Out now: https://orcd.co/REKIDS234

@hilitkolet debuts on Rekids with ‘Hot Mess’, including remixes from the legendary Mike Dunn. 

Following her remix of Terry Farley & Wade Teo’s ‘Why We Dance’, Hilit steps up to the Rekids plate with her debut EP for Radio Slave’s label with her single ‘Hot Mess’. A relentlessly driving drum machine werqout, ‘Hot Mess’ sees her masterfully mixing compulsive, marching rhythms with a fiercely impassioned spoken word vocal. 

With added raw jackin’ energy in the ‘Even Hotter Mix’, this has the kind of late night runway energy that demands the Sound Factory be rebuilt. On the B-side, Chicago house legend Mike Dunn’s remix of ‘Hot Mess’ is a deep groove that adds a wriggling earworm bassline, while still embracing the enchanting vocal of the original. 

Hilit Kolet has been an integral part of London’s house scene ever since she started slinging vinyl at Soho’s legendary Black Market Records. Her distinctive, energetic DJ style then established her behind the decks everywhere, from high fashion shows to some of the most celebrated underground clubs in London. 2023 saw Hilit going global with shows from Ibiza to Shanghai via Printworks, Warehouse Project and Ministry of Sound.

Her summer single on the Faith imprint ‘POV Siren’ has been embraced by DJs as diverse as Robert Hood and Paul Woolford, and her edit of Laurent Garnier’s ‘Crispy Bacon’ was rinsed by many from Carl Cox to Patrick Topping, before seeing an official release by Garnier himself. ‘Hot Mess’ sets Hilit Kolet up as a serious name to watch out for in 2024.

Hot Mess EP

Hilit Kolet -  Hot Mess

Ninetoes & Oskar Jehlmann - On My Own (Original Version)

Out now: https://orcd.co/REKIDS256

Legendary House don Harry Romero joins Rekids for the first time with the ‘Nice To Meet You’ EP comprising two massive tracks with classic NY House DNA with the sort of modern twist Romero’s become synonymous with throughout his two-decade-plus career. The Bambossa Records founder now lands on Radio Slave’s flagship label following an impressive 2024, which featured releases on Faith, Nu-Groove, Cécille Records, and Defected.

“Rekids has always been on the top of my list as a DJ, and I have always wanted to have a release on such a dope label. We have a similar approach to music in that we always blur the lines between Techno and House music. This is a proper bucket list release for me, and I am beyond excited for everyone to hear these two tracks. They both really
exemplify where I am and where I have always been musically.” - Harry Romero

After his appearance on Rekids’ podcast series in August, House hero Harry Romero starts the label’s 2025 with the ‘Nice To Meet You’ EP . First up is the title track, a uniquely hypnotic cut with a bold kazoo melody and raw, club-ready low-end that shines on the breakdowns and high-impact drops. ‘Danny’s Groove’ is next, a track with real Romero energy, its rhythm carefully layered with an organic drum shuﬄe at the centre, an ear-catching whistle melody in the back, and plenty of synth hits in between - the ‘Nice To Meet You' EP is a masterclass in building and releasing energy on the dancefloor.

Buy/Stream

Harry Romero - Danny's Groove

Level 81

Thanks for listening!
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Delirante - Hypnothermia

Jessie Ware - Cruel (edit 2)

Call Upon Me (Original Mix) ‎
» Franky Rizardo «
» CALL UPON ME «

Label: Rejected
Katalog: REJ072
BPM: 124 
Released: 15 Dez 2017
Genre: House

» What a year it's been for Franky Rizardo. With a strong presence on Defected (including a highly coveted In TheHouse curation session) and massive EPs on the likes of Circus and Abode, hes now set to sign the year out in style on Rejected. One of the most successful and heavily ID'd tracks in label boss Joris Voorn's sets since the summer, 'Call Upon Me' is all about subtle senses and stages of elevation. Strutting with a classic house jack, theres an ageless Chi-town swing to the walking bassline as we roll deeper and deeper into the groove. Suddenly a springy key riff pops up on the vibe horizon and becomes the foremost focus of the track rising and rising and rising some more with a delicious build-up that keeps on giving for longer than usual deep house conventions would have you believe. Paying off with a simple but crucial staccato twist on the keys, and even more juice in the rolling bassline bedrock, it's one of those tracks that total disarms and dancefloor and blindsides them with a whole new sense of energy. Playful, powerful and positive; the perfect way to end a perfect year for Franky. « (source: https://goo.gl/1qj1hb)