Music and lyrics (c) Monica Colet, 2014
Image (c) 20th Century Fox, 1994

I swear, we've met before
Maybe in a past life
We were more than just strangers
Sitting in the same room

I can see it in his eyes
The way the earth stops revolving
And the stars all collide

Chorus:
You see, we've never met
But I feel I could know him 
Like the back of my hand
Is it happiness or regret
That the future holds
Lord is it in your plan

I'll push myself up from my chair
And take a deep breath
As I prepare to stand
And I'll walk towards him
He won't look up as I'm twisting my hands

And the fluorescent lights
Will shine down upon him
Like a halo from heaven
I'll hear angels sing
Their triumphant choir, sweet hallelujah

(repeat chorus)

Bridge: 
He glances my way
A cold stone dark stare
Like a fox in a meadow
And I'm not ready for this 
But he's so damn beautiful
So I start to say

Do you believe
In love at first sight
In heaven on earth?

In serendipity
In the stars aligning
For a fraction of a moment?

End chorus:
You see, we've never met 
But I wish that I knew you like the back of my hand
And for all this is worth
I'm aware this could be
The beginning or the end

But I'd give anything
To start somewhere
To know your name 

At First Sight

This is the theme I wrote for LOSING GROUND, Kathleen Collins' celebrated film called "a nearly lost masterwork" by The New Yorker.  Vocal by Frankie D., piano by Jim West

Love Does Her Thing in Funny Ways

Joi - Goddess

Jaywalking with Yumi @ The Lot Radio 05-12-2025

production + guitar + mixed = t@ 

https://youtu.be/nzJaMaLyZCg?si=CWZEVvb8KaDzzyrY
MUSIC VIDEO ^^

Lyrics: 

was it last summer we met that melody i'll never forget 
was it last summer we met that melody i'll never forget 

close your eyes it’s a surprise 
go roll the dice 2 steps ahead 
please don’t let it get to your head 

I wanna die (why)i don’t know why  (oh)
constantly in the back of my mind 
i’m feeling right you’re being left 
bury me in jeremy scott when im dead (ay)
when im dead x 2 

can someone hold me before i float away 
can someone hold me like gravity 
i hate space 
escape 2 my fantasy world headphones on and
CD twirls 

was it last summer we met that melody i'll never forget 
was it last summer -

I wanna cry but I don’t know why 
the stars shine bright but never align (align)
crystal tears fall from my eyes 
the cold reality of life has paralysed 
my hopes my dreams my ambitions 
I don’t know what to do kno I’m missing 
apart of me apart of you 
two white doves apart they flew 
bury me in jeremy scott when im dead 
when im dead x 2 

can someone hold me before i float away 
can someone hold me like gravity 
i hate space 
escape 2 my fantasy world headphones on and 
CD twirls ! 

was it last summer we met that melody i'll never forget 
was it last -

was it last summer we met that melody i'll never forget 
was it last summer we met that melody I cannot forget 
was it last summer we met that melody i'll never forget x 2
(I don’t know)

last summer

FRIEND OF MINE [MAL'S "JUST_MEAT" EDIT]
rel. 24/06/2025.

FRIEND OF MINE [MAL'S "JUST_MEAT" EDIT]

Last Summer (Will M remix)

Margeaux @ The Lot Radio 07-01-2025

Bitter Babe takes the second half of RA.997, revelling in the fullness of the Latin electronic continuum. 

As part of our countdown to the 1000th edition of the RA Podcast, a milestone in the 18-year history of Resident Advisor's weekly mix series, we're switching up the usual format.

This week, following heady excursions through Lagos, Kampala, Detroit and Chicago, our focus shifts to Latin America—arguably the story in underground electronic music since the pandemic. 

After years of being all but ignored internationally, the glut of special club sounds coming out of Peru, Brazil, Colombia and beyond have finally received their flowers. 

Among the movement's great success stories are two artists who exemplify its refreshingly undogmatic energy: Verraco and Bitter Babe. 

Bitter Babe, naturally, takes the B. As a DJ, she reflects the fullness of the Latin electronic experience—"diverse, messy, emotional, political and full of contradictions," as she says in her interview. 

Her rollicking rides through guaracha, dembow, cumbia, techno and everything in between are powerful counters to anyone who believes the culture begins and ends with Shakira and Bad Bunny. And, as she'd like to remind everyone, "not every offbeat rhythm with Latin percussion is reggaeton."

Skip through the 60-minute mix and you'll hear wildly different rhythms at every juncture. Surely, you might assume, at the expense of flow? And yet enjoyed (as intended) from start to finish, the tunes gel like milk and honey, each silky transition subtly phasing in fresh tones and percussive flourishes. It's fast, feverish and intensely riveting.

@bitterbabe
Find the tracklist and interview at ra.co/podcast/1001

Correction: the final version of this mix was uploaded on Tuesday, July 15th.

RA.997 Bitter Babe

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At First Sight

Niki Colet

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