Wolkoff - Curve Appeal [prod. by Icarus Moth]

Concrete Oaths is a dark, cinematic post-punk record built on silence, restraint, and unspoken codes. Set in shadowed streets and quiet rooms, the album explores loyalty, memory, boundaries, and the invisible rules that govern human behavior. Each track moves with measured intensity — driven by minimal rhythms, deep basslines, and spoken-leaning vocals that feel more observed than performed.

Rather than glorifying violence or bravado, Concrete Oaths focuses on what exists underneath: discipline, consequence, dignity, and the weight of choices that never need to be explained. It’s an album about presence over noise, restraint over spectacle, and the quiet authority of those who move without announcement.

Cold, reflective, and atmospheric, this record lives in the space between shadow and resolve — where silence speaks louder than words.

By: AzSolo
Genre: Post-Punk / Dark Alternative
Mood: Noir, restrained, cinematic, introspective

Quiet Men Own the Night

wip162.mp3

mistreated

LMTD Edition 12" Vinyl: smarturl.it/BrettModeVinyl
Spotify: smarturl.it/BrettModeSpotify
Apple Music: smarturl.it/BrettModeAppleMusic
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Brett return with astral lead single, "Claire Drained," and news of their sophomore album, Mode. Across the record's 10 tracks, Brett's songwriting magic is undeniable. Pop jams come to life in 3D, swirling the senses and putting the mind into motion.

Unlike previous material, Mode inspirations are diverse, owing more to multimedia art than romance, namely Jean-Luc Godard’s recent film, Goodbye to Language. “The defining quote for me was: ‘For women, it's only sex and death. For men, it's only infinity and zeroes,’” said vocalist Mick Coogan. “It’s a fairly opaque statement, but I think the irony lies in assigning absolutes to human relationships, which can be so beautiful and inspiring. At the same time, the fundamental differences between men and women are very real and that shit is difficult to figure out.” In a more abstract way, the light installations of James Turrell also influenced the musical contours of the album.

The album’s art was created as a large-scale painting by LA artist, Charley Alexander, using abstracted patterns, shapes and color scales, and then cut into 50 squares, each of which will be sold with limited edition pre-order copies of the vinyl record. 
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Brett on FB: on.fb.me/1RqgOMp
Cascine on FB: on.fb.me/1eR1MsE

Brett - Immaculate

'Overdressed' is the first single from the TWINKIDS' debut release on Om Records 'Boys Love' released August 18, 2017.  

This song chronicles the uncertainty and distrust in a young relationship, the feeling of betrayal in conflict with insatiable attraction. The song’s poppy verse explodes into a full-fledged four-on-the-floor chorus as the singer asks “Is it crystal or plastic?”

Lyrics:

VERSE 1
Hold you with covetous hands
My endless rants, baby they’re homemade Invited to your careful masquerade Maybe baby I’m going insane
You leave me with a smile on your face
a stain in my mouth, you’re making me feel you show me your teeth, you got some nerve Captivated, oh I can’t move

PRECH
Blinding me, hardly see all your lying, your loving distracts me
Fell in love and it comes with a price, all your loving, it distracts me

CHORUS:
Is it crystal or plastic? Overdressed and under-loved, it quivers, that bug in your lip, baby I love you deeply
you’re a lie to me

VERSE 2
Hold you and your thready claims
they rip easy, baby even in your haze should I keep you and live in your charade? maybe baby I’ll just go insane
You leave me with a smile on your face
you’re dressed up for me, always talking me to stay you show me your teeth, you got some nerve captivated, oh I can’t move

© & ℗ 2017 Om Records

Published by Copyright Control (BMI)

Overdressed

Stream / Download

TWINKIDS - Overdressed

Purchase this track on itunes!
https://itunes.apple.com/us/album/head-spin-single/id1221410987

Head Spin - Single

Scouuts - Head Spin

Maps & Atlases - "Fall Apart" (from Lightlessness Is Nothing New)

Lokoy - Two Too Many

Some people drink
Some people lie
The end of the bar ain’t the end of the line
Don’t touch my keys
I’m gonna drive
To a place with an unstable cliffside

We’re gonna fall back
Into the ocean
Fill up our lungs with smoke while we can
Let all our demons
Sink with the sunset
Take off our clothes and float hand in hand

I wanna go back
Don’t wanna hold back 
I wanna love how I used to love
I wanna say things
Stupid romantic things
I wanna love how I used to love

Isn’t it sweet
Watching the tides
With somebody you’ve only met tonight
You think I’m cheap
I think I’m sly
Taking you to a beach with a gallon of wine

After we run back
Into the ocean
You grab my hair with a delicate grasp
This feels so easy 
Electricity
Sharing a kiss on a cold lifeguard stand

But now that feeling is gone
I don’t know when or where I lost it
I’m sitting on my couch
Overthinking what bottle to bring tonight

I wanna go back
Don’t wanna hold back 
I wanna love how I used to love
I wanna say things
Stupid romantic things
I wanna love how I used to love

I wanna go back
Don’t wanna hold back 
I wanna love how I used to love
I wanna say things
Stupid romantic things
I wanna love how I used to love

Written, Produced and Mixed by Ryan Marshall Lawhon
Mastered by Gene Grimaldi

Stupid Romantic Things

Written by NIGHTMØDE & Austin Thomas

Produced, Mixed & Recorded by NIGHTMØDE

Mastered by Adam Grover at Sterling Sound Nashville, TN

Halo

NIGHTMØDE is the producer project of Matt Kass.

www.nightmodesounds.com
www.mattkass.com

Halo

NIGHTMØDE

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