LATAYA started playing in clubs in 1996 as a vinyl djane. She was resident in several clubs in Germany and had many gigs abroad, for example in Ibiza, Italy, the Netherlands and many more. 

She also organized some events herself. She also had several radio stations of her own in various local radio stations in Germany. 

At the age of 26 she went on maternity leave. She ended her career for a full decade and re-emerged in 2016 releasing 2 tracks. Organized smaller events again and also played in clubs, at open air events and on online radio stations.

Since February 2021 she has been playing live acts with analogue synthesizers under the motto
‼️ I LEARN LIVE ‼️ means everyone can follow her learning and what she's doing.

Since then she has been rocking the crowd with her music at various parties.

Their listeners are very grateful. She plans to start her own label, but see for yourself... 

On Facebook:

https://www.facebook.com/tanja.zimone

Support The Artiste By Purchasing Her Tracks At :
https://www.beatport.com/release/stomp-holes-in-the-ground/1746080

╖
╢ former PLATTENBUNKER Resident
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Every Friday live on twitch:
╔ www.twitch.tv/urg3walt
╢ from 20-22 h (UTC+2)
╢ book me now
╚ check www.urgewalt.com

PAPPENHEIMER:
https://linktr.ee/pappenheimerofficial

FOR BOOKING MAIL TO:
booking@dancefield.com

Sign up for updates & exclusive experiences: 

Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

Probably DJ'in On Me Bike!

All Enquiries - Jordan@domwhiting.co.uk

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