We’re launching this season’s podcast series with a slow burn set from Detroit veterans Scott Zacharias & Bill Spencer from our June 25th party, where they played directly before BMG who was playing before Titonton. This set is perfect for heady winter exploration, and this podcast also functions as a teaser for Erika’s album release party Tomorrow’s Fires happening Feb 25, where they will both play solo slow motion sets in the Gallery.

Interdimensional Transmissions Podcast

IT Podcast

IT.podcast.s12e01: Scott Zacharias & Bill Spencer

Amsterdam selector Orpheu The Wizard connects oddball and straight forward jams from different decades and different record shelves in a monthly show.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/orpheu-the-wizard/episodes/orpheu-the-wizard-16th-may-2025

Orpheu The Wizard 160525

Hashman Deejay stands out as one of those DJ's and producers where he lets the music do the talking. Like fellow collaborators PLO Man & C3D-E you won't see many interviews, let alone photos - they show up to the party and do their thing. 
With a vast range of alias' and collaborative projects Hashman has been responsible for some of the rawest sounds in experimental, breaks, house and techno. As well as a DJ his vast taste can expand anywhere from shoegaze and punk, disco and raw chicago sounds, to dubbed acid and techno. 
For this mix the selector has dug deep into the tape hiss sounding crates covering oldschool beats that could be mistaken for an OG Ras G tape, dub flowing onwards into some select acid house and more synth focused club sounds all working together with the most seamless touch. We had a very brief chat with Hashman about his mix but this one is all about the sounds and he lets that do the talking.

Off The Record Mix Series 56: Hashman Deejay

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

forwards and backwards through bits of a [mostly] electronic music timeline. reverence for BCR. records i’ve played forever and new records i’ve just found. boil it down. one z in drizle. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/drizlefm-w-plo-man/episodes/drizlefm-w-plo-man-26th-june-2025

drizle.FM w/ PLO MAN feat. DJ Spence 260625

passing it clockwise is good luck,
anyone can join the joy of joint, just choose a time and post !

blissed out wake 'n bakers or lullabies for insomniacs -- choose your own adventure

Passing it clockwise (07:30 - Nico Tobón)

A sticky-dripping sonic web of sound - NYC's hottest soiree by Amelia Holt.

https://www.instagram.com/ameliaholt

Honey Trap with Amelia Holt @ The Lot Radio 07-10-2025

https://www.instagram.com/fysicaltherapy


PLO Man and Physical Therapy @ The Lot Radio 07-16-2025


Doo in NYC: Excalibur, DJ Frog, DJ Spence and Sentena
Saturday, August 2⋅3:00 – 6:00pm
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Check out YouNeedAHeartToLive.com for more.



Doo in NYC Excalibur, DJ Frog, DJ Spence and Sentena @ The Lot Radio 08-02-2025

Unchain the Mind

Back on track with a very moody ambient chill whatever. Enjoy.