очень..... Очень .... очень.... Круто! Пиздец как круто!

Always wondered why there isnt a Funki Porcini Soundcloud. He changed the game back in the day. Some of the most unique music out there.

¡WE WANT HED PHONE SEX! CUT THE BULL MIERDA SHITTTT

I was just talking about this today!!! dope

Amon Tobin - Natureland

SOTM. Sundays Buzzabout (Kelpe Remix)

sleep

<a href="http://www.ninjatune.net/funkiporcini">DOWNLOAD THIS TRACK FOR FREE AT NINJATUNE.NET </a>James Braddell AKA Funki Porcini returns with his 5th album for Ninja Tune, his first since 2002's 'Fast Asleep'. Mixing together surreal jazz, found noise, synthetic strangeness and dream logic, 'On' is as beautiful and odd as anything he has made. Released on 3rd May (1st June in USA), you can get track 2 'This Ain't The Way To Live' absolutely free from <a href="http://www.ninjatune.net/funkiporcini" target=_top onmouseout="window.status='';return true" onmouseover="window.status='Funki Porcini Twitter';return true">here.</a> Pre-order the CD via Ninjashop and the first 20 orders receive an exclusive signed copy: <a href="http://www.11spot.com/shared/cartactions/add.htm?catalogItemId=136150" class=extern target=_blank onmouseout="window.status='';return true" onmouseover="window.status='Funki Porcini Twitter';return true">Ninjashop (USA)</a> / <a href="http://www.ninjatune.net/ninjashop/index.php?cat=0&type=LP&code=ZENCD144#ZENCD144" target=_top onmouseout="window.status='';return true" onmouseover="window.status='Funki Porcini Twitter';return true">Ninjashop (RoW)</a> Braddell could be said to be something of a trip hop pioneer, operating out of the Uterous Goldmine Studio, his 'Hed Phone Sex' album in 1995 brought dark surrealism to sampler music, and pre-dated DJ Shadow's first album 'Endtroducing'. All of this helped bring in a golden era of sampler based music, although on 'On', more live instrumentation is used than any other of the Funki Porcini albums previously. The greatest provocateur and humorist of the early Ninja period, Funki re-animates with his sound intact yet sounding utterly contemporary. Funki Porcini has promised to not let it go so long before his next release . . . :: <a href="http://www.facebook.com/home.php?#!/pages/Funki-Porcini/112530708760926?ref=ts">Funki Porcini Facebook Page</a> :: <a href="http://www.twitter.com/funkiporcini">Funki Porcini Twitter</a>

This aint the way to live

Funki Porcini - This Ain't The Way To Live

Skip/Jump/Make Some Noise! -  a Psychogeographical Sat Nav by LoneLady feat. The LRM

A new track by LoneLady commissioned by The LRM to celebrate their 10-year anniversary exhibition at The People's History Museum, Manchester.

The LRM (Loiterers Resistance Movement) is a Manchester-based collective interested in psychogeography, public space and uncovering the secret stories of the city.  Since 2006 they have been organising public walks, dérives (drifts), games and spectacles offering new ways to explore the streets. 

Written, performed, recorded and mixed by Julie Campbell, C+P Warp 2016.
Spoken words written and performed by Morag Rose.
Additional singing by Julie Campbell.

The Street Is Your Playground (LRM Mix)

BUY 5LP BOX/2CD/DIGI ● http://mooncircle.lnk.to/15th
More information: http://projectmooncircle.com/releases/15th-anniversary/

15th Anniversary

Buy 5lp/digital

40 Winks - World Will Find Out (15th Anniversary - Project: Mooncircle, 2017)

Funki Porcini - Purrfect

Album • https://Takeleave.lnk.to/InnerSea @takeleave

Inner Sea

Calibu

LISTEN NOW

Takeleave - Calibu (Inner Sea - Project Mooncircle, 2018)

Taken from 'Ultraísta Remixes'

https://itunes.apple.com/gb/album/ultraista-remixes-bonus-tracks/id689968135?ign-mpt=uo%3D4

Ultraísta Remixes compiles a year's worth of remixes from friends and collaborators within the ever-expanding Ultraísta orbit. Though some of these tracks have become breakout singles in their own right – collectively clocking more than two million plays on the band's Soundcloud and YouTube channels – Ultraísta Remixes has been perfectly sequenced to succeed as a stand-alone album (an alarmingly strong one, no less). Rarely do remix albums have this level of quality control and seemingly infinite replay value. Whereas Ultraísta's debut album commits to its palette with uncanny precision and devotion, Remixes explodes its individual parts and reveals the group to be equally compelling as techno powerhouse (Four Tet, FaltyDL, DC Sux), dark electro-pop (Zero 7, Zammuto, ERAAS, Canon Blue), experimental dance (Prefuse 73, Matthew Herbert), and even driving industrial rock (David Lynch in an inspired NIN-meets-YYYs turn). The combination of all of these seemingly disparate parts makes for a surprisingly cohesive whole, and a remarkable companion to the original album.

Ultraista - You're Out - Prefuse 73 remix

Buy / Stream: orcd.co/kennebec_departure

Seeking a respite from the noise and clamour of New York City, Eric Phillips and some friends moved for a time out to a remote area on the Olympic peninsula. With no fixed plan in mind, this period of adventure and discovery spent in the beautiful Pacific Northwest gradually seeped into an organically evolving musical vision for Kennebec.

In many ways, ‘Departure’ catalogues this time of his move out west. Eventually moving to Portland to find work as a teacher, film composer, and mentorship under Mark Orton (Nebraska, Tin Hat.) Kennebec’s producing of ‘Departure’ began in Spring 2017. It took two long years of patient, daily labour to complete the album, during which time influences such as Studio Ghibli soundtrack composer Joe Hisaishi, cult hip hop artist Nujabes as well as Australia’s Taylor Crawford and Tycho’s ambient electronica began to permeate the soundworld. On February 14th 2020, Night Time Stories, sister label of acclaimed Late Night Tales, will release his much anticipated debut album and Kennebec will become part of an internationally respected roster including Khraungbin, Leifur James and Ash Walker.

He scored parts for classical guitar, ngoni, kalimba, bass, piano and Rhodes all of which he plays himself on ‘Departure’. Phillips began writing violin and viola parts for friend and collaborator Mirabai Peart (Joanna Newsom, Alela Diane, Ryan Francesconi), whose balkan inflections and beautiful tone became a defining sound of the record — and eventually tied the album together. All tracks on the album were mixed by Phillips.

On ‘Departure’, organic beats and soaring string lines envelope the listener with a dreamful kind of optimism. New single ‘Seasons Change’ is a silky myriad of sounds, textures and techniques that melt against a backdrop of subtle electronics, while ‘Kalahari’ glistens with curiosity and adventure as magnetic strings meet with a mosaic of horns. Elsewhere, the melancholic and wistful moods of ‘Wellspring’ provide a moment of reflection before the warm, fuzzy, feel good grooves of ‘Quest’, embellished by flutes and sax, venture into more overt atmospherics and fluid modulations.

“Recording ‘Departure’ was an amazing learning experience for me as a producer, composer and musician. It was a concentrated period of time in my life that was fully dedicated to focusing in on my craft. To me, the songs sound like journal entries — they bring me back to those specific times and places, but I also write music in an active, intentional way to try and summon the better parts of myself day to day to come to life and fruition. I have to be doing something new and experimenting to be inspired musically and I also wanted the music to be evocative of that sense of discovery in an almost physical sense — a sense of journey, motion and exploration of new spaces. The passing of time, setting out,” says Phillips.

He adds, “I wanted to make something bold and ambitious that sounded fresh and different. I think I took a big swing with this album, and, while I feel it’s impossible to fully nail the vision and intention, I’m really proud of it and the sense of idealism, even if naive at times. Hopefully it’s just fun to listen to someone take a big swing like that.”

In addition to the Kennebec project, Phillips has enjoyed working on and composing the music for numerous feature films, shorts, national parks films, documentaries (including 2017’s National Geographic ‘From the Ashes’), advertisements and video games. Films Phillip’s has worked on have screened and are set to screen at the Toronto, Napa Valley and Big Sky film festivals as well as National Geographic and more.

Kennebec - Kalahari

A Zed and Two L's

Fila Brazillia 

(Maim That Tune)

Fila Brazillia - A Zed and Two L's

Ninja Tune has established itself as one of the world’s leading independent record labels. Now a bonafide global music institution, synonymous with diverse, uncompromising releases and equally visionary artists—from breaking-through to GRAMMY-winning, internationally acclaimed acts—committed to pushing the boundaries of music.

Funki Porcini - This Ain't The Way To Live

Ninja Tune

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