DJ // Producer

Supported the likes of Coki, J:Kenzo, Tunnidge, Mala, Seven, DJ Thinking, Benga, MRK1, Chase & Status, Lurka, Funtcase, Tes La Rok, Phaeleh, Roska, Luke Envoy, Foamo, Rusko, Komonazmuk, Ed Rush, Kenny Ken, Sub Focus, Grooverider & more..... 

Twitter- @sinisterdubs

http://www.mixcloud.com/sinisterdubs

https://www.facebook.com/pages/Sinister/38296088167

djsinisterdub@aim.com

Skype- sinisterdub

For bookings: bora13dj@hotmail.com

Welcome to Three A.M. - Bristol based Duo consisting of Singer-Songwriter, Nicola Nash and Electronic Music Producer, Matt Griffiths. 
All Original Lyrics and Vocal Arrangements written and performed by Nicola and all Music written, arranged and produced by Matt. 
New songs will be added often so please have a look around and share/follow!! 

youtube.com/@threeamduo1

Function band playing dancefloor filling classics

Liverpool born John Murphy began scoring movies at the age of 25. In 2001, following the success of Lock Stock and Two Smoking Barrels and Snatch, he moved to Los Angeles.

Since then he has worked with some of the industry's most respected and luminary filmmakers, including Michael Mann, Danny Boyle, Guy Ritchie, Stephen Frears, and James Gunn, producing film scores as prominent and diverse as Sunshine, Kick-Ass, The Suicide Squad, and the seminal 28 Days Later.

After Kick-Ass Murphy set up the record label Taped Noise and began work on several non-movie projects. His latest film ‘The Suicide Squad’, with James Gunn for Warner Bros, will be released on August 6.

Beyond Ugly is the last panel in the band's Ugly triptych and that it was completed at all came as a shock to all concerned, least of all the group.  After the conclusion of the campaign for their sophomore album, Return To The Ugly Side, members Gee Ealey and Scott Hendy drifted apart with no definitive plans to take up arms together.  It was a chance meeting in Bristol that drew the two back into one another's orbit and to the realization that there was some unfinished monkey business.  The duo re-engaged slowly, simply working up a track at a time, more for the cathartic act of creating good music rather than the artificial construct of "delivering an album."  Lo and behold,  the creative process built an inertia of its own and Beyond Ugly began to take shape.

And what a fine shape it is... Beyond Ugly recaptures the sonic stew of debut album, The Ugly Side Of Love, a potent of brew of post-summer of love and some good ol' Bristol-fashion psychedelic comedown.  However, there's a healthy dose of renewed restlessness and anger emanating from Ealey that permeates the album thanks to some spirited vocal performances, from the anthemic and vengeful soliloquy of "Sweet Flower" to the civilly disobedient "I Deserve To No."

Of course, Malachai isn't a one-man West End show.  As Rakim had Eric B... as Jerry Lewis had Dean Martin... Hendy, the duo's musical director, has truly outdone his past efforts and provides a sturdy musical platform from which Rev. Ealey delivers his sermons, whether the occasion calls for an exotic sturm-und-clang ("I Deserve To No") or a genteel soft-shoe waltz ("Here It Comes").

Malachai have always enjoyed // suffered the curse of being a "musician's band."  Geoff Barrow of Portishead originally released The Ugly Side Of Love on his Invada imprint before the brigands at Domino swooped in and there was no bigger proselytizer of Malachai's prowess  than Sergio Pizzorno of Kasabian and both take their support a step further with guest appearances on "Dragons Ball" and "The Love" respectively.  Additionally, "Segs" Jennings, bassist from punk legends The Ruts joins the fray on "Sweet Flower."  

So do The Stranglers, but that's another matter.

The album concludes with a montage of hallucinations from across the band's discography before what can be best described as the ominous twilight tranquility of "End."  Is this really where the Malachai story ends?  As shown by the creative triumph of Beyond Ugly, sometimes it's best not to plan at all and just let it happen.  We'll do our best to let you know when it does.

THE END


Babylon 86 is the stage name for electronic music producer Matt Griffiths.

Now working as part of the duo "Three Am" with Singer Songwriter Nicola Nash 

UK-based rapper performing (mostly) comedic bars over (mostly) Swing beats. Mostly.

Nicola Nash is following