everything but the girl - night and day (slowed+ reverb)

Paradise of Bachelors is proud to present the first artist-sanctioned reissues—and first-ever vinyl reissues—of iconoclastic English-born, Rome-based folk and experimental music legend Mike Cooper’s classic trio of early 1970s avant-folk/rock records: Trout Steel (1970), Places I Know (1971), and The Machine Gun Co. with Mike Cooper (1972). The latter two titles are presented for the very first time as the definitive double album, as Cooper originally intended them to be released.

Listening to Cooper’s recordings retrospectively in sequence reveals a rangy narrative of perennial reinvention from document to document through a playful approach to the deconstruction of “folk” musics and all that gross genre signifier implies and denies. By the time the Rolling Stones invited him to join the band in the early ’60s, and he politely declined (true story; Brian Jones took the gig), he had already progressed far beyond the circumscribed bounds of their early, hip-histrionic Albionic blues. By the time he was rumored to have retired from music in the mid ’70s, disappearing from his home in Southern England into Southern Spain to become a fisherman (an amusing fiction; he suffers from seasickness), he had already moved beyond his heady homebrew of progressive, free jazz-framed songcraft into increasingly less conventionally structured frontiers of open improvisation and later, electronic composition.

The Machine Gun Co. band (named for the 1968 Peter Brötzmann album) coalesced around Cooper’s desire to continue the improvisatory path forged on Trout Steel in a more sustainable manner, with a steady core group of likeminded musicians able to buttress its daring, long-form improvisatory vaults with a bedrock foundation. Peter Eden (Donovan, Bill Fay, Clive Palmer) produced the historic sessions, which veered from the impeccable conceptual folk-rock artistry of Places I Know (as Cooper explains, “the secret of the title of this record is that it was meant as a kind of covers record, or an homage to some musicians and songwriters that I liked at the time, the ‘places’ in the title—I was interested in seeing if I could emulate some other people without actually sounding like them”) to the utterly singular “songmaking” deconstructions of the more radical The Machine Gun Co., wherein the band erects lapidary arrangements reminiscent of Tim Buckley, only to dismantle them into virtuosic passages of Beefheartian free-jazz scree and skronk. According to Cooper:

What was initially planned was a double album, with one record played by the Machine Gun Co. and the other with arrangements by Mike Gibbs and his orchestra. Those two records were conceived as a double album aimed at covering the wide range of music I was interested in and gently leading the listener from the more accessible Places I Know, with its Mike Gibbs arrangements, into the more (for the times) extreme areas of The Machine Gun Co. That never happened, and they were released as two separate records a year apart.

Places I Know/The Machine Gun Co. with Mike Cooper is Paradise of Bachelors’ attempt, two years in the making, to correct this historical oversight and offer this masterpiece as it was designed to be experienced, as an extraordinarily ambitious document spanning Cooper’s song-based and improvisation-based styles of the early 1970s.

+ First-ever artist-sanctioned and vinyl reissue
+ Includes 16 pp. chapbook with an essay by Mike Cooper, lyrics, and never published color photos
+ Available on 150g virgin vinyl as a gatefold 2xLP, in a deluxe limited edition, as well as on gatefold CD and digital formats
+ Vinyl edition includes digital download coupon

www.paradiseofbachelors.com/pob-14

ces I Know/The Machine Gun Co. with Mike Cooper

Places I Know/The Machine Gun Co. with Mike Cooper

Mike Cooper - Places I Know/The Machine Gun Co. : "Paper and Smoke" (1971-72/2014, PoB-14)

Door #1Door #2 - DJ Harrison

Playlist
Set I
*levitation room/Strange Weather/Strange Weather/Greenway Courtesy of OneRPM
Crumb/Plants/Locket/Crumb Records
Men I Trust/Always Lone/Untourable Album/Return to Analog (self)
Slow Pulp/Young World/Big Day/Slow Pulp (self)

Set II
Dire Straits/Six Blade Knife/Dire Straits/Warner Records Inc.
The Sundays/Another Flavour/Static & Silence/DGC Records
Elliott Smith/L.A./Figure 8/Dreamworks Records
Dianna Lopez/Euphoria/Euphoria (single)/Dianna Lopez (self)

Set III
*Screaming Females/My Dead Wife/Clover/Don Giovanni Records
*JW Francis/Orbit/Orbit (single)/Born Losers Records
The Slaps/Waking Up Bloody/Tomato Tree/The Slaps (self), Amuseio AB
Faye Webster/Cheers/I know I’m Funny haha/Secretly Canadian

Background Music
- DJ Harrison/Erykah’s Gun/Stashboxx/Rodeadope Records
- OGRE YOU ASSHOLE/バランス (From 浮かれている人Twilight Edition EP)/Confidential/VAP
- Macabre Plaza/Small Town Pigeon/An Old Smile/Vada Vada
- Djo/Uglyfisherman/D-SIDES/Djo Music (self), AWAL Recordings
- Masayoshi Takanaka/蜃気楼の島へ/SEYCHELLES/Kitty Films
- Masayoshi Takanaka/バードアイランド急行/SEYCHELLES/Kitty Films
- Mac DeMarco/Chicago 2/Five Easy Hot Dogs/Mac’s Record Label (self)

*indicates new music

WRUV Demo Spring 2024

Never in Your Sun (Stevie Wonder)

Far Out Recordings continues its reissue campaign of the late Argentinian guitarist Agustin Pereyra Lucena's work with the first-ever vinyl reissue of his singular 1988 private press album, Puertos De Alternativa, now his most sought-after LP. The album features some of Agustin’s most uniquely beautiful compositions, including “Luces de Valeria” and “Preparativos Maritimos,” alongside Baden Powell's “Pequeño Vals” and “O Cego Aderaldo (Nordeste...),” and “Tema Barroco” by his longtime collaborator, Guilhermo Reuter.

By 1988, Agustín had established himself as one of Argentina’s foremost interpreters of Brazilian music. The seventies saw success with his group Candeias, and he gained recognition in Brazil, forming friendships and collaborations with luminaries such as Vinicius de Moraes, Baden Powell, Dorival Caymmi, Toquinho, and Maria Bethania. Following the era of dictatorship in South America, Agustín spent the late seventies and early eighties, living and touring in Norway as part of his European travels with his group Agustín Pereyra Lucena quartet.

Recorded after returning to his native Buenos Aires, Agustin Peyera Lucena’s Puertos de Alternativa emerged from this confluence of diverse experiences and influences, revealing an artist deeply connected to his environment. The album's title, meaning "Alternative Harbours," reflects Agustín's particular affinity for water. He observed that much of his favourite music originated from places with rivers and seas nearby, noting, "There is a flow near water that influences guitar playing for sure."

With a profound connection to both instrument and environment, Agustín’s music is often difficult to place. The album begins rooted deeply in South American soil, drawing clear inspiration from Brazilian guitar masters like Heitor Villa Lobos, Garoto and Baden Powell. But, as it progresses, a sense of journey unfolds, evoking new landscapes and horizons – from the crystalline beauty of glacial Norway to the gentle currents of the Rio de la Plata.

The ensemble on Puertos de Alternativa features notable Argentinian musicians, including drummer Osvaldo Avena, flautist Rubén Izarrualde, and saxophonist Bernardo Baraj.

Mastered by Stuart Hawkes at Metropolis Studios from the original master tapes which had been lovingly kept by Agustin’s nephew José Lucena Perreyra, Puertos de Alternativa will be released on vinyl LP, CD, and digitally on 20th June 2025, by Far Out Recordings.



Agustin Pereyra Lucena - Tema Barroco

Big Crown is proud the present the debut single from the one of the newest acts on the roster; Brainstory. Brainstory is a tale of brothers bounded by blood, by fate, and a small town with nothing to do. Born and bred in Rialto, CA, the trio is made up of two brothers, Kevin & Tony Martin, and drummer Eric Hagstrom. Their music is a mix of jazz, funk, and psyche- delia shrouded in a cloud of weed smoke and California soul. Their entire debut album is produced by Leon Michels, so you take the Cali sunshine and mix it with Michels NYC aesthetic and you get a killer record. Here’s the first two songs.
The A side “Dead End” is a sublime slow burner about trying to let go of a person and trying to let go of parts of yourself that are dying with that relationship. In the words of Kevin, “ It’s kind of like confronting death, but through relationships and coming to terms with who you are in the mirror of another person.” With Kevin’s sublime falsetto floating atop Tony and Eric’s unflappable and unmistakable backbeat, this tune is sure to become a favorite with the ballad heads, the low-rid- ers, the slowie collectors, and anyone who’s cord is not unplugged.
The B side Mnemophobia is a fateful pairing with the plug- side, as if written later on when the heart heals and you start to get out there again. Mnemophobia is the fear of memories. Brainstory weaves up a tale of hesitation, limbo, then bravery where the choice of love is made in the face of fear.

Buy the single in all formats here:

BIG CROWN WEBSTORE: https://bigcrownrecords.com/store/dead-end-b-w-mnemophobia/

Taken from the forthcoming Brainstory album on Big Crown Records


Follow Brainstory:
https://twitter.com/Brainstory00
https://www.facebook.com/Brainstory0/
https://www.instagram.com/00brainstory00/
https://open.spotify.com/artist/0EqBE2VOwsHgSOrjsQCs5j?si=aI2ios7xQHairPdtBIXteQ


Visit us at:
https://bigcrownrecords.com

Follow Big Crown Records:
https://www.facebook.com/bigcrownrecords.com
https://www.instagram.com/bigcrownrecords.com
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not official

Buy at BCR

Brainstory - Mnemophobia - BC071-45 - Side B

Brainstory - Dead End - BC071-45 - Side A

Happy to finally have this out in the open, the Edits and Remixes EP is live!!

Grab the entire 7 track EP here:
https://bit.ly/2NBUkt1

Follow me:
www.facebook.com/tiberbeats
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Download

Stereolab - The Flower Called Nowhere (Tiber Edit)

Wharf Cat Records presents Jonny Campolo of P.E. — formerly of Pill DJs.

Tracklist:
Boards of Canada - Diving Station
Ana Roxanne - Nocturne
Bing & Ruth - Rails
Campolo & Schenke - Score for Phil Birch's “Milespires and Reliquaries”
CMON - Coo
Grouper - Alien Observer
Happy Valley - Happy Valley
Haruomi Hosono - Talking
Jon Brion - Elephant Parade
Haruomi Hosono, Shigeru Suzuki & Tatsuro Yamashita - 最後の楽園 (The Last Paradise)
Death in Vegas - Girls
Kevin Shields - Goodbye
Air - Alone in Kyoto
Yaeji - WAKING UP DOWN
Teengirl Fantasy - In the Rain
Var - No One Dances Quite Like My Brothers
Wet Hair - The Garden Room
Melted Toys - Washed & Dried
Haruomi Hosono - ろっかばいまいべいびい - Piano Demo Version
Dirty Beaches - True Blue
Scribble - It's Blue
Yukihiro Takahashi 高橋幸宏 - Drip Dry Eyes
Psychedelic Furs - Love My Way
Richenel - Autumn
Malcom Mclaren - About Her 
P.E. - Soft Dance

www.thelotradio.com
www.instagram.com/thelotradio
www.facebook.com/thelotradio
www.twitter.com/thelotradio
@thelotradio

Never in Your Sun (Stevie Wonder)

Nickolas Kaplan