In this marvelous, ever-changing world, all we love and know will vanish and transform. Yet it is precisely because of their impermanence that everything is possible. Featuring Aslihan Güngör on the harp, “Se Va, Se Va” weaves together jazzy harmonies, dreamy synths, cosmic lyrics and invites the listener to dance with an open heart. Brazil based Maga Bo brings a chill, uplifting dub vibe, while Ukraine based Turu Anasi embellishes the dreamy melody with melancholic synths and groovy beats.

LYRICS

Canta que todo pasa
Se va y se va
Las hojas al viento
Los vientos al mar

Los ecos de tus palabras
Se van, se van
Tus risas y truenos
Se van, se van

La tierra amaneció
La luna despertó
Y una vuelta mas
Las formas cambiaran

Canta que todo acaba
Se va y se va
Las nubes en aguas
Las aguas en sal

Tus manos y sus caminos
Se van, se van
Tus pasos perdidos
Se van, se van


Production and Songwriting: Santi & Tuğçe
Lyrics and Vocals: Santi & Tuğçe
Remixed by: Turu Anasi and Maga Bo
Harp: Aslıhan Güngör
Mix: Santi, Stefan Thomas
Mastering: Stefan Thomas
Cover Art: Victor Sillue
Graphic Design: Scott Partridge

Santi & Tuğçe - Se Va, Se Va (Radio Edit)

Check out https://soundcloud.com/joff-logartz

Mastering of this remix by daWad (@ IRM Records)

Free Download (MP3 320) © Sauvage / Joff Logartz

Sauvage - Vendredi (Joff Logartz Remix)

Who Are You (Alex Stolze Remix)“ is the b-side of Miss Kenichi’s single EP „The Trail“, out on Sinnbus.
http://www.misskenichi.com


Miss Kenichi - Who Are You (Alex Stolze Rework)

Mathematical Music 1b

222
324 
132
108
74
15
60
213
333

www.other-people.network

www.other-people.network

Watch the video: https://vimeo.com/73977348

Spotify: http://spoti.fi/18GWMpV

Beatport

KINQ

Italian duo Hugo Sanchez and Edoardo Cianfanelli have been coming together to throw down all manner of discoid greatness for the likes of Slow Motion Records, and now they're on Malka Tuti with what has the potential to be a massive hit for them. Igino's vocal on the A-side track is undeniably catchy, and it sounds great both in the context of the original and simmering over Severino and Ray Mang's slow-burning gem of a remix. "Bella L'Estate" meanwhile sees the duo head into spooky, cinematic territory to great effect, marking out the kind of off-kilter disco jam to turn heads. Tel Aviv's hippie jewel Naduve completes the release with a druggy and intense take on "Bella L'Estate".

perfidia ep

perfidia

ALIEN ALIEN ft IGINO - PERFIDIA (ORIGINAL) - MALKA TUTI 12" VINYL EP

Dubliners (2008)

Red Dervish

1. 
[they say:]

savior come down savior come down savior come down savior come down savior come down 

2. 
[they hum…]

3.

En las cenizas 
Vamos a armar 
No saber nada 
Es mejor

Ya no cabe nada 
Pero estamos juntos 
Sin noticias 
Del otro mundo 

Y cada día
Nuestro mundo
Se achica 
O se derrumba 

Y lo único que 
Me han dicho sobre el tema
Es que es el sentido común de una flecha

Y lo único que 
Me han dicho 
Es que es el sentido común de una flecha 

Y porque no responde
El sentido común 
No puedo utilizar su lenguaje 

Su lenguaje 

(TRANSLATION)= =

In the ashes,
we will form
knowing nothing now is better

there’s no space for anything
but we are together
without news of another world

and everyday,
our world, 
shrinks
or crumbles.

and the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

but why doesn’t common sense respond?
I can no longer use its language. 

4. [instrumental]

5. [instrumental]

6. mud

come in, 
don’t leave.

grown man:
can’t see.

figures out 
he can’t be
sunken with the crown

old man
i can’t see
you’re in the way
i can’t see me,

we must confess:

illusions number time

…

a drunk man’s on the lead
skies and all bleed
and no one can hear
the cry from the ground

it’s something to dig

there’s something in the mud
there’s something in the mud
there’s something in the mud

7. [instrumental]

8. sunder

Vapor’s forming,

And now I see right behind my eyes.

If the old you could tell me 
if the old you could tell me:

a win is a win 
but a loss is the death of a twin and we borrow

And we borrow.

Forming vapors,

behind my eyes,

And now I see right behind my eyes.


In the words of a prophet 
Sunder,
In the shape of the first and last
Sunder,
In the springs of the church of sin
Sunder,
In the blood of the hands that last,
Sunder,


Does a lock seek erosion?
Does a loss seek revenge of sin?

Right behind my eye,


We borrowed from the page of saint maurice
Named the mountain an egyptian saint
Drank the water from the church of springs
Does a loss seek revenge of sin?

Right behind my eye,

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion?

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
do we need to be still? 

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion? 

9. hello, chain

won't you change, nature?
along me?
carry on your chain,
hell of chain.

we will now wait,
patience is our virtue,
NOW JUST WAIT.

10. [instrumental]

11. [instrumental]

12. 

[I hum]

13. 

carried by a force until a certain peak
there, all you could see,
is swayed by the wind
like the locks in your hair
coloring your eyes
that look nowhere

like a faith made of silk

look around not ahead

a peak is just the way towards 
a descent

look around not ahead

(you have nowhere to look)

look around not ahead

a peak is just the way towards 
a descent

the forces on the hill
manifested by what you perceive as wind

look around not ahead.

Dubliners (2008)

Nicolás Jaar