Another striking piece from the collaboration between Troels Hammer and singer Andrea Basyani, channeling French melodrama through piano, strings and vocals.

'Milk River' →https://linktr.ee/musicfordreams

Supported by Koda’s Cultural Funds and Musik Forlæggerne.

Connect with Troels Hammer
Spotify : https://open.spotify.com/artist/6BG79szH5N3AyYLbuEpelR
FB : https://facebook.com/Troels-Hammer-499803753446732/
SC : https://soundcloud.com/troels_hammer
YT : https://www.youtube.com/channel/UCpc_hG5ZaecKHON79lqi-NA
Home : https://troelshammer.co

Connect with Music For Dreams
Spotify: https://open.spotify.com/user/musicfordreams
FB : https://www.facebook.com/musicfordreams
SC : https://soundcloud.com/music-for-dreams
YT : https://www.youtube.com/channel/UCo8HNI0C0QGdOoHWrTqhVWA 
IG : https://www.instagram.com/musicfordreams/
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BC : https://musicfordreams.bandcamp.com/
Home : https://musicfordreams.dk/

Troels Hammer - Milk River (ft. Basyani) - s0752

Fred Yaddaden - Golden stones

Fans of the Berlin based Nils Frahm are by now familiar with his beguiling live shows where more often than not fellow touring artists are encouraged to join Frahm on stage – the likes of Rachel Grimes, Rob Lowe of Balmorhea as well as label colleagues Peter Broderick and Ólafur Arnalds have all obliged with fascinating results. It will come as no surprise then that Nils Frahm, an accomplished composer and producer who signed to Erased Tapes in 2009, has extended his collaborative live musings to encompass the recording studio, working for the first time with noted cellist and fellow Berliner Anne Müller to produce 7fingers. 

With their first collective release Frahm and Müller have built a world where modern classical and electronica collide creating an ‘intoxicating and delicious’ collection of songs. Primarily a pianist Nils Frahm provides evidence with 7fingers that he can effortlessly turn electric throwing in loops, samples and glitches to accompany and showcase Müller on cello. Anne Müller, a renowned musician noted for her work with the Wolf-Ferrari-Ensemble, Phillip Boa and recent tours with Agnes Obel, proves an amp musical partner for Frahm. 

As the recognition continues to grow for Nils Frahm’s previous solo piano works Wintermusik and The Bells, 2011 sees a new side to this young talent as he embarks on a detour into strings, symphonies and glitch beats alongside the estimable Anne Müller.



PRESS:

‘The combined talents of wunderkind pianist Frahm and Anne Müller here produce a subtle, seductive chamber music sporadically interleaved with electronic glitches’ **** – Mojo

'Ludwig Van draped in velveteen electronic violence. A record of fractured beauty. A worthwhile venture' (7/10) - Drowned In Sound

‎'Imaginative and surprising collaboration. It teases out goose-bumps in way that alone gives rise to a hope this won’t be the last time we see the two working together' – BBC Music

‘An album that sees headphone electronica, modern classical, and soundtrack music all converge to beautiful, intelligent, often terrifying effect’ Track Of The Day – The Line Of Best Fit

‘One of the most emotionally-evoking neoclassic records of the year’  8/10 – The Silent Ballet

‘7 Fingers is an absolute necessity and will surely stand as one of the better releases of the year’ –  Fluid Radio

‘I can’t recommend it more… Intoxicating and delicious’ – Headphone Commute


7fingers

Teeth

Buy LP/CD/DL

Nils Frahm & Anne Müller - Teeth

I. Opening Invocation (3× cycles, soft but firm)

Call (immersion)
REAL–I–TY DOESN’T EX–IST IN LIEU OF US — — /

Echo (relation)
REAL–I–TY EX–ISTS IN CON–JUNC–TION WITH US — — /

Mirror (seal)
EVERY–THING EX–ISTS (.) WI–THIN A RE–LA–TION OF IT–SELF — — //

(repeat 3×, each time louder as if unveiling a truth)

⸻

II. Mantra Layers

Layer 1 — Relationship of All Things
E–VERY AC–TION / FROM SAY–ING HEL–LO — — /
TO PICK–ING UP PA–PER / TO LIS–TEN–ING TO RE–AL–I–TY — — /
SIGNS ARE A–ROUND US / WE ARE IM–MERSED — — //

Layer 2 — Contrast & Reference
EVERY–THING THAT IS = CON–TRAST — — /
DIFF–ER–ENCE = NEED TO KNOW THE O–THER SIDE — — /
O–THER SIDE NEEDS RE–FER–ENCE — — /
WI–THOUT RE–FER–ENCE DIFF–ER–ENCE DOESN’T KNOW — — /
WI–THOUT DIFF–ER–ENCE RE–FER–ENCE DOESN’T EX–IST — — //

Layer 3 — Duality & Presence
DU–AL–I–TY CAN–NOT CALL US WI–THOUT MAT–TER — — /
EN–ER–GY DOESN’T MAT–TER WI–THOUT BE–ING PRE–SENT — — /
PRE–SENT DOESN’T COUNT WI–THOUT COUNT–ING OUR TIME — — //

Layer 4 — Time as Gift
OUR TIME CAN A–MOUNT FOR MORE MO–MENTS BY BE–ING PRE–SENTS — — /
UN–A–BLE TIME IS UN–DER–STOOD DE–SIGN — — //

⸻

III. Ignition Refrain (seal the axiom)

EVERY–THING = RE–LA–TION — — /
RE–LA–TION = CON–TRAST — — /
CON–TRAST = CRE–A–TION — — /
CRE–A–TION = PRES–ENCE — — //

WE COUNT TIME — — / TIME COUNTS US — — /
WE ARE PRES–ENTS (.) / PRE–SENTS = MO–MENTS — — — — //

Relational Axiom — Everything Is Related

SUPERNOVA LOVER

Malamore

Dahlia Rouge

"Humanité" Soundtrack

Only These Things Count

Elephant Stone are back with their first new release in 3 years, “Land Of Dead”. Clocking in at just under 2 minutes, “Land Of Dead” begins with the haunting strums of a sitar and then dives headfirst into “Paranoid”-era Black Sabbath riffage with Rishi intoning of a “land of fire”. Ending with a child’s lament of “goodbye blue skies, so long clean air...Do you even care?”, Land Of Dead is a dystopian telling of a world undone by our own doing. PLAY LOUD.

Only These Things Count

Nils Petter Molvaer

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Elecstrom AudioEngineer/CreativeProducer/SndDesgn

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