Mainly active in the 90s and 00s. Better known for his weekly London residencies at DTPM (The End/Fabric) and Fiction (The Cross).

Miguel Pellitero’s love-affair with DJ boxes started in the early 90s after playing at seminal clubs Revolver and Morocco, while working at Onda Madrid FM.

By the mid decade, after re-locating to London, Miguel’s own club night at the Velvet Room (also home to Carl Cox’s ‘Ultimate Bass’) was such a success that DTPM (recently moved to The End club) asked Miguel to join their team of resident DJs (Smokin’ Jo, Luke Howard, Alan Thompson, Malcom Duffy, Steve Thomas, Princess Julia and The Sharp Boys).

When The End’s new space opened, AKA, Miguel was also offered a weekly residency on which he was joined by Craig Richards, Satoshi Tommiie, Terry Francis and The End very own residents Layo & Bushwacka! among others.

By the new millennium DTPM had moved to a new venue, Fabric, and Miguel was included  in Mixmag magazine’s ‘Ten DJs for tomorrow’ alongside Danny Howells, Yousef, E-Z and DJ Marky. A new weekly Friday residency at The Cross will follow, as well as a monthly Saturday night at Ministry of Sound main room.

Shortly after, Miguel’s first compilation ‘The Deep and Funky Sound of Sunday’ for DTPM/Sony BMG went straight to the number 3 of the UK Compilation charts and he became a regular on the Ibiza scene playing at Pacha, Space, Privilege and El Divino.

Two years later ‘A decade’, his second compilation for DTPM/Sony BMG reached the number one of the UK Compilation charts, his Ministry of Sound Radio show ‘The Art of Sedition’ went from strength to strength and a worldwide tour followed.

Miguel regularly toured Europe and became a favourite at clubs like Billy at Amnesia (Milan), Piekarnia (Warsaw), Queen, RedLight and Le Mix (Paris), SQ (Poznan) and Pump (Miami) while sharing the DJ Box with François Kevorkian, Sandy Rivera, Chus & Ceballos, David Guetta, Jimpster, Murk and Tom Stephan, with whom he will record for Tribal America/Twisted Records as ‘Plastic Surge’, as well as releasing tracks on labels like Stereo Productions and Remote Recordings (Pure Groove Records) alongside Malcom Duffy.

Young malchick Pete started out making tea for Echo and the Bunnymen at S.O.S. liverpool in 1980, spent the next 35 years engineering and producing tunes in studios, converted to house music late 80´s .....has engineered for the likes of X-press 2, Sharp Boys , David Morales , Harvey , TuffJam,wiggle crew, Disciple NYC, Danny Rampling , Rebel MC , Spice girls, Rising High and many more....Remixes include Madonna , Britney , Backstreet boys ,Fatboy Slim , Paul Weller, Aretha Franklin , Primal Scream , Shara Nelson, The Shamen and many others.....records under the names Treemasons, Sound of the suburbs, World of Sloth and SLOTH UK......enjoy!

Songs for ears
https://linktr.ee/renmakesmusic


contact: renofficial@gmail.com

If you'd like to remix any tracks here get in touch :)

Scientist and author. Theoretical physicist at Caltech, author of The Big Picture and other books. The podcast is about science, philosophy, culture, and life.

Dekmantel / fabric Records / Fuse London
Bookings: sherif@peoplesagency.nl

Theo Kottis is a London-based DJ and producer who has spent over a decade refining his craft - both behind the decks and in the studio. A fixture on the European festival circuit, Theo has played standout sets everywhere from the Dekmantel main stage to Panorama Bar, Lux Fragil and Robert Johnson, where his high-energy, euphoric sound seamlessly blends with hypnotic, minimalist grooves.

His productions have earned equal acclaim. 2024 saw the release of two stellar EPs on Dekmantel and Palms Trax’s CWPT imprint - with lead track Lighthouse hailed as “song of the summer” by Resident Advisor - drawing support from top-tier selectors including Ben UFO, Francesco Del Garda and Eris Drew.

Now in 2025, Theo continues to ascend, with acclaimed releases on Fabric Records, Fuse London and a second EP lined up for Dekmantel, further cementing his place among the scene’s most exciting artists. Grounded in UK club culture and shaped by years of experience, Theo’s music draws on the past while looking firmly forward.

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