DJs, producers, selectors — all these terms pertain to Round Table Knights, the eclectic, highly skilled duo of Biru Bee and Marc Hofweber, so why don’t we just call them artists? Hailing from Switzerland, these warriors against the mundane have fought hard in the realm of house music to keep things fresh and support the new in their productions and DJ sets, as well as at their venue, Club Bonsoir. They present the tried and true anew while searching for the untested. 

Beginning with a taste in hip-hop, jazz, and electro, Biru and Marc have since paid their dues in the record bins and diversified their mixing palette even further. A deep knowledge spread across years and genres has brought them across the globe to respected venues and festivals such as Panorama Bar, Sónar, Igloofest, and Creamfields. These crowd-whisperers mix for the body and the mind, deftly juxtaposing the cutting-edge and the classic, always locked in the groove. 

Meanwhile, their production style has been more or less refined to the realm of house, with a clear inflection of all those other styles they so love. Their tracks bump with an unpretentious experimentalism, devoid of obvious weirdness and bursting with musicality. Say What?!, their debut album released on Made To Play Records, set a high standard that they’ve been chipping away at with a number of killer singles and EPs dropped on an international range of discerning labels.

Even with such a broad base of experience, Round Table Knights remain wholly un-jaded and still have a long road to travel. Equipped with sharp ears, rich knowledge, and a distinctive catalogue of work, it’s clear that they’ll always move forward and never lose the crowd along the way.

bookings: ap@annabellepain.com


** Now making music under the name Boy Runaway **
Journey folk from the Cloudlands

If you're looking for my composition work go here: https://soundcloud.com/brunomerzcomposer

COPE 10TH ANNIVERSARY 
LIVE AT THE EARL 
THE ALBUM AND THE FILM OUT NOW

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

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