Name: present perfect (2020) voice, prepared piano, electronics by Nina C. Young
Duration: 3 min 16 s
Description: Composed and recorded by Nina C. Young, April 20, 2020, New York.

Big shouts to @mmtj (Gruppo Infernal)for speeding up the tempo and additional FX

Marching

Track 5 of the Album https://soundcloud.com/user-461764443/sets/the-firm-dark-orchestral-suite
The Chief Executive Officer (CEO) at the Firm Ascaridida had in 2019 the smart idea to have one of his laboratories in the Republic of Nicha to leak a virus in order to enhance his pharmaceutical businesses with new vaccines. Not only did it generate billions of dollars of new revenue but it also killed millions of people. The smart idea just backfired at him. Indeed, all his board of director and his own family died because of this virus leak. He is now alone to run this billion dollar firm having a footprint everywhere on the world. Will he be able to get The Firm back on its evil tracks in 2022? 
We shall see.
“This is a work of fiction. Any similarity to actual persons, living or dead, or actual events, is purely coincidental.”
Music & Production: Syrel
Photography: Syrel (1988)
Music Note: French Horn line partially based on the French Christmas carol "The three shepherds".

The Firm

The CEO Lonely Christmas

monomonoi - 50weUf

Vision Of Me

gazes.

TRAMPELFÂD
rec.name: " lines "
credit: sp404,telecaster,
date:06-10-2022

Stairs 402  by TRAMPELFÂD

Paral·lel & François Fontaine - Glisten

As I Went Out One Morning

Exosphere

NYA!-Miss The Silence(prod.ZBeatz) .wav

Composed and recorded by Nina C. Young, April 20, 2020, New York.

present perfect

present perfect (2020) voice, prepared piano, electronics

The music of composer Nina C. Young (b.1984) is characterized by an acute sensitivity to tone color, manifested in aural images of vibrant, arresting immediacy. Her experience in the electronic music studio informs her acoustic work, which takes as its given not melody and harmony, but sound itself, continuously metamorphosing from one state to another. Her musical voice draws from elements of the classical canon, modernism, spectralism, American experimentalism, minimalism, electronic music, and popular idioms. Her projects, ranging from concert pieces to interactive installations, strive to create unique sonic environments that can be appreciated by a wide variety of audiences while challenging stylistic boundaries, auditory perception, and notions of temporality. 

Young’s works have been presented by Carnegie Hall, the National Gallery, the Whitney Museum, LA Phil’s Next on Grand, and the St. Paul Chamber Orchestra’s Liquid Music Series. Her music has garnered international acclaim through performances by the American Composers Orchestra, the Milwaukee Symphony, the Minnesota Orchestra, the New York Philharmonic, the Philadelphia Orchestra, the Phoenix Symphony, Le Nouvel Ensemble Moderne, the Aizuri Quartet, Either/Or, the JACK Quartet, wild Up, and Yarn/Wire. Winner of the 2015-16 Rome Prize at the American Academy in Rome, Young has also received a Koussevitzky Commission, a Civitella Ranieri Foundation Fellowship, a Charles Ives Scholarship from the American Academy of Arts and Letters, the Salvatore Martirano Memorial Award, Aspen Music Festival's Jacob Druckman Prize, and honors from BMI, IAWM, and ASCAP/SEAMUS. 

IN 2019 Carnegie Hall commissioned "Out of whose womb came the ice" with the American Composers Orchestra: for baritone, orchestra, electronics, and generative video, commenting on the ill-fated Ernest Shackleton Trans-Antarctic Expedition 1914-17.  Other recent projects include "Tread softly" that opened the NY Philharmonic’s Project 19, a violin concerto for Jennifer Koh from the Philadelphia Orchestra, and "The Glow that Illuminates, The Glare that Obscures" for the American Brass Quintet alongside an immersive audio-visual installation version commissioned by EMPAC showcasing their wavefield synthesis audio system.

A graduate of McGill University and MIT, Young completed her DMA at Columbia University. She is an Assistant Professor of Composition as USC’s Thornton School of Music.  She serves as Co-Artistic Director of New York’s Ensemble Échappé.  Her music is published by Peermusic Classical.

ninacyoung.com

present perfect (2020) voice, prepared piano, electronics

Nina C. Young

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