སྒྲ་ཨང་། KADZT2070336
སྤྱིའི་ཨང་། ༤༦༤
འཁྲིད་མཁན། དགེ་བཤེས་ཟླ་བ་ཚེ་རིང་། 
ཁྲིད་གཞུང་གི་མཚན་ཆ་ཚང་། ཚད་མ་རྣམ་འགྲེལ་གྱི་ཚིག་ལེའུ་བྱས་པའི་རྣམ་བཤད་ཐར་ལམ་ཕྱིན་ཅི་མ་ལོག་པར་གསལ་བར་བྱེད་པ་ཞེས་བྱ་བ། 
ཁྲིད་མཚམས། ལེའུ་དང་པོ། 
མཛད་པ་པོ། རྒྱལ་ཚབ་དར་མ་རིན་ཆེན། ༼༡༣༦༤ ༡༤༣༢༽ དགེ་ལྡན་པའི་རྗེ་ཡབ་སྲས་གསུམ་གྱི་ཡ་གྱལ། དགའ་ལྡན་ཁྲི་ཐོག་གཉིས་པ། 
སྒྲིག་དུས། ༢༠༡༨ ལོའི་ཟླ་ལྔ་པ།

༡༽ Track-001 ནས་ Track-012 རྣམ་འགྲེལ་ལེའུ་དང་པོའི་མཆོད་བརྗོད།
༢༽ Track-013 ནས་ Track-026 ཕྱོགས་སྒྲ།
༣༽ Track-027 ནས་ Track-057 ལའི་དུ་བ་རང་བཞིན་མ་དམིགས་པ།
༤༽ Track-058 ནས་ Track-073 རྟགས་གཞན་བཞི་པ།
༥༽ Track-074 ནས་ Track-104 འབྲེལ་པ།
༦༽ Track-105 ནས་ Track-112 ཚད་མ་ཕྲུགས་གསུམ།
༧༽ Track-113 ནས་ Track-152 གཞན་སེལ་སྟོད་སྨད་ཆ་ཚང་གསར་པ།
༨༽ Track-153 ནས་ Track-175 ཤིང་འཛིན་རྟོག་པ།
༩༽ Track-176 ནས་ Track-187 བརྡ་ཡུལ།
༡༠༽ Track-188 ནས་ Track-209 ལུང་འགལ་དྲུག
༡༢༽ Track-210 ནས་ Track-211 རྟོགས་པ་ཕན་ཚུན།
༡༡༽ Track-212 ནས་ Track-221 ཤིན་ལྐོག
༡༣༽ Track-222 ནས་ Track-242 དབང་ཕྱུག་རྟག་པ།

Namdrel Lewu Dangpo

རྣམ་འགྲེལ་ཐར་ལམ་གསལ་བྱེད་ལེའུ་དང་པོ། ཉ ༼༠༡༦༽

Transformation Of Character - Radhanath Swami

102 - Krishna’s Protection

Jai Radhe Radhe Radhe

According to art historian Lawrence Alloway, Agnes Martin was one of the principal pioneers of the “Hard-Edge” 1950's painting movement. “Even where forms are not purely represented,” he wrote, “[Hard-Edge] abstract artists have tended toward a compilation of separable elements, treated as discrete entities. Forms are few and the surface immaculate … the whole picture becomes the unit. The result of this sparseness is that the spatial effect of figures on a field is avoided.”

Martin’s work evokes not only austere minimalism but also a cerebral airiness, perhaps gained from when Martin lived in New Mexico while attending university. Her work appears to vibrate off the canvas, the rigor of her craft subtly transformed into a sort of trembly dissonance. Even a simple line appears to breathe; a series of seemingly identical shapes reveal hidden nuances on close inspection.

For this piece written for fake violins, Suss Müsik interpreted Martin’s lovely 1961 work entitled Words (ink and graphic on paper, mounted on canvas) as a graphical score. The parallel lines are represented by sustained, repetitious phrases playing a single note. The triangles are conveyed through a simple 3-note counterpoint performed in consecutive sets of four, four, six, six, six, six, four and four. 

The piece is titled Words and was recorded live with one overdub for piano embellishment.

More on this 456th weekly Disquiet Junto project, Line Up (The Assignment: Interpret a painting by Agnes Martin as if it were a graphic score), at:

https://disquiet.com/0456/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0456-line-up/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Words [Disquiet0456]

We know that men can’t walk on water,
We know they’ll sink as soon as set....yet.
By faith when Jesus beckoned,
Peter walked where waves beset.
______________________________________

We know that man can’t move their neighbour,
As themselves to give or get.....yet.
By faith when Jesus beckoned,
Peter cast the gospel net.
______________________________________

We know that man can ask forgiveness,
But he never can forget...yet.
By faith when Jesus beckoned,
Peter arose without regret.
_____________________________________________
Refrain:
Let me walk with faith like Peter,
Let me cast forth something good!
Let my hands hold faith much sweeter!
Than this cold, wet boat of wood.

Let Me Cast Forth Something Good

Sur le texte de Charles Baudelaire "Le serpent qui danse".(Les fleurs du mal) domaine public. (c) Stongi pour la musique.
Jean St-Onge: voix, guitare, basse.
Gilles De Repentigny: Batterie

Le Serpent

First track of my debut album "Mistakes"


MP3 version so audio quality is not as good as it is on other streaming platforms

Night Skies

"The Rook, The _______, and The _______"
- first part of a trio to be completed by others...
...Please fill in the blanks!

5/4 meter, 110.43bpm
D Phrygian bass: D-A-G | D-G-F-Eb-F

This track was turned into a duo:
https://soundcloud.com/user-130801280/the-rook-edit-12-export-2

❖
More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:
https://disquiet.com/0472/

More on the Disquiet Junto at:
https://disquiet.com/junto/
❖
synth: Pulsar-23 w/Pulsar Buddy
controllers: Boppad, nanoKEY2, nanoKONTROL, Wave
looper: "bicycle" on Raspberry Pi

Jamuary 14 - Disquiet 0472

Perto da Costa

Existente - Camadas de Ondas

A short piano piece, open to collaborations for this disquiet project. I've not done anything too abstract so others can work with it quite quickly. There's a couple of bumps in the timing to get around. I'm really looking forward to seeing what other people do with this.

102 - Krishna’s Protection

Nityananda Charan Das