Performed by Nikolay Alifanov, Studio for New Music, cond. Igor Dronov, 2007

This piece is written specially for Young Composers Meeting 2006 in Apeldoorn, where a theme ʻWaiting for a bus stopʼ was supposed. So, the authorʼs task was to find a connections between constructive principle of the work being written and the theme given by organizers. The text appeard is as follows.
 
A passenger waiting for his bus is observing as a car is passing down the road; dusts are raising from under its wheels and settled onto something else after chaotic movement in the air. Than due to that (or, vice versa, because of quite different reason) something else is happening etc. Many processes — depending to each other in different degrees — are taking place around the observer. Every process, being generated by another one, ʻlivesʼ each own live, develops its own way.

Short phrases from some music are wafting from passing car stereos, sometimes being distorted by something like Doppler effect, but at once ʻsubmergeʼ among other sound and no-sound  ʻeventsʼ. All this stuff is filling all receptors and ʻscintillatingʼ so, that even time starts shrinking and stretching in sensations of the waiting person.

Sprawling street for barytone and large ensemble

Fort Road - Losing Faith (DM Mix)

GES-2 geometry of now - Dmitry Mazurov

RED for double bass and live electronics / performed by Anton Izgagin, double bass. The piece was written for "The Space of Red" - project by The National Centre for Contemporary Art Moscow (NCCA).

RED for double bass and live electronics / performed by Anton Izgagin, double bass

bass guitar e-bow

burovitsa

About six month of deep spectral researching of church bells brings to me a combination of two 13-tone unequal scales. They make it possible to perform the bell spectra on any instrument. In this demo I'm just playing on my own FM8 patch in these two scales, no samples have been used.

После 6 месяцев глубоких исследований спектров колоколов я пришёл к комбинации из двух 13-тоновых строёв. Они дают возможность исполнять колокольные спектры на любом инструменте. В этой демо-записи я просто играю на своём собственном патче в синтезаторе FM8, никаких сэмплов не используется.

bells scale demo

I've realized that this music needs a BIG FAT SOUND, so I've added a huge amount of reverb and compression. Now it sounds much better and louder. Like a new piece for bass clarinet and electronica.

Oleg Tantsov - bass clarinet

"A boat. A berth" remastered

Street lights flicker for baritone sax, violin and piano
performed by A-Trio, Domforum Cologne 2018

Sprawling street for barytone and large ensemble

nikolaykhrust

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