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Advice For Young Musicians

MIDNITE SPARES: COMPILED BY ANDRÁS AND INSTANT PETERSON LP/DIGI OUT 09 SEPT

On Midnite Spares, Australian music devotees András and Instant Peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. Through co-presenting weekly radio show Strange Holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. The 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3RRR and more often than not, the artists themselves.

Renowned mixed media artist Maria Kozic enters with the mysterious downbeat of Trust Me, her partner Philip Brophy responsible for digital and analogue sonic construction. A recurring character in András and Instant Peterson’s investigations, Brophy reappears with a score piece from his divisive feature film Salt, Saliva, Sperm and Sweat, recorded as →↑→ (pronounced “Tch Tch Tch”).

Other links are thread under the surface. Melbourne inner north experimentalist David Chesworth explores his Australiana songcraft leading Whadya Want?. The short lived project also featured Philip Jackson, whose duo The Couch is restored from Fast Forward’s dance issue - a pioneering cassette fanzine published by early-80s 3RRR personality Bruce Milne.

The collection binds a certain musicianship that’s indifferent to fame or chart success, although some artists unwittingly experienced this before and after. Poets of the Machine’s Grace Jones techno-wave was a modest moment for Coral Island and Red Stripe, an English migrant who once celebrated a #1 UK Christmas single with an acapella cover of Yazoo, while the morbid coming of age electronics of Foot and Mouth is a lesser known prologue to Sean Greenway and Matty Whittle’s rise as legendary teen punks heroes God. Quickly becoming a modern dancefloor hit, Mumbo Jumbo’s sole release Wind It Up is only now basking in it’s brilliance.

The remaining figures shape the diversity further. There’s Sydney dub addicts The Igniters, Mix’s groovy synth song about masturbation and the Cameron Allan/Graham Bidstrup soundtrack for petrol headed ozploitation film, Midnite Spares - the compilation’s namesake.

10 Foot And Mouth - I Want My Mommy 4:12 (ES003)

Cosmopolis

From Detriti Records EP: https://detritirecords.bigcartel.com/product/le-cliche-nothing-is-original

AGFA C90

Residency Tape 1 
The sound on this release has been examined and produced throughout August and September 2018 in Frankfurt am Main during a music-residency initiated and hosted by "Künstlerhaus Mousonturm" and MMODEMM.

It is advised to listen to "Narrow Slits" and "Defector (3 Movements)" on stereo speakers.

Jung An Tagen (Stefan Juster)
Frankfurt am Main, 2018

Residency Tape 1

Jung An Tagen - Defector (3 Movements)

Written, arranged, produced and performed by Iv/An. 
Additional synthesiser arranged and performed by Richard Anderson 
(courtesy of This is the Bridge). 

Mastered at Precision Studio by Jean-Dante Vuillemin.  
Sleeve photography courtesy and © Christopher Martin. 

This is a TONN/0.5 co-release, cat. no. TONN010/B21
Available on both TONN & 0.5 Bandcamp.

Somewhere There's A Hunger Strike

Undercover Version

Undercover Version - Iv/An (on Ltd Edition CD)

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/de-bons-en-pierre-ep-no-2/
We are proud to present two new EPs from De Bons en Pierre, the duo of Beau Wanzer @bwanz & Maoupa Mazzocchetti @maoupa-mazzocchetti . Beau Wanzer spends the majority of his days sifting through paraffin embedded animal tissues and reading old issues of Fangoria, occasionally breaking his monotonous routine to record in various fits and bursts. As well as solo material, he is also in numerous projects including Streetwalker, Mutant Beat Dance, Civil Duty, and Corporate Park. Maoupa Mazzocchetti is the pseudonym of Florent Mazzocchetti, a French producer based in Brussels. His sonic vision is one which constantly straddles the line between wild experimentation and rhythmic compatibility, drawing influence from early concrète, 80's tape scene and Birmingham school techno. 
After working together on the ‘Crepes’ EP that we released in 2017, De Bons en Pierre reunited for a two day recording session in Brussels. The duo recorded 13 tracks that we’ve split across 2 EPs with 6 tracks on ‘EP No. 1’ and 7 tracks on ‘EP No. 2’. Beau says, “We hooked everything up and just pushed play. We didn’t really discuss much about the process….it was very ‘spur of the moment’.” The equipment set up included a Roland TR-808, TR-606, SH-101, CR-78, CR-8000, two Syncussions and effects. Each EP contains 25 minutes of dance floor perversions that tackle an array of rhythmic forms. Sludgy synths, serrated percussion and viscous distortion goops over leviathan rhythms. All songs are mastered by George Horn at Fantasy Studios in Berkeley. ‘EP No. 1’ is housed in a sewage green jacket featuring a monster mask duo and spiky motifs designed by Florent Mazzocchetti, and ‘EP No. 2’ is radioactive orange with a different pair of monster masks.

Omma

Night Sticks