Drumcode

There’s no room to argue, Joseph Capriati has enjoyed his finest year to date and his escalation as one the principle profiles in techno knows no boundaries. 

The Napoli-born firebrand has just completed a stunning season in Ibiza as a resident of Marco Carola’s Music On at Amnesia. Anyone who caught him play the main room this season will agree – his special ability to combine an infectious stage presence, with razor sharp DJ skills draws techno fans to dancefloor like bees to a honey pot. No wonder island legend Carola’s handpicked him to perform on 8 separate occasions, more than any other artist this season. 

Combine this momentum with an outstanding 2013 that already saw him headline his first coast-to-coast tour of the US, play a historic 12 hour set at the Metropolis in Napoli, plus headline every major techno festival on the planet, the time couldn’t be better for Capriati to unleash ‘Self Portrait’, his sophomore LP. 

Already ingrained in the consciousness of techno lovers this year thanks to ‘Fratello’ and ‘Awake’ the pair of searing dancefloor slayers that were released in June as the album’s first singles, ‘Self Portrait’ goes deeper than the club stormers the Italian is famed for. Over 11 future-facing tracks, Capriati displays his deft production skill to supersede his reputation for bodyslamming dancefloors. 

Tracks such as ‘Electrolytic’, the album’s atmospheric opener evokes mood with a barrage of steely synths, gritty drums and industrial beats, while ‘Self Portrait’, the typically reflective album title track is an understated ambient gem led by warm trickles of melody that pairs nicely with ‘Naked’ which exhibits the producer’s deft skills for moulding sparse stripped back minimal that kicks along with cheeky vox and shuffling percussion. 

He further reinforces his ability to create addictive club rollers with the quirky, squiggly groover ‘Easy Come Easy Go’, while the masterful ‘Basic Elements’, chugs along with rattling industrial percussion before giving way to a sublime wall of melody that’s just the kind of genius fare that gets his diehard fans raising Italian flags inscribed with ‘JOSEPH CAPRIATI KING OF TECHNO’ regularly at this gig. And with an album this good, who are we to argue?

Joseph Capriati - Always And Forever - Drumcode

1992

DC123 - Alan Fitzpatrick  - 1992 -   Drumcode

My new Drumcode EP is out! Get your full quality copy here: http://bit.ly/DC126

These listening files are only low-resolution and not for playing out. Believe me, the full quality versions sound even much better :-)

Bart Skils - Shadowprint [Drumcode] [Lo_Res]

Nicole has returned to Drumcode all guns blazing with her new ‘Bittersweet EP’. The A- side ‘I Know Where I’ve Been’, is a deep rolling techno machine that uses a constant building percussion loop that eventually explodes into some serious funky signature Moudaber techno! ‘Bittersweet’ is a techno belter that uses a hypnotic synth rhythm that will take the listener into another world. The repetitive claps induce a flurry of energy and excitement whilst supported by the crisp highs.

Nicole Moudaber - I Know Where I've Been - Drumcode - DC127

A-Sides Part.2 [DRUMCODE]

Release on Beatport 23-06-2014

http://www.beatport.com/track/the-space-original-mix/5498197

Roberto Capuano - The Space [DRUMCODE]

Adam Beyer’s new EP titled ‘Teach Me’ is an accomplished piece of work that highlights Beyer's year thus far. 'Teach Me' starts with some eerie chords before the distinctive vocal kick in and the track drops into a rumbling techno track. ‘Darlek’ uses rhythmic beeps and huge synth stab to create a funky rhythm before the atmospheric pads create a beautiful setting for this incredible techno track. ‘Stop Talking’ is a deeper offering from Beyer using weird and unusual noises to create and interesting piece of work that is helped along by the throbbing bass underlying in the track. ‘Spaceman’ uses a rhythmic vocal, percussion and sub bass to turn this track into a funky techno piece.

Adam Beyer - Spaceman - Drumcode - DC132

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Sunflower - Drumcode - DCCD10

Sam Paganini - Another Chance - Drumcode - DCCD10

Jel Ford kicks off his return EP with two tracks of clean big room techno. The title track ‘Backyard’ is a moody affair with a low drone throughout that is complimented with layered synth stabs. Using reverb to create atmosphere within the track it subtly breaks down before a vocal hook transcends the track to deliver a killer blow. ‘Meeting of Minds’ is dubbier and uses a tripped out synth to add rhythm whilst working alongside a synth pattern to keep the track chugging along. The slow evolving pads add texture and keep the track nicely filled out whilst this timeless classic keeps on giving.

Jel Ford - Backyard - Drumcode - DC133

Alan Fitzpatrick is back with a three-track EP that encapsulates what Alan’s Drumcode sound is all about. Hard-hitting drums that fire down onto the dance floor like cannon balls. Check! Intense key patterns that are as twisted as they are uplifting. Check! Beautiful melodies that seamlessly interlock with each element. Check! Big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous Fitzpatrick magic over the top. CHECK! In short, this EP is everything we have come to expect from Alan over his long history with Drumcode (this is his 10th EP as a solo artist!), but still his sound remains fresh and super-charged for 2014.

Alan Fitzpatrick
Turn Down The Lights
Drumcode
Released: 27.10.14

(contains a sample from "The Revolution" by Superchumbo, courtesy of TWISTED Records Inc. (www.twistedrecords.com)

Alan Fitzpatrick - The Catalyst - Drumcode - DC134

Alan Fitzpatrick - Organic - Drumcode - DC134

Luigi Madonna returns to Drumcode a year after his superb single ‘Primo’ using familiar hooks, huge stabs and monstrous drums that storm across the dance floor which, are common with Mr Madonna. The hard hitting raw vibe of this EP gives Luigi an edge, with fluttering high’s and saturated lows, Luigi’s tracks are a mainstay in all DJ sets. The EP encompasses different emotions throughout that can be felt within the track ‘Singer One’, offering a more mellow side to Luigi’s already expansive catalogue.

Luigi Madonna - Why Not - Drumcode - DC135

Luigi Madonna - Back To School - Drumcode - DC135

Adam Beyer is back on Drumcode with an impressive array of tracks that will get the senses tingling and shows us what Drumcode is all about. These 4 tracks are deep and almost melancholic in their approach to techno, using effects to really help enforce an ambience only Beyer can achieve within his productions. The under lying throbbing of the drums drives this EP into the forefront of the heads down Drumcode sound and have been heard in many of Beyer’s phenomenal sets throughout the year.

Adam Beyer - Stone Flower - Drumcode - DC141

The Drumcode A-Sides compilation is quickly becoming synonymous within the techno world as a go to compilation for the hottest tracks that are deservedly A-side material in their own right. Each specific track has it own unique character that brings an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special. Mixing both highly experienced and new artists has helped to bring a new dimension to the compilation that makes it such a special array of tracks.

Dense & Pika - TEX - Drumcode - DC142

Stephan Hinz - Breakout - Drumcode - DC142

Following on from the success of Capriati’s album Self Portrait, 4 tracks have been hand selected by some of techno’s hottest producers. Dubfire, Coyu, Julian Jeweil, Luigi Madonna have each incorporated the same feeling that Joseph laid out in his original productions, but have added a unique twist that breathes a new lease of life into the tracks.

Joseph Capriati - Basic Elements (Luigi Madonna Remix) - Drumcode - DC148

Presented as a three-track EP, Slam’s latest body of work for Drumcode covers a range of styles, drawing on their vast experience of the multi-colored nature of techno. Vespula, with its resolute groove and low, humming bass works the speakers hardest, while synth stabs, dramatic drawn out chords and a distinctive two-tone hook add contrast. Resume puts musicality to the fore by creating a melodic ride that flows from an undulating bass line and a soaring synth line whilst retaining a strong percussive energy. Metus beats out a slow burning but impactful groove that swings between an intricate, multi-layered arrangement of wigged out atmospherics and industrial clunks and clanks. RELEASE DATE 28th May 2012


DC94 Slam - Vespula - Drumcode

Joey Beltram - The Scorpion - Drumcode 50

Renato Cohen – Pontape 2013 Remake (Original Mix)

Drumcode

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