Radiohead - No Surprises (Slowed/Doomer)

rain- jack stauber (slowed&looped)

Libets Delay (Slowed and Reverbed)

Mourning Dove coo

Ocarina of Time - Lost Woods (Slowed + Reverb)

7 weeks and 3 days ~ Slowed n Reverb

Frank Sinatra - My Way ( slowed, reverb )

Recorded at Palo Alto's Werry Park (May, 2018).

This series shows the adaptive abilities of some birds in urban environments. Both the Mockingbird and the Mourning Dove have adapted their songs in imitation of the sounds around them – note the incorporation of car alarms, in particular. These anthrophonic sounds, or sounds created by humans, appear to have similar affects on birds capable of radically adapting to urban or suburban conditions. One may hear that the imitative songs of each species are almost musically indistinguishable. Indeed, they share many of the same motivic musical structures, iterative timing, and tessitura – likely the only possible way of being heard in such an environment. For comparison, listen to the original song of the Mourning Dove.

You may also hear a dawn chorus, captured from Windy Hill, overlooking the entirety of Silicon Valley.

Mourning Dove: Song (Palo Alto, May 2018)

minecraft music but its sad and nostalgic v2

(choking on flowers by fox academy)

edited by me :)

𝘤𝘩𝘰𝘬𝘪𝘯𝘨 𝘰𝘯 𝘧𝘭𝘰𝘸𝘦𝘳𝘴 [8𝘋, 𝘴𝘭𝘰𝘸𝘦𝘥, 𝘳𝘦𝘷𝘦𝘳𝘣]

Mice On Venus Slowed

Dr. Nick Virzi (b. 1991) is a composer from New York City living in the San Francisco Bay Area, California. His recent work explores the mystical nature of music through imagistic representation, orchestration of complex numerical systems, and use of original natural sound recordings. In addition to composing, Nick is a field recording artist, electric guitarist, conductor, researcher, and educator. He also hosts the international composer interview series Composer OverTime.

​Nick’s music has been performed throughout the USA and internationally by established artists such as cellist Séverine Ballon (France), soprano Tony Arnold, the Los Angeles Percussion Quartet, the JACK Quartet, the Spektral Quartet, Splinter Reeds, Quince Contemporary Vocal Ensemble, Ensemble Liminar (Mexico), Distractfold (United Kingdom), the Ekmeles Vocal Ensemble, the TAK Ensemble, and Ensemble Dal Niente. His work has been featured at such venues as the Juilliard School at Lincoln Center, the Center for New Music in San Francisco, and the Royal Academy of Music in Aarhus, Denmark. His recent commissions include a new work for Line Upon Line Percussion from the Novalis Music and Art Festival, along with artist residencies at the Kopački Rit Nature Preserve in Osijek, Croatia.

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He has participated in such international festivals as Gaudeamus Muziekweek (The Netherlands), and Impuls (Austria), and New Music on the Bayou (Louisiana), including fellowships granted by the Imani Winds Chamber Music Festival (New York City), the Cortona Sessions for New Music (Italy), the soundSCAPE Composition and Performance Exchange (Italy), and the New Music for Strings Festival (Denmark). He has presented his work at the Conrad Prebys Music Center at UC San Diego, the Center for New Music and Audio Technologies (CNMAT) at UC Berkeley, the College of Creative Studies at UC Santa Barbara, as well as the American Beethoven Society at San José State University, the California Interdisciplinary Consortium of Italian Studies (CICIS) at the Italy’s Centers and Peripheries Conference hosted by Stanford University, and the Society for Electro-Acoustic Music in the United States (SEAMUS) at the SEAMUS 2021 Virtual National Conference.

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As a field recording artist specializing in natural sound, Nick has held artist and research residencies at wilderness locations throughout California, such as the Sagehen Creek Field Station in Sagehen Experimental Forest, the Landels-Hill Big Creek Reserve in Big Sur, and the Poto Festival in Grass Valley. He has presented his research in soundscape ecology and bioacoustics at NYU’s Steinhardt School as part of the Precarious Sounds/Sounding Sanctuary Conference (New York City), The Catholic University of America at the Eleventh International Conference on Climate Change: Impacts and Responses (Washington, D.C.), and the Centro Cultural Vila Flor at the Ninth International Conference on the Constructed Environment (Guimarães, Portugal).

 

Dr. Virzi is currently a Lecturer in the Department of Music and H&S Dean’s Fellow at Stanford University. His research is based at the Center for Computer Research in Music and Acoustics (CCRMA) and Jasper Ridge Biological Preserve. He completed his D.M.A. in Music Composition at Stanford University, where he studied with Mark Applebaum and Brian Ferneyhough. He also completed his B.M. at the SUNY Purchase Conservatory of Music, where he studied with Du Yun, Huang Ruo, Laura Kaminsky, and Suzanne Farrin.

Mourning Dove: Song (Palo Alto, May 2018)

Nick Virzi: Natural Sound

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