idk pt2

Vibes 🫶🏾

Angst Chalistair Playlist (*sniff*)

для ренаточки

i can't save us, my atlantis we fall :(

doing it all for love

new track w/ @iamoneheart

stream https://kurate.lnk.to/DS034
released by @dreamscapeyt

snowfall w/ Øneheart

why do you cry?

colours

only love can hurt like this

he needed more than me

je te laisserai des mots - sped up

if i knew it all then, would i do it again?

after dark x sweater weather sped up

Vegedream //  Ramenez La Coupe à la maison (Sped up/nightcore)

theres a hole that you fill

until I found you sped up and reverb <3

In my room - Chance Peña  ֗⋆☆ (Instrumental)

Preorder it: http://akrec.co/1y05i0M
Available on Asthmatic Kitty Records March 31st (US) / March 30 (EU)

More info: http://carrieandlowell.com

In “Carrie and Lowell,” Sufjan Stevens is a child again or, more specifically, the child character in the family of man drama that often but not always centers on the story of love given, or love forsaken, but isn’t that the same thing to the poet? That the love Stevens sings about having left or given or been born to–thank you, Carrie–is a perceptible wound not only on the singer’s throat, but his sleeve: he wears love’s incomprehensibility, and the deep incomprehensibility of being a son, like a backing vocal on “Carrie and Lowell,” which is also filled with colors, hearts, trees, conclusions, and beginnings,

Sufjan Stevens, "Fourth Of July"

Wande Coal - Iskaba Fast Version

tom rosenthal - its ok

alleyways

i can't save us, my atlantis we fall :(

nightscohen