Official page for Eric Prydz, Pryda Recordings, and Mouseville Records.

DJ Daddy Trance 

Booking Requests:
maria.may@caa.com
jennifer.hammel@caa.com

All other Requests: 
bastian@invisiblehand.agency

To listen to Billy Gillies is to capture true joy, because every song he produces and DJ set he performs radiates pure passion and vibrant spirit.

 

The Northern Irishman’s blend of quirky Eurodance synths, uplifting trance grandeur and hard-hitting bass rhythms goes beyond catchy melodies and expert timing, as breakout hits “Lagoon” and “Youth” tap into the very essence of what makes a night spent on the dancefloor with your best mates such a special experience.

 

That’s why he’s earned more than 145 million views on TikTok, filled a Creamfields tent with thousands of ravers at 1 p.m. on a Sunday, and why he’s managed to get an official remix of Madison Avenue’s 1999 hit “Don’t Call Me Baby” after ripping the iconic vocal off the internet.

 

Crowds chant his name from Taiwan to Texas because Billy Gillies dares to do something different; something unique to himself. Now, Billy Gillies is the next superstar-DJ-in-the-making, poised to take over the world.

 

Billy’s musical obsession started in the 2000s when his older sister started buying Clubland compilation CDs and dating a local DJ. One night, the boyfriend came over and brought his decks, but when the couple left to go dancing, 11-year-old Billy snuck into his sister’s room and started playing with the turntables.

 

“I was like, ‘what is this music? I love this,’” he laughs. “On the Christmas list for that year was a set of decks.”

 

His mom delivered with his first set of Kam belt drives, and Billy’s been mad for mixing ever since. Each Saturday, he’d head out of the house with a five Pound note and spend it on a new record (Tiesto’s Traffic being particularly influential). In turn, he’d spend the next week learning to mix that record in and out of his steadily growing collection.

 

When he was 17, he got his first taste of true Clubland. A year underaged, he caught an hour-long bus from Belfast to Banbridge and talked his way into a club called Coach. Japanese DJ Yoji Biomehanika and the UK’s own Lisa Lashes dropped heavy hard-house records all night, and Billy started dreaming of his own chance to rock a crowd, proper.

 

He knew that if he wanted to be an in-demand DJ, he’d have to come up with some original songs. In 2011, he locked himself in his bedroom with a copy of Ableton Live and didn’t come out until he’d mastered the basic trance sound.

 

He fell in love with music production and started sending his tracks to BBC Radio 1 DJ Judge Jules, who played them on his show every Friday night. For 19-year-old Billy, there was nothing better.

 

After spending much of his 20s as a self-described “party animal,” 28-year-old Billy once again locked himself inside his bedroom and churned out a ton of original tunes. The result? A spot on the lineup of Luminosity 2019 alongside major trance legends Paul Van Dyk, Ferry Corsten, Gareth Emery and more. He played a set of all-original material, and when a recording was posted to Soundcloud, it earned more plays than any of the headliners.

 

“I’d brung a fresh sound into the trance scene,” Gillies says. “Everyone was making the same type of thing, where I just look back at my influences growing up and crammed it into the main trance style.”

 

International booking requests flooded in, sending him to Argentina to Australia—and then COVID struck. Many of his peers saw no point releasing music to a locked-down crowd, but Billy saw a chance to experiment.

 

“People need music in hard times, not just for clubs,” he says. “The music I was making around that time was proper emotional melodies, and it was resonating with everyone.”

 

He’d share each tune in a rough clip to Facebook or TikTok, and every post brought shares in the thousands. His fan base wasn’t just growing, it was ballooning, due in part not only to his masterful skills in the studio but also his effervescent personality that spills into each tune.

Melbourne, Australia 

House, Tech House & Minimal DJ 

Available for Bookings (Private & Club)
Instagram: dj_nathanapos
Email: apos.dgtl@gmail.com


Resident DJ @ 

Ms Collins Friday’s
Alumbra Saturdays @ The Albion 
Baxter Sundays @ Captain Baxter

KM074 is out now
https://ffm.to/km074

Keinemusik is a network with the label as the pulse pumping centre. Driven particularly by the spirit that moves the collective behind the imprint. The spirit to find your own agenda and let nobody get in the way. The spirit of refining House and Techno off the beaten path. Be it within their own tracks, within productions of other sorts or DJ-sets. The spirit of recall value within record- and flyer-artworks and everything intermediate in word and image surrounding releases and parties. And the spirit of diversification – Rampa’s effect-gadget-venture TEILE being one example. Keinemusik’s own booking department ‘Worldwide Dancing Club’, established in 2018, being another.

Keinemusik has been around since 2009. It has been naming an existing friendship and linked interests of the four members – &ME, Adam Port, Rampa and Reznik. A more or less constant count of five releases per year have been released ever since, solely laid down by members of the crew. And a considerable count of label-parties went down, not only in Berlin, but around all international focal points for electronic music. And surely, there’s plenty more where those came from. So see you soon in a record store or on a dancefloor in your area!

Born and bred from the streets of New Orleans, Louisiana, enter into the game, 20-year-old August Alsina...

With the love and hustle of the Crescent City running through his veins, August is eager to follow in the footsteps of the NOLA music legends that paved his way. His recently inked deal Def Jam Recordings looks to be a great step in the right direction, but music wasn’t always in his future. 

August learned at an early age that drugs and money could make you, or break you. With both his father and stepfather battling crack addiction, August’s mother moved their family to Houston, Texas in search of a fresh start. But Houston provided no happy ending. For years a young August endured a home life plagued by drugs and violence. At just 14, he got word from New Orleans that is father, August Sr., lost his battle with drugs and alcohol. 

In an attempt to escape his reality, August took to Youtube, where he posted dozens of homemade performance videos. His clips covering Musiq Soulchild, Lyfe Jennings and others went viral, generating millions of views in just over a month. It seemed that he was finally taking his first steps toward a bright future in music, but just a year later, reality hit home when his best friend was shot and killed in the streets of Houston. As quickly as August appeared, he vanished form Youtube, back to the real world. With tensions mounting at home, 16-year-old August was kicked out. Alone, he returned to New Orleans and took to the streets, selling drugs as a means of survival. 

With his older brother also in the streets hustling, it wouldn’t be long before August learned that the addiction to money could be as deadly as the addiction to drugs. Just days before August’s 18th birthday, his older brother was gunned down in New Orleans East, another unsolved murder in one of the nations most dangerous cities. “I never expected them [the police] to find his killer”, August explains. “People die everyday in the streets of New Orleans. Unfortunately, death has become a way of life,” but not for August. His brother’s death became his motivation to not become a statistic, but to pursue his musical aspirations on an entirely new level.

Under the guidance of Noontime Unlimited (management and production company), August relocated to Atlanta in 2011 to begin carving his own musical path with his life experiences at the center of his artistry. He recently teamed up with Hoodrich/MMG’s own DJ Scream for the release of his debut mixtape, ‘The Product’, which spawned the internet and radio buzzing anti-love single, “Sucka” which features fellow New Orleans crooner Lloyd. 

Yet to reach 21 years old, with already a lifetime of experiences behind him, August is living proof that your past doesn’t have to dictate your future, and that life’s hardships can be the motivation required for success. With Grammy Award winning singer/songwriter The Dream prepping August’s debut project for release through his Radio Killa/Def Jam imprint, the path to success has been laid. Look for August to make 2013 his official coming out party.


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