Praxis

Supremacy

"𝘔𝘺 𝘧𝘢𝘷𝘰𝘳𝘪𝘵𝘦 𝘮𝘦𝘮𝘰𝘳𝘺 𝘰𝘤𝘤𝘶𝘳𝘳𝘦𝘥 𝘥𝘶𝘳𝘪𝘯𝘨 𝘢𝘯 𝘦𝘹𝘱𝘦𝘥𝘪𝘵𝘪𝘰𝘯 𝘵𝘰 𝘵𝘩𝘦 𝘑𝘶𝘳𝘢𝘴𝘴𝘪𝘤 𝘱𝘦𝘳𝘪𝘰𝘥, 𝘢𝘵 𝘵𝘩𝘦 𝘦𝘯𝘥 𝘰𝘧 𝘢𝘯 𝘦𝘹𝘵𝘦𝘯𝘥𝘦𝘥 𝘴𝘤𝘪𝘦𝘯𝘤𝘦 𝘤𝘢𝘮𝘱𝘢𝘪𝘨𝘯. 𝘞𝘦 𝘩𝘢𝘥 𝘤𝘢𝘮𝘱𝘦𝘥 𝘧𝘰𝘳 𝘯𝘦𝘢𝘳𝘭𝘺 3 𝘮𝘰𝘯𝘵𝘩𝘴 𝘢𝘵 𝘢 𝘤𝘰𝘯𝘪𝘧𝘦𝘳 𝘨𝘳𝘰𝘷𝘦 𝘰𝘢𝘴𝘪𝘴 𝘢𝘮𝘪𝘥 𝘵𝘩𝘦 𝘦𝘯𝘥𝘭𝘦𝘴𝘴 𝘴𝘢𝘷𝘢𝘯𝘯𝘢 𝘰𝘤𝘦𝘢𝘯. 𝘏𝘢𝘷𝘪𝘯𝘨 𝘣𝘦𝘦𝘯 𝘦𝘴𝘵𝘢𝘣𝘭𝘪𝘴𝘩𝘦𝘥 𝘧𝘰𝘳 𝘴𝘰 𝘭𝘰𝘯𝘨 𝘢𝘭𝘭𝘰𝘸𝘦𝘥 𝘵𝘩𝘦 𝘈𝘯𝘪𝘮𝘢 𝘵𝘰 𝘣𝘦𝘤𝘰𝘮𝘦 𝘢𝘤𝘤𝘭𝘪𝘮𝘢𝘵𝘦𝘥 𝘵𝘰 𝘰𝘶𝘳 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦. 𝘛𝘩𝘦 𝘵𝘩𝘪𝘯𝘨 𝘢𝘣𝘰𝘶𝘵 𝘵𝘩𝘦𝘴𝘦 𝘱𝘭𝘢𝘤𝘦𝘴, 𝘢𝘴 𝘸𝘢𝘴 𝘵𝘩𝘦 𝘤𝘢𝘴𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘏𝘰𝘭𝘰𝘤𝘦𝘯𝘦, 𝘪𝘴 𝘵𝘩𝘢𝘵 𝘵𝘩𝘦𝘺 𝘢𝘳𝘦 𝘴𝘢𝘧𝘦 𝘴𝘰 𝘭𝘰𝘯𝘨 𝘢𝘴 𝘯𝘰 𝘮𝘢𝘳𝘪𝘯𝘦 𝘱𝘳𝘦𝘥𝘢𝘵𝘰𝘳𝘴 (𝘭𝘪𝘬𝘦 𝘤𝘳𝘰𝘤𝘰𝘥𝘪𝘭𝘦𝘴) 𝘢𝘳𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘵. 𝘈𝘭𝘭 𝘵𝘩𝘦 𝘈𝘯𝘪𝘮𝘢 𝘩𝘢𝘷𝘦 𝘴𝘩𝘢𝘳𝘦𝘥 𝘪𝘯𝘵𝘦𝘳𝘦𝘴𝘵𝘴; 𝘴𝘩𝘦𝘭𝘵𝘦𝘳 𝘢𝘯𝘥 𝘸𝘢𝘵𝘦𝘳, 𝘢𝘯𝘥 𝘵𝘩𝘦𝘺 𝘬𝘯𝘰𝘸 𝘪𝘵. 𝘛𝘩𝘦𝘺 𝘸𝘪𝘭𝘭 𝘯𝘰𝘵 𝘥𝘪𝘴𝘵𝘶𝘳𝘣 𝘵𝘩𝘦 𝘱𝘦𝘢𝘤𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘰𝘢𝘴𝘪𝘴. 𝘉𝘶𝘵 𝘵𝘩𝘦𝘳𝘦'𝘴 𝘮𝘰𝘳𝘦. 𝘉𝘺 𝘵𝘩𝘦 𝘧𝘪𝘯𝘢𝘭 𝘸𝘦𝘦𝘬, 𝘵𝘩𝘦 𝘪𝘯𝘥𝘪𝘨𝘦𝘯𝘰𝘶𝘴 𝘎𝘢𝘭𝘭𝘪𝘮𝘪𝘮𝘶𝘴 𝘤𝘰𝘭𝘰𝘯𝘺 𝘸𝘰𝘶𝘭𝘥 𝘧𝘰𝘭𝘭𝘰𝘸 𝘶𝘴 𝘰𝘯 𝘥𝘢𝘺 𝘵𝘳𝘪𝘱𝘴 𝘵𝘰 𝘢𝘯𝘥 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘤𝘢𝘮𝘱. 𝘞𝘦 𝘲𝘶𝘪𝘤𝘬𝘭𝘺 𝘳𝘦𝘢𝘭𝘪𝘻𝘦𝘥 𝘵𝘩𝘢𝘵 𝘵𝘩𝘦𝘺 𝘸𝘦𝘳𝘦 𝘩𝘦𝘳𝘥𝘪𝘯𝘨 𝘸𝘪𝘵𝘩 𝘶𝘴. 𝘋𝘪𝘥 𝘵𝘩𝘦𝘺 𝘱𝘦𝘳𝘤𝘦𝘪𝘷𝘦 𝘶𝘴 𝘢𝘴 𝘱𝘢𝘤𝘬 𝘭𝘦𝘢𝘥𝘦𝘳𝘴? 𝘖𝘳 𝘥𝘪𝘥 𝘵𝘩𝘦𝘺 𝘵𝘩𝘪𝘯𝘬 𝘰𝘧 𝘶𝘴 𝘢𝘴 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘦𝘭𝘴𝘦? 𝘛𝘩𝘦 𝘦𝘮𝘰𝘵𝘪𝘰𝘯𝘢𝘭𝘭𝘺 𝘱𝘢𝘪𝘯𝘧𝘶𝘭 𝘢𝘴𝘱𝘦𝘤𝘵 𝘰𝘧 𝘵𝘪𝘮𝘦 𝘪𝘯𝘴𝘦𝘳𝘵𝘪𝘰𝘯𝘴 𝘪𝘴 𝘵𝘩𝘢𝘵, 𝘭𝘪𝘬𝘦 𝘳𝘦𝘢𝘭-𝘵𝘪𝘮𝘦, 𝘪𝘵'𝘴 𝘯𝘰𝘵 𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦 𝘵𝘰 '𝘳𝘦𝘤𝘳𝘦𝘢𝘵𝘦 𝘦𝘷𝘦𝘯𝘵𝘴' 𝘰𝘳 𝘤𝘰𝘯𝘵𝘪𝘯𝘶𝘦 𝘦𝘴𝘵𝘢𝘣𝘭𝘪𝘴𝘩𝘦𝘥 𝘦𝘷𝘦𝘯𝘵𝘴. 𝘖𝘯𝘤𝘦 𝘮𝘢𝘯𝘪𝘱𝘶𝘭𝘢𝘵𝘦𝘥, 𝘵𝘩𝘦 𝘢𝘳𝘳𝘰𝘸 𝘰𝘧 𝘵𝘪𝘮𝘦 𝘪𝘴 𝘥𝘪𝘴𝘵𝘰𝘳𝘵𝘦𝘥 𝘵𝘰 𝘴𝘶𝘤𝘩 𝘳𝘦𝘧𝘪𝘯𝘦𝘮𝘦𝘯𝘵 𝘵𝘩𝘢𝘵 𝘪𝘵'𝘴 𝘯𝘰 𝘭𝘰𝘯𝘨𝘦𝘳 𝘥𝘦𝘵𝘦𝘳𝘮𝘪𝘯𝘪𝘴𝘵𝘪𝘤, 𝘢𝘯𝘥 𝘯𝘰 𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘭 𝘧𝘳𝘰𝘯𝘵𝘪𝘦𝘳 𝘤𝘢𝘯 𝘦𝘷𝘦𝘳 𝘣𝘦 𝘳𝘦𝘷𝘪𝘴𝘪𝘵𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘦𝘹𝘢𝘤𝘵 𝘴𝘢𝘮𝘦 𝘸𝘢𝘺."

- Excerpt from Ponda Baba's Temporal Frontier Field Notes, Log 2324.4.27

Savanna Oasis

somewhere near the end of “While They Were Sleeping,” something shifts. A final candle flickers. The pages begin to stir. And quietly, a sentence appears  one that was never meant to be written.

“And Then He Rewrote the Ending…” is the call. Not a scream, not a battle cry just truth whispered back into the dark. A musical prelude to what comes after. A response not with rage, but with resilience.

The melody doesn’t fight. It remembers. And slowly, something in the silence begins to bend.

What’s coming cannot be beaten. It’s too big, too old. But maybe it doesn’t have to be. Maybe survival is its own kind of ending. Or maybe… it’s the beginning of another story entirely.

And Then He Rewrote the Ending

An EP that was simply made for fun. I started taking my music too seriously (despite facing little to no pressure) and got to a point of not enjoying it. I gave myself no time limit and made whatever sounded "cool" and enjoyable to me. I spliced both old demos and scrapped sounds with new ones, and I this is the most genuine fun I've had making a project thus far.

Street (Within Passing Cars)

Dragon Age Inquisition - The Descent Battle Theme

Two Steps From Hell - Army Of Justice

Titanfall 2 OST - Multiplayer Trailer Music

Music by Jordan Lawlor & Mark Petrie

for professional licensing visit: www.montagemx.com

Supremacy

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