reading

From the album 'Hiraeth'.

Album available here - http://www.preservation.com.au/product/olan-mill-hiraeth

Olan Mill - Cultivator

The "Wasteland Survivors" is an atmospheric and immersive audio journey consisting of 8 meticulously crafted tracks. Each piece is designed to capture the essence of survival in desolate, post-apocalyptic settings. This collection is an ideal resource for game developers and content creators seeking to infuse their survival game environments with a soundscape that intensifies the experience of navigating through a barren and unforgiving wasteland.

Features of the "Wasteland Survivors" include:

    Post-Apocalyptic Ambiance: The tracks are imbued with a sense of desolation and resilience, mirroring the harsh conditions and the relentless spirit of survival in wasteland scenarios.

    Varied Musical Themes: From eerie, suspenseful melodies that reflect the uncertainty of a desolate world, to more intense rhythms that accompany moments of danger and combat, the collection offers a broad emotional range.

    Atmospheric Depth: Each composition is layered with textures that enhance the sense of immersion, whether it’s through haunting minimalistic tones or more dynamic, rhythmic patterns.

    Seamless Looping Capability: With gaming environments in mind, the tracks are designed to loop smoothly, allowing for a continuous and unobtrusive audio backdrop that enhances gameplay.

    High-Quality Production: The tracks are produced with high fidelity, ensuring clear and vibrant sound that complements the visual elements of the game.

    Adaptability for Various Game Phases: The music is versatile, fitting seamlessly into different phases of gameplay, from exploration and resource gathering to tense encounters with threats.

The "Wasteland Survivors" is not just a compilation of background tracks; it's an essential component for creating a compelling and immersive post-apocalyptic world. Its evocative soundscapes are designed to elevate the player's experience, making their journey through the wasteland not only a challenge of survival but a deeply atmospheric adventure.

1 - Phat Phrog Studio - Wasteland Survivors - Desperate Hour

a sunny friday morning at St. Alban, brought all my equipment to the church to record. 

Recorded with my ambeo headphones. for binaural, 3D-experience please wear headphones

St. Alban 1

Bersarin Quartett  Es kann nicht ewig Winter sein...

Taken from the upcoming album 'Transient Accidents' on Fluid Audio...

- All tracks produced, mixed and arranged by Sara Galán and Edu Comelles. 

- Album recorded during the first weeks of August 2015 at Espai Rambleta in Valencia, Eastern Spain.

- Mastered by Jaume Muntsant.

www.fluidaudio.bigcartel.com

Cello & Laptop - On The Verge

𝓪𝓷𝓰𝓮𝓵𝓼 𝓮𝔁𝓲𝓼𝓽

Taken from the forthcoming album 'Asylum For Eve', released February 10th 2017.

Featuring new material and reworked soundtracks, the album drifts from plaintive piano-led passages to brisk chamber music and back again, tied together by the textured layering of found sounds and instruments that distinguishes Thomas’s music.

After tracking down an old Bechstein Model 9 upright piano for ‘Asylum For Eve’, Thomas set about modifying and preparing it with cardigans, screws and nails in order to provide the textures and timbres which characterise the album’s dense, affecting sound. Techniques employed for the album include the intricate layering of bowed guitars and ukuleles, and fingerpicked violins, banjo and charango. It’s processes such as these, coupled with Hill’s high quality composition and musicianship, that see the album at once expansive and intimate.

Asylum For Eve

Buy on iTunes

Thomas William Hill - Cirrostratus

The original motion picture soundtrack to ‘Salero’ will be out on November 11th.
Pre-order the (Ltd. Clear) LP/CD/DL here: www.erasedtapes.com/store/index/ERATP091
iTunes: itun.es/de/CdbFeb
Bandcamp: snip.ftpromo.net/salerobc
Original Soundtrack to the film "Salero"
Composed & Orchestrated by Adam Bryanbaum Wiltzie.
Recorded in Budapest @ Magyar Hungarian National Radio
Mixed with Francesco Donadello @ Vox-Ton in Berlin

Adam Bryanbaum Wiltzie, the creative force behind A Winged Victory For The Sullen and Stars Of The Lid, is to officially release his score for the motion picture ‘Salero’ on November 11th.
Having channelled some of the most iconic drift music of our time through A Winged Victory For The Sullen and Stars of the Lid, 2016 has already seen Erased Tapes luminary Adam Bryanbaum Wiltzie provide original scores for a number of feature films including Jalil Lespert’s ‘Iris’ and ‘The Yellow Birds’ by Alexandre Moors.
It’s on ‘Salero’ however, that we see Wiltzie weave some of his finest work and deliver an expertly distilled accompaniment to director Mike Plunkett’s sprawling, uncompromising visuals. Set in Bolivia’s Salar de Uyuni, the world’s largest salt flat, the narrative follows the region’s ‘Saleros’ – those who have for generations gathered salt and earned enough to somehow carve out an existence in such a barren landscape. It’s with the discovery of huge Lithium reserves – a mineral used frequently throughout the tech industry – under the scorched earth that acts as a catalyst for exploitation of the environment and its people; holding a microscope to the drastic effect industrialisation has on local culture and tradition.
Recording took place in Adam’s Belgium-based studio for the guitars, percussion and small string ensemble tracking. Hungary was chosen for the final large string orchestra recordings at Magyar Radio Studio #22 with the Budapest Art Orchestra.


LITHIUM, THE NEW ERA

Cover artwork by Melanie Kurhan
Mixed by Jacob Pavek & Hannes Kretzer
Mastered by Jacob Pavek

Download

Jacob Pavek - Hello Montevideo

Out on December 21

release page: dronarivm.com/2016/12/07/chihei-…-above-the-desert/

"Our intention is to affirm this life, not to bring order out of chaos, nor to suggest improvements in creation, but simply to wake up to the very life we’re living, which is so excellent once one gets one’s mind and desires out of its way and lets it act of its own accord".

- John Cage

I recorded this album in the basement studio. 
I recorded the sound output from the guitar amp and the speaker. 
The sound seemed to be blowing. 
In this album I worked underground in the bottom, so I imagined by creating an image of the sky. 
So this album is the theme of desert and sky.

- Chihei Hatakeyama

Chihei Hatakeyama's pure white zen drone is one of those good ways to wake up, probably.

BUY CD

Chihei Hatakeyama - Twilight Glow (from 'Above The Desert' CD)

Bersarin Quartett - St. Petersburg

[p*dis] distribution sampler for April 2012

Bersarin Quartett - II - Alles ist ein Wunder (Denovali)

Listen / Purchase: https://lnk.to/dcad

Film composer and multi-instrumentalist William Ryan Fritch's long-anticipated double album, ‘Deceptive Cadence: Music For Film Volume I & II’ out now on Lost Tribe Sound.

It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence - Music For Film Vol. I & II

Gut Level

Buy Album/Series

William Ryan Fritch - Gut Level (from Deceptive Cadence: Music For Film Vol. I & II)

My Remix for the wonderful Keith / Helios.
Available here: http://unseen.bigcartel.com/product/helios-remixed

Bersarin Quartett Es kann nicht ewig Winter sein...

a man who sold the world

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