entirety.
I Did Not write, nor do I claim to have written any one of the tracks/songs in this mix.
I am simply a fan of said artist(s) works and enjoy playing their music.

All Rights Reserved by the artists and their respective labels.

I've Been Drinking... Take Two

GET A FREE DOWNLOAD HERE: http://gomerch.com/tiesto/clublifev2/

Club Life: Vol. Two Miami

Chasing Summers (Miami) (Original Mix)

"I've been drinking the reflections out of my coffee" by TinyBirdTakesTheFair

I've been drinking the reflections out of my coffee->TINYBIRD

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Buy on iTunes

Atlas Genius - Symptoms

Nerds by Nature 2016 Spring Tour on Sale NOW at http://www.PegboardNerds.com
---

Disconnected 

Support on iTunes

Pegboard Nerds - Disconnected (Original Mix)

Pre-Order 'Vicious Lies And Dangerous Rumors' Deluxe Album + Digital Booklet Now On iTunes: http://smarturl.it/iVLADR 
Pre-Order "Dangerous Deluxe Package" (Deluxe Album, Autographed Lithograph, Limited Edition T-Shirt) Now: http://smarturl.it/bbvldr

Big Boi Lines f/ A$AP Rocky & Phantogram. 

Vicious Lies & Dangerous Rumors available 12/11/12.

Vicious Lies and Dangerous Rumors

Lines (Album Version (Edited)) [feat. A$AP Rocky & Phantogram]

Pre-Order On iTunes

Wilkinson - ''Take You Higher" is taken from his forthcoming single out on the 25th of March 2013 on Ram Records.

Lazers Not Included

Take You Higher

An acoustic version of Animal recorded by The Pigeon Detectives in Leeds, March 2013.

Pre-Order We Met At Sea from the following places

Amazon - http://smarturl.it/wemetatseaamazon
iTunes - http://smarturl.it/wemetatseaitunes
Direct from The Pigeon Detectives (All orders before March 27th will print your name on the CD sleeve) - http://www.thepigeondetectives.com/

The band touring in the Spring.

APRIL
Thu 25 - Preston 53 Degrees
Fri 26 - Whitehaven Civic Hall
Sat 27 - Sheffield Leadmill
Sun 28 – Stoke Sugarmill  
Tues 30 - Norwich Waterfront
 
MAY
Wed 1 - Birmingham Institute  
Thu 2 - Middlesbrough Empire
Fri 3 - Glasgow Arches
Sat 4 - Live at Leeds
Mon 6 - Cambridge Junction
Tue 7 - Nottingham Rescue Rooms
Wed 8 - Bristol Thekla  
Thu 9 - London, Dingwalls  
Fri 10 - Brighton Coalition
Sat 11 - Portsmouth Wedgewood Rooms
 
Buy tickets from http://thepigeondetectives.com/

℗ & © 2013 The Pigeon Detectives Ltd under exclusive license to Cooking Vinyl Limited

Animal (Acoustic Version)

Buy Beacon right here: https://itunes.apple.com/gb/album/beacon/id544717536

Two Door Cinema Club - Sun (Lissvik Remix)

The new single 'Fever To The Form' out now. Get it here: http://po.st/FTTFiTunes

Buy the debut album 'First Mind' out May 12th 
iTunes po.st/FMso
CD po.st/FMcdso
Vinyl po.st/FMvinylso

Official website http://po.st/NMwebsite
Facebook http://po.st/NMfacebook
Follow on twitter http://po.st/NMtwitter
YouTube http://po.st/NMYouTube
Soundcloud http://po.st/NMSoundCloud

The Greatest Singer-Songwriter Hits

Fever To The Form (Radio Edit)

Buy the album

Lights & Motion - Departure

Album: Reanimation (2013)

Released worldwide on Deep Elm Records January 16th

www.facebook.com/lightsandmotion

To license this track, contact:
Deep Elm Music Licensing
www.deepelm.com/licensing
licensing@deepelm.com
(808) 242-6599 HST

Lights & Motion - Departure

The new single 'Fever To The Form' out now. Buy on po.st/FTTFiTunes

Official website po.st/NMwebsite
Facebook po.st/NMfacebook
Follow on twitter po.st/NMtwitter
YouTube po.st/NMYouTube
Soundcloud po.st/NMSoundCloud

Fever To The Form

Juramidam

Light Bridges

Chasing Cars

Handshake remixed by Amtrac.

Handshake, taken from the album Beacon.

Available from itunes here: https://itunes.apple.com/gb/album/beacon-deluxe-version/id544747968

www.twodoorcinemaclub.com


Handshake

Two Door Cinema Club - Handshake (Amtrac Remix)

The new single from Nick Mulvey out October 27th. Pre-order 'Nitrous' on iTunes now http://po.st/NitrousYT

Follow Nick on
Facebook http://po.st/NMfacebook
Official website http://po.st/NMwebsite
Follow on twitter http://po.st/NMtwitter
YouTube http://po.st/NMYouTube
Soundcloud http://po.st/NMSoundCloud
Sign up to database http://po.st/eSignUp