4 guys that live in a house and make music in their basement. This is what people have said about them...

'My new favourite band!'
- Alan Raw, BBC Introducing

“The whole effect is akin to The Melvins meeting Biffy Clyro and there is a very dangerous edge that motivates the crowd – definitely one to watch!” 
– Kevin Donoghue; Native Records (formerly of BMG, RCA, Epic and Sony)

“They have to be seen... purely to be believed” 
– Leeds Music Scene

“They are quite simply, superb.” 
– Rock of The North

“They have a sound that could dominate the world!” 
– Kevyn Gammond; M.A.S. Records and Band Of Joy

Kieran/Alex/Aaron/Wilko
"Searing riffs + snarling vocals. Ear-splitting tunes” NME 
"A bratty, beaming slice of perfectionist punk" DIY
Fuzzed grunge pop from Leeds.
Enquiries: scott@tmplemngmnt.com
Bookings: olivia@itb.co.uk
xoxoxoxoxoxoxoxox

‘I’m A Raver Baby’ out now on @dutchmasterworks! ⤵️

https://showtek.komi.io/

We're a record label based in Los Angeles, Hamburg and Toronto. Come hang out with us for some great new music!

Contact us info@nevadomusic.com

Artists Management company & Record Label 
Based in Los Angeles - http://sargenthouse.com

Cate Le Bon is an artist hailing from Carmarthenshire, rural West Wales. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well as 2016s Crab Day and the Mercury Award nominated Reward, Cate Le Bon’s solo work — and indeed also her production work, such as that carried out on the recent John Grant album, Boy From Michigan, or  Deerhunter's Why Hasn’t Everything Already Disappeared?  (4AD, January 2019) — has always resisted pigeonholing, walking the tightrope between krautrock aloofness and heartbreaking tenderness; deadpan served with a twinkle in the eye, a flick of the fringe and a lick of the Telecaster.

New album Pompeii bears a storied title summoning apocalypse, but the metaphor eclipses any “dissection of immediacy,” says Le Bon. Sonically minimal in parts, its lyrics jog between self-reflection and direct address. Written primarily on bass and composed entirely alone in an “uninterrupted vacuum,” Le Bon plays every instrument (except drums and saxophones) and recorded the album largely by herself with long-term collaborator and co-producer Samur Khouja in Cardiff, Wales.

The songs of Pompeii feel suspended in time, both of the moment and instant but reactionary and Dada-esque in their insistence to be playful, satirical, and surreal. From the spirited, strutting bass fretwork of “Moderation”, to the sax-swagger of “Running Away”; a tale exquisite in nature but ultimately doomed (The fountain that empties the world / Too beautiful to hold), escapism lives as a foil to the outside world. Pompeii’s audacious tribute to memory, compassion, and mortal salience is here to stay.

The official Soundcloud profile for Brody Dalle

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