The boys Lakker continue on a fierce roll. Between the multiple EPs and 12"s as a pair, and Eomac's still-impeccable solo record (not to mention his Berlin session for us!), you have to wonder: do they ever quit? This one another spooky, tremulous slab of dark techno. R&S sure know how to pick 'em.

Lakker "Math Fall" - Boiler Room Debuts

DADRAS - Yuppie Scum
Off of RUBAIYAT I, out now on @humanpitch

Buy, listen, support here:
http://smarturl.it/hpc03-digi

© 2015 Human Pitch // www.humanpitch.fm

Buy on iTunes

DADRAS – Yuppie Scum

from the album 'precious systems' available 7/15

mj guider 'lit negative'

Appears on R.A.N.D. MUZIK — RM Picture 01 12"
Buy: https://randmuzikrecordings.bandcamp.com/track/b3-circular-ruins-ta-voix-tes-yeux-snippet-vinyl-only

Ta Voix, Tes Yeux

These remixes are exclusively available to purchase at Bleep::: http://bleep.com/index.php?page=release_details&releaseid=33954

Original songs taken from Holy Other's debut EP 'With U' available everywhere that sells good music. 

Holy Other - Know Where (Andy Stott Remix)

Physical: geographic-north.com/#/GN40-detail
Digital: https://geographicnorth.bandcamp.com/album/love-is-the-capital
Catalog #: GN40
Limited to 300 LPs on clear vinyl
Mastered by Paul Gold at Salt Mastering

'Love is the Capital' the debut LP by Hiro Kone, the recording alias of Nicky Mao. The album is a follow-up to the incredibly well received 'Fallen Angels' cassette, bringing with it some of Mao's most emotionally and politically driven work yet. It is Hiro Kone’s long coming opus, examining a number of all-too-relevant themes: capital, the state, egoism, anxiety, and steadfast optimism. 

The eight songs on 'Love is the Capital' highlight Mao’s austere, politicized techno battling for the greater good. Songs are visceral meditations of rhythm, noise, and melody in the vein of Pan Sonic, Chris & Cosey, Muslimgauze, and Kangding Ray.

The sounds were often recorded in scenes of isolation, whether physically or emotionally. “Infinite Regress” was during a trek with Roxy Farman (Wetware) up to the sleepy, upstate NY town of Palenville. There, frozen in a cabin with the most DIY of recording booths, Mao recorded Roxy’s vocals and what would be the track that would put into motion the entire album.“Less Than Two Seconds” was written in a single afternoon in late December 2015 when it was revealed that the grand jury had declined to indict the police officer who shot to death 12-year old Tamir Rice.

The taut techno, industrial minimalism, and aural upheaval is embedded in tracks “Rukhsana” (featuring Drew McDowall, formerly of Coil & Psychic TV, on modular synthesizer), “The Place Where Spirits Get Eaten,” and “Less Than Two Seconds,” an emotionally wrought blitz of serrated Monomachine tones flanked by timeless recordings of essayist, poet, and social writer James Baldwin. Mao ventures deep into heady, prismatic runs of hypnotic techno, on “Don’t Drink the Water” and “The Declared Enemy.” On opener “Being Earnest” and “Love is the Capital,” foreboding motifs brood their way back into the narrative.

Still, the album maintains a sense transformation, burdened with an alien tension– the awareness of an impending and necessary collapse. And what may come next.

Hiro Kone - Rukhsana (Feat. Drew McDowall)

Brainwaltzera debuts on FILM. The anonymous producer, whose work has has already received online approval from legendary british IDM auteur aphex twin, offers up an extended EP for the berlin based imprint. In 2015 a soundcloud profile under the name user18081971 - now identified as belonging to richard d. james, commented on curious Brainwaltzera upload quilat spring 1 [outtake]. The move prompted speculation as to who exactly is behind the music. Exquisitely produced and executed in such fine fashion so as to decry pure imitation - there’s plenty to theorise here. Regardless of their true creator - which will undoubtedly remain a secret for the time being, the compositions on FILM006 are of similarly high calibre. Varied in approach and marrying both electronic & acoustic elements with ease, the six tracks that comprise the record range from yearning ambient segues and dreamy down tempo grooves to otherworldly krautrock and more direct, dance floor fare - but remain bound tight as a cohesive and functional body of work by a glorious, arcane musicality. whether weaving soft electronic tones in and amongst snappy breaks or detuned drum-machine strikes, the artist’s ear for acoustic harmony is perhaps the pervading theme across the six tracks that make up the aecoba EP, marking it out as an excellent addition to the FILM label’s growing catalogue. OUT today ! Cop it here : https://clone.nl/item45727.html or there : https://bleep.com/release/83711-brainwaltzera-aescoba-ep

Aescoba EP

LISTEN ON YOUTUBE

PREMIERE : Brainwaltzera - 17 Acetonia [Au Pied de Cochon Aescoba]

‘Providence Reworks: Part II’ Out Now -
Ninjashop / Stream / Download: https://nathanfake.lnk.to/prp2SO

Released 11th September 2017 via Ninja Tune.

Follow Nathan Fake  -
Spotify: http://found.ee/nfake-sp
Facebook: http://found.ee/nfake-fb
Twitter: http://found.ee/nfake-tw
Soundcloud: http://found.ee/nfake-sc

Providence Reworks: Part II

Nathan Fake - 'DEGREELESSNESS (feat. Prurient)' (Konx-Om-Pax Remix)

Premiered by @resident-advisor 
https://www.residentadvisor.net/tracks/893826

"I made this track from samples of a piano board I recorded in EMS Stockholm with LAIR while we were working on our project. And some microphone hiss for the beats. I have been making purely percussive tracks recently for my upcoming album, so for this track I wanted to have an emotive melodic element as well. The title refers to the difficulty it seems as a human to live as you truly want, as opposed to how you think you should." - @eomac

Eomac - Don't Fear Your Own Heart

Download: http://www.xlr8r.com/mp3/2012/12/dread-unknown-evil

Download on XLR8R

KRTS "The Dread of an Unknown Evil"

An addendum of sorts to his recent 'Faint Hearted' album, Miles' returns with a half-hour EP more squarely aimed at the floor with four darkened, robust variants. 'Blatant Statement' is up first, slowly emerging from a rough alignment of metallic percussion and abrasive stabs not a million miles removed from the kind of racket you'd most likely associate with Vatican Shadow, before the almost-clipped rub of those super-warm bass stabs shifts the perspective to a different kind of environment altogether. 'Technocracy' delivers an oozing House deconstruction, slowed down and inebriated, while 'Infinite Jest' revolves around an industrial cacophony harnessed into a rhythmic anomaly situated somewhere between a technofied Pete Swanson and a sweaty Kassem Mosse. 'Plutocracy' ends the set with a bleached-out warehouse chug, slowed down and menacing, surrounded by a submerged choral arrangement and more of that toughened hammered-metal sound that runs through the EP.

Plutocracy

Ninja Tune has established itself as one of the world’s leading independent record labels. Now a bonafide global music institution, synonymous with diverse, uncompromising releases and equally visionary artists—from breaking-through to GRAMMY-winning, internationally acclaimed acts—committed to pushing the boundaries of music.

Nathan Fake - 'DEGREELESSNESS (feat. Prurient)' (Konx-Om-Pax Remix)

Ninja Tune

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