mi yorstof shomis . ashurd list

Open Mode

Out February 10. Tresa Leigh is the reflection of St. Simons Island, Georgia teenager Teresa Laxamana (né Leggett). 
 
Wooed by a classifieds listing to audition for Philly funk and soul imprint Lyndell Records, the aspiring 15 year old dragged her father, guitar, fender amplifier and microphone to perform her convincingly mature folk tales of first time heartbreak. Winning the support of label owner Walter L Rayfield, the fresh recruit cut two originals in a makeshift motel studio on the neighbouring Jekyll Island, backed by a band of unhurried session players. The 1970 recording yielded her debut 45, pairing 'I Remember's endearing juvenile jangle with the heartsick Ghost Riders cornerstone 'Until Then'. 
 
After a car accident prevented Mr. Rayfield from fulfilling his release plans, an unswayed Tresa responded to Great World Of Sound’s newspaper advert, baiting the prospect of gold records, major label connections and sales of a million copies. With family and friends crowdfunding the $1,200 that the company required to produce a follow-up 7”, she jetted to Nashville, recording a slicker, emotionally elevated update on 'Until Then', and the symphonic slow dancer 'I Miss You'. In another unfortunate career misfire, the dubious label failed to deliver on any of their promises, with the artist volunteering the only surviving copy for restoration.
 
Collating all four recordings, this brief 7"/digital anthology immortalises the innocent small town dreams of a genuine original, inadvertently echoing the likes of Nora Guthrie, Bonnie Dobson and Patti Whipp.

Tresa Leigh - I Miss You (ES023)

Digital Tsunami podcast series has now reached a second centenary of episodes. And we’re thrilled to have Mayo, a trailblazing producer and inspiring selector from Amsterdam, for this occasion. One could state that her style is rooted in gritty strains of EBM and techno, but you can hear a great influence of punk, acid, and other genres that reflects a punk attitude. The power of accentuated and multi-layered character is felt across her releases – on United Identities, Fides Records, Marguerite Records and Brokntoys labels, to name a few – either it is a downtempo chugger or electro stomper. Mayo’s DT200 mix is an example of entrancing storytelling speaking to different influences, leading you from a slow prelude to a sweaty ending.

Full interview, tracklist and more info at home: https://digital-tsunami.org/music/dt/200-mayo

Digital Tsunami 200

Interview

Digital Tsunami 200 - Mayo

Good friends from Décalé. Records are back with another awesome reissue, this time with "Le Disque De l'Art Gué", a 10-track compilation, highlighting the avant-garde and dreamlike work of Swiss Artist Fizzè. In between medieval ballad, acoustic industrial and psychedelic world music, the reissue includes original tracks from "Kulu Hatha Mamnua" and "Manoeuvres d'Automne" albums released in 1987, along with unreleased materials and remixes by Fizzè.

Out on March 17 in vinyl and digital:
https://decalerecords.bandcamp.com/album/fizz-le-disque-de-lart-gu

Le Disque de l'Art Gué

℘ཞɛɱıɛཞɛ ≈ Fizzè - Kayannica [Décalé. Records]

iTunes: http://smarturl.it/exitepit
Ninjashop: http://smarturl.it/exitepnj

Taken from The Bug's 'Exit' EP released October 6 2014 on Ninja Tune.

Follow The Bug on:

Facebook: http://on.fb.me/1us68i8
Twitter: https://twitter.com/thebugzoo
Spotify: http://smarturl.it/thebugspotify

http://atwarwithtime.com
http://ninjatune.net

Black Wasp

The Bug - 'Black Wasp' (feat. Liz Harris)

Paris-based music collective, Soucoupe, hosts the radio show &ampquot;Strange How You Move&ampquot; a stage that spotlights artists and friends encountered on their musical journey, providing a space for artistic experimentation and contributing somehow to the music internet archive.


STRANGE HOW YOU MOVE w/ The Slow Brown Fox  (02/01/24)

@geierausstahl

Archetype - The Ick
Vinyl/Streaming/Digital
- 27.03.24 -

The Ick — a sense of sanity amidst the storm of information. This album by Archetype is an abstract scream for something quite fragile — a polarizing society, disruptive isolation, and the fading collective experience. Utilizing dramatic vocals, industrial trip-hop, and post-punk-leaning electronics, Archetype marks the new moniker by the ever-versatile Viennese Rotterdammer, Leonard Prochazka. Following his manifold of concept-driven, instinctive musical output, Archetype's "The Ick" releases in 2024, following "Strapazen und Genesung" as Geier Aus Stahl on Knekelhuis in 2022.

Archetype - The Ick

My name is Manja Ristić, and you are listening to the Framework radio International Women’s Day special.

> https://frameworkradio.net/2024/03/880-2024-03-10/

In this edition you will hear sounds and creators from South Africa, Marocco, Ethiopia, Lebanon, Iran, China, Brazil, Argentina, Mexico, and Columbia; Spain, Greece, Serbia, Croatia, Bosnia, and Slovenia; from UK, Australia, USA, Germany, Italy, and Ireland; with aporee sounds of morning prayer in Ramallah, and bird’s song from Jerusalem – I am taking you for a journey around the Globe presenting the real sonic history of the world, the one told by girls and women. From place to place and from heart to heart, these voices hold the space together, storytelling from the shadows of oppression and discrimination, with wounds inflicted by systematic neglect, poverty, and wars – these authors speak the truth and nothing but the truth.

I am deeply humbled to present works by fierce creators, researchers, mothers, activists, freedom fighters, tribal elders, and one famous nun, life-long expats, and former sex workers; extraordinary versatility, and contemporaneity of their sound, being their common denominator, is what will mark this International Women’s Day Framework mix.

[ artist – release – track ]

Zayaan Khan – Ephesus at Fajr
Li Yilei – Pillow, Mantra and Trance
aporee.maps – Birds of Jerusalem, April 7th 2012
Kei Watanabe – Whisperings – 03 A whole in my heart
Elyse Tabet – seaside – 06 Sequel – live to tell (with Nadine Makarem)
Maria Papadomanolaki aka Dalot – Departures – 11 Unknown Parks, Unknown Cities
Concepción Huerta – The Earth Has Memory – 02 The Crack is Illuminated
Ana María Romano G. – A mundanear que el mundo se va a acabar
Chantelle Gray – On the lower frequencies, I dream
Eruption Duo – Eruption 20 Years – 07 Worms
Hara Alonso – Notions of Hope – 02 Notion 2
Maryam Sirvan and Hadi Bastani – trans.placed – 01 trans.placed
Assoc. Lalla Rkia Ali o Hmad (Timgharin N’Tiznit) – Salamou Alaykoum ⵚⴰⵍⴰⵎoⵓ ⵄⵍⴰⵢⴽoⵓⵎ
Ester Kärkkäinen aka Himukalt – the gun in her mouth
Robertina Šebjanič – Aqua Atmo Adriatic, 10 meters deep
Cynthia Zaven – Untuned 
Gail Priest – elbejée – aötebe 
Manja Ristić – tailless tarantella lifted its head – Vrnik 
Marija Balubdžić Umbra – Derealized – 05 B1 Sreda
Belinda Blignaut and Jacques van Zyl – Mud Rites
aporee.maps – morning prayer in Ramallah
Katharina Schmidt – Another Year – 02 september. the first sweater of the fall
Beatriz Ferreyra – UFO Forest + – 04 Vivencias def
Emahoy Tsege Mariam Gebru – Jerusalem – 01 Famine Disaster 1974
Manja Ristić – Bunur Bridge, Neretva River – hydrophone
Florconvenas – Donde hundimos nuestros nombres – 01 Para detonar
Stella Veloce – Saturday 
Natalia Beylis & Eimear Reidy – She Came Through the Window to Stand by the Door – 03 Encircled in Moss
Meghan Judge – heterodyne relations – gaia intrudes
Talulah Lotus – Horrorphone 
Manja Ristić – rain from the bag in the big forest
Youmna Saba – Ritha’
Pheobe riley Law – cove – 01 cove
Verónica Cerrotta – Camadas verticales – 01 Camadas verticals
Jasna Veličković – Shadow Study #4A
Ava Rasti – Apranik Records – Eight Night
aporee.maps / Birds of Jerusalem – April 7th 2012

Framework IWD 2024 —— Manja Ristić

I love the original and i was able to get my hands on the Acapella. Its an R&B track. Please don't hesitate to share my sounds if you like them, and give me helpful advice. Would appreciate it very much. ENJOY!

Nico & Vinz - Am I Wrong (Equinox Remix)

The new album UNBREAKABLE available now. 

iTunes: http://smarturl.it/JanetUnbreakable 
Amazon: http://smarturl.it/JanetUnbreakableAmz
Spotify: http://smarturl.it/JanetUnbreakableSp 
Official Webstore: http://smarturl.it/JanetStore 

Connect with JANET:
https://twitter.com/janetjackson
https://facebook.com/janetjackson
https://instagram.com/janetjackson
https://youtube.com/janetjackson
http://janetjackson.com

No Sleeep

“More Monsters and Sprites EP” is available now. Support on:
Itunes: http://smarturl.it/Skrillex_MMS
Beatport: http://bgbe.at/Skrillex_MMSBeatport
Spotifty: http://bgbe.at/Skrillex_MMSSpotify
Amazon: http://bgbe.at/Skrillex_MMSAmazon

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Https://skrillex.tumblr.com


More Monsters and Sprites EP

First Of The Year (Equinox)

Ready or Not? Drum and bass

Listen / order: https://K7.lnk.to/retoaichi
The act of escaping that which is predestined. / A hustle.

Reto A Ichi is a sonic tabula rasa for Guillermo Herren AKA Prefuse 73. There are identifiable elements of the artist you already know - an uncanny sense for rhythm, an ability to shape samples and frequencies like clay, an affinity for the subtle changes of repetition - yet this is first and foremost music born from the need for silence. There is no easy entrance point or index for the listener.

The first album, The Lapse of Exchange, is the sound of life as heard from a small Chinatown window in downtown Manhattan, the thunder of populism on the horizon. The album opens with music that reflects the inherent tension between the life of the artist - the self-doubt, the late nights, the aspirations - and the world outside - the hustle and bustle of a city that never sleeps, the wars abroad, the politicians at home. It's a tension felt in the repeating, circling keys of "Let The Pianos Freeze", the pulsating rhythms of "No Juntos", or the call and response of pitched vocal samples in "A Sword In The Rain". Ultimately it all becomes too much for our unwitting hero: the car horns outside the window, the 24 hour news cycle, the early stages of an election that tears down any remaining semblance of normality. Reto A’ichi can no longer grasp his humanity or connect to that of people around him.

With the walls closing in, he packs his small life and escapes. This change in situation is reflected in the second half of the album, with tension giving way to a rush of emotions: modulated elation on "All Regrets", sweeping melancholy on "Tuesdays Always Awful", and soaring hope on "Broad Plant Pt.2".

On Alone Moving Often, the second album, we find Reto A’ichi away from the city, lost in the vastness of empty summer houses and the complications that solitude brings. Sitting in the prison of his own quiet, Reto A’ichi seeks to capture the essence of silence: the compositions are stripped back further ("Pforever Reto"), the instruments given prominence ("So Contra"), and the chaos of the city replaced by the cacophony of nature ("Criminality"). To be alone, one must learn to constantly move in both work and purpose. As the rest of the record unfolds, Reto A’ichi comes to realize that nothing is ever truly quiet and that to run from the world is to simply find yourself in another part of it. A sense of acceptance for these unsettling realities is reflected in the music, from the harsher tones and frequencies that resonate throughout "Noise Counter Melody" and "Ghost Arpeggio" to the heavy stroke of the keys on "Alone Moving Often" and the haunting drone of "Mountainside Hillside".

Follow !K7:
https://www.facebook.com/K7Records/
https://www.twitter.com/K7records/
https://www.instagram.com/k7records/
https://www.k7records.com/

Reto A Ichi - No Juntos

Read more: https://electrocorp.fr/2019/06/18/wilson-tanner-ii/ 

"These eight compositions pull in a by-catch of maritime folklore; of Siren and Selkie, Seagull and engine oil slick". This is how we got introduced to the new album of Wilson Tanner. 

Wilson Tanner is the mutual project of Australian artists Andras (Andrew Wilson) and Eleventeen Eston (John Tanner). Here they release "II", a follow up to their debut full-length published in 2016. 

Through the 8 tracks, Andrew and John captured Ambient and Electronica landscapes, all recorded in 3 days, on September 2017, aboard a 1950s riverboat with weatherproof instruments. 

While listening to the LP, we instantly felt in love with the whole aesthetic and the peaceful feeling that spead throughout the tracks. "All Hands Bury the Dead" is our pickup from the release with its early 70s / late 60s electronic sound that brings back a lot of music and visual memories.

Premiere: Wilson Tanner - All Hands Bury the Dead [Efficient Space]

Taken from <a href="http://ninjatune.net/artist/the-bug">The Bug's </a> Acid Ragga 7" <a href="http://ninjatune.net/release/the-bug/hardcore-lover-ft-warrior-queen-goodbye-ft-miss-red">'Hardcore Lover'</a> which is released February 4th 

<a href="http://bit.ly/UYivCb">Ninjashop</a>

The Bug - 'Hardcore Lover' feat. Warrior Queen

Ninja Tune has established itself as one of the world’s leading independent record labels. Now a bonafide global music institution, synonymous with diverse, uncompromising releases and equally visionary artists—from breaking-through to GRAMMY-winning, internationally acclaimed acts—committed to pushing the boundaries of music.

The Bug - 'Black Wasp' (feat. Liz Harris)

Ninja Tune

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