Booking contact:
piet@vivid-artists.com

Tobi Kramer was introduced to music at a very early age. His father was a musician and mastered a number of musical instruments, so no wonder that Tobi was already enrolled in music school for a basic course on music education at age 6. A year later he moved on to guitar lessons and played acoustic, as well as later on, electric guitar for several years. Founding a band however didn’t really come to his mind as he gradually discovered his growing interest in electronic music. 
Mixing different tracks quickly started to fascinate him. At age 15 he bought his first DJ equipment and shortly after he started performing in clubs behind the decks. Well received, he was increasingly booked by local clubs and discotheques for spinning records. It didn’t take him long though to figure out that he got more interested in creating his own music. So more and more he concentrated on producing House and Techno tracks. Tobi then, at age 20, moved to Cologne to study audio engineering at the SAE Institute where he put his focus entirely on music production. 
Finally discovered by Oliver Koletzki thank to a remix contest for Stil vor Talent, Tobi Kramer became known to the world for the 2012 phenomenal remix of Format:B’s “Socks & Sandals”, which made him integral part of the Formatik Records family.
Since then, along with regular releases on Formatik and Stil vor Talent, he has also released on La Pera Records, Flashmob, Einmusika Recordings and many more well-known imprints of the scene. His songs and remixes got support from names like Mark Knight, Martin Solveig, Umek or Sébastien Léger.

Lost Desert - Alldayidream - Souksonic - Trybesoff - Satya - Bedrock - Mooizo

Kollektiv Turmstrasse, one of the most successful German live acts in electronic music, is an influential presence in the global techno and house scene. With a compelling discography featuring releases on renowned labels like Kompakt, Diynamic, Cocoon, Fabric, and FFFR, his sound is deeply rooted in house music while also drawing inspiration from breakbeat, indie dance, techno, and even elements of hip-hop and modern pop. Turmstrasse is a complex, progressive and intriguing artist who focuses on the liberated space between driving house tracks and dancefloor anthems.

Der Karrierepodcast für Berufsjugendliche

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


hello everybody, one thing as information:
I DON'T ANSWER MAILS HERE!! 
It's too much, sorry, if you have music to share with me please write me:
solomundemo@diynamic.com
solomunpromo@diynamic.com
Thanks
Solomun


For bookings please contact mariesa@liaisonartists.com and gunita@listedbookings.com

Nico Stojan & Holmar met in a cave of sorts on the dancefloor of Kater-Holzig in Berlin. An instant friendship formed and shortly after they began working on music together. A few years later, on a beautiful Tuesday morning at the 2016 Burn, they played the closing set of that year atop the Robot Heart bus. This set has since become the stuff of legend and where their collaboration received the name "Lovestruckk".

Robot Heart is a collective of doers and dreamers, artists and entrepreneurs. Our home is in the desert dust of Burning Man, and the streets of New York City, Detroit, Bay Area and Hong Kong. Home is wherever the Heart is.

Robot Heart is a community and a family, and our events are an extension and celebration of that community, bound together by shared values of inclusion, giving, environmental responsibility and mutual respect.

Music is our first language, and our mission is to bring love and beats to the world. We work with and support artists, technologists and visionaries of all types in order to create incredible experiences and connected moments. To create love and beats, for you.

Niels Scheune is following