Benjamin Staern (b. 1978) started his musical experience with studies in cello, piano and percussion in his youth. Studies in musicology at Lund University and subsequently studied composition at the Malmö Academy of Music during 1998-2005 with Rolf Martinsson, Hans Gefors and Luca Francesconi, and made an early breakthrough, while still a student at the Malmö Academy of Music, with the symphonic work The Threat of War (1999). 

From this point on, Staern has developed a deeply personal style with an output including orchestral and chamber works, solo pieces and electroacoustic music. An interesting aspect of his work as a composer is his unusual ability to associate tones and timbres with different colours and tints. This is a variant of a phenomenon called synaesthesia which is fundamental in his perception and the creation of his music, and which is reflected in his sound world as well as in many of his work titles (Yellow Skies, Colour Wandering etc.) 

Today Staern receives commissions on a regular basis. Looking into the near future, he is commissioned to write a major work for Malmö Symphony Orchestra and song cycle for alto Anna Larsson and Helsingborg Symphony Orchestra. From September 2010 he is composer-in-residence with New European Ensemble for them he composed works from this collaboration such as Tranströmersånger (selected poems from the Sad Gondola - collection by Nobel-prize author and poet Tomas Tranströmer) and Bells and Waves (Chamber Symphony), winner of the SMFF Award 2011 in the category ”most important work in chamber music/smaller ensemble”.

Works by Benjamin Staern is today performed not only by all the major Swedish orchestras but also internationally by orchestras such as the MDR Sinfonieorchester, Tokyo Symphony Orchestra, Deutsche Kammerphilharmonie Bremen, Iceland Symphony Orchestra, Staatsorchester Rheinische Philharmonie and the BBC Scottish Symphony Orchestra. Staern has collaborated with ensembles including New European Ensemble, Sonanza Chamber Ensemble, Ensemble Aspekte and Stockholm Chamber Brass. Soloists include Håkan Hardenberger, Anna Larsson, Johannes Möller, Karin Dornbusch, Carina Vinke, Gitta-Maria Sjöberg, Philippe Cassard and conductors Michael Christie, Daniel Raiskin, Christian Karlsen, Mats Rondin, Mika Eichenholz and Stefan Solyom.

FIRST OF ALL, I WILL SAY THANK YOU VERY MUCH TO ALL WONDERFUL PEOPLE THAT LISTEN TO MY SONGS - LOVE YOU ALL!!

Dear friends, I worry more and more about the state of the earth! More and more wars flare up, the climate is worrying with natural disasters as a result! Strong malevolent rulers emerge and succeed in egging the population of the respective countries. History has shown how it goes - I think of such men as Hitler and others! The war causes huge emissions of greenhouse gases! Instead, use the soldiers to plant trees and fight the terrible forest fires!

The Baltic Sea is living dangerously right now! Scores of ships in deplorable condition transport oil across the sea. The risks are great for extensive oil disasters! I have made some songs for the Baltic sea just to make people understand the problems.

I have recently published some of my songs on YouTube - search for Bengt Roth.
https://www.youtube.com/results?search_query=bengt+roth
I write almost all of my songs, and I sing my songs and play the guitar and the harp - no more. My recording equipment is quite modest with a Furch guitar, Alhambra guitar, Röde microphone, Focusrite and Garageband. My studio is our guest room in our house.
I was young during the 1960s when Dylan became famous. I was a member of a folk song group during that time. I love Dylan´s music!! I was also a big fan of The Doors, Jefferson Airplane, Mamas and the Papas and several more singers. I like folk music and the old protest songs. I love the music of Eva Cassidy. I was also a big fan of Björn Afzelius, and I love the music of Tom Petty. I am very inspired of the music of John Denver.
Bengt and certainly several 100 million people are intensively protesting against all evil around the world!
I love to sometimes write songs that are a bit weird and self-ironic!
You know that I am a novice in the "recording business", and sometimes I have to revise the songs.
My whole grown up life was occupied by my profession as a doctor in intensive care and anesthesiology. I was head of the department of Intensive and perioperative Care in Lund, Sweden the last years. After that I have got the possibility to be dedicated to music. 
My songs are a matter of extreme happiness and extreme sadness. I write all the music and lyrics except "As tears go by", "House of the Rising Sun", and songs by Evert Taube.
I love to leave some message with my songs!
I have no previous experience of writing fiction. I have, however, some experience in writing non-fiction. I wrote my thesis, and some chapters in a textbook in anesthesiology. I was also member of a group who introduced an education program in pediatric cardio pulmonary resuscitation for laymen in Sweden.
I have created a repost page "Bengt Erik Roth Repost Page".

https://www.youtube.com/results?search_query=Bengt+Roth

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Poet, musiker/låtskrivare. Två LP och tre singlar med Tundra (1977-88). EP:n "Långt inåt land" (2002, privat distribution). Har skrivit texter åt Lena Willemark och Väsen. Dessutom librettot till en kammaropera av Britta Byström, och texter till körverk av Johan-Magnus Sjöberg
Poet, singer/songwriter. Two LPs and three singles with Tundra (1977-88). The EP "Långt inåt land" is a 2002 private release. Lyrics for singer/songwriter Lena Willemark and for Väsen. Also the libretti to a chamber opera by Britta Byström and choir works by Johan-Magnus Sjöberg.

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