Ombré Haze

Under the guise of DyE we nd ‘Taki 183,’ an enigmatic debut Album from Juan de Guillebon; long time bass player to the demanding training of the Parisian electronic scene - Joakim & the Disco, Botox and Maestro. DyE has said of ‘Taki 183’ that it ‘is a personal and progressive urban design’ already popular with artists as diverse as James Murphy, DJ Mehdi, Erol Alkan and James Holden. Sometimes dreamy electro-pop or excessive shoe gaze, and then often introverted dubstep and hallucinogenic nu-disco. On a more Highbrow level, DyE invests several research elds into his music, such as harmonic instrumental radicals and disarticulated cosmic melodies and synthetic songs!!!! But fundamentally what we discover is a journey through DyE’s immediate sphere of in uence, with the rst port of call being his younger self. 
Meet 14 year-old DyE, he is playing guitar in a Tropical Disco band with Malian Musicians, but then leaves to study sound engineering, cello and Electric Bass - precocious at best. Luckily for us he found time to mess himself up by joining a rock band, of sorts, as bass Player for Joakims band around 2005. DyE was 3 years on the road playing every major city around the world and recording on many of Joakims albums. In his own words 
Tigersushi Records 
‘it was some kind of Golden Age.’ But it was around 2007 when the infamous Web 2.0 appeared; the period in the history of the Internet, where the user became, not just the content, but the star of the data world. DyE is fascinated by the in nity opportunity to be both anonymous and popular from any Place in the World. As a Call and Response to this ‘Golden period’ DyE created a little project called ‘One Week, One Track!’ which saw him upload a new track to MySpace every week.

buy here :
https://dyeitnow.bandcamp.com/album/taki183

DyE - Immortals Only

Having a Coke with You

is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles

and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them

I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse

it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it

- Frank O'Hara

Broken Cub

Nitemoves

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