Enquiries, Podcast & Premiere: info@parkettchannel.it 


Parkett is an editorial project embracing the full spectrum of underground music
We focus on three different areas, providing high quality content:
• INTERVIEWS to International and Italian artists
• REVIEWS of the most interesting releases from the electronic and underground scene
• PODCASTS hosting established names of electronics and new talents

Sound design. Music production. Publishing. Everything in between.
info@soundhillmusic.com

Multi label artist creating electronica, ambient and IDM based in Finland. Owner/manager of Kahvi Collective (http://www.kahvi.org)

All music written and produced by me.
MY INSTAGRAM IS: indoo_officiall
GO FOLLOW FOR UPDATES ON MORE MUSIC

https://linktr.ee/BarryAdamson

Barry Adamson's work as a bassist for Magazine and Nick Cave's Bad Seeds gave little indication of the complex cinematic works he has composed and arranged as a solo artist. 

Since leaving the Bad Seeds, Adamson has produced a succession of compelling and deeply personal LPs such as Moss Side Story (1989), the Mercury Prize nominated Soul Murder (1992), Oedipus Schmoedipus (1996) and Know Where To Run (2016).

As a film composer, Adamson has worked with some of the film industry’s most intriguing mavericks including Derek Jarman (The Last of England, 1987), David Lynch (The Lost Highway, 1997), Oliver Stone (Natural Born Killers, 1994) and Danny Boyle (The Beach, 2000).

In 2021, Barry released the country, jazz and blues-esque Steal Away EP via @muterecords in conjunction with his memoir 'Up Above the City, Down Beneath the Stars'. Listen here: https://mute.ffm.to/barrya

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

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