The Sound of Deconstructed Club ordered by decreasing BPM

Ziúr - Antifate
Format: LP / DL 
Cat.No. PAN 120
Release Date: 7 May 2021
Purchase: pan.lnk.to/Antifate

Ziúr’s music has always been difficult to classify. A longtime fixture in Berlin’s nightlife, the musician, producer and DJ has cut through decades of threads to arrive on a sound that accurately represents her journey. She’s sung, played guitar and drums and reduced club music to a burning cinder; with “Antifate”, her third album under the Ziúr moniker, she approaches electronic music without any preciousness or reverence to genre.
2019’s acclaimed “ATØ” re-introduced songs to her canon, contorting her vocals over an undulating electronic backdrop. On “Antifate”, she takes this idea further, pushing abstracted pop forms into mists of digital euphoria and extracting unexpected instrumental flourishes from collapsing clouds of distorted rhythm. Electronic instrumentation is melted into acoustic sounds and vice-versa, creating a breathing organic universe that’s entirely Ziúr’s.

“Antifate” is an abstract reference to the mythical land of Cockaigne, a utopia where wine flows freely and houses are made of cake, that provided escapist fantasy for medieval peasants. As the space between our private worlds widens, this fantasy becomes alluring once more - a place where we feel free, with the people who allow us that freedom. With this in mind, Ziúr crafts a soundtrack that’s fantastical and magical, hinged on the idea of closeness and connection at a time when distance is mandatory.

Ghostly voices echo wordlessly over clattering beats and dubwise bass on opener ‘Alive, Unless?’, while the album’s title track sings a more epic fanfare, with a chorus of voices echoing into glittering synthesizer pearls and volcanic kicks. “Antifate” is almost even theatrical at times, something never more evident than on the Talk Talk-esque ‘Fringe Casual’ with its dreamy piano and plucked bass and on closing track ‘The Carry’, where flute is introduced into Ziúr’s rapidly expanding narrative.

It’s tempting to say that this is the album Ziúr has been destined to make, but “Antifate” rejects this concept. Rather, this is the album that Ziúr needed to make now, surrounded by the people that have been able to offer her the place to do it. In mapping out her mythical paradise, Ziúr has produced an album that is deeply tender and inescapably human. It’s an album about freedom, and she has never sounded so free.
The album is mixed by James Ginzburg & mastered by Rashad Becker, featuring artwork by Stefan Fähler.

@ziurinhell

Antifate

Ziúr - Antifate (PAN 120)

The Federation mix is a series of mixes curated by Wokoundou’s commander @philoulouzolo. With The Federation, Wokoundou launches a platform to both hidden talent and the establishment, welcome to the multiverse!

@jenniferloveless

The Toronto-born Australian-resident, and now London-based queer artist is a diverse selector who found her love of club music through its most fundamental element; dance.

Jennifer’s live performances are experimental, fluid, and charged with emotion. Her narratives weave a love of the ocean, a love for her community, an ear for details and concern for the climate.

We are so grateful to have Jennifer on board!

More @jenniferloveless
www.instagram.com/jenniferrloveless

More Wokoundou:
@philoulouzolo-wokoundou
www.philoulouzolo.com
Instagram.com/philoulouzolo

the federation mix 53 - jennifer loveless

Rinse FM Podcasts

Will Hofbauer - 15 July 2022

tracklist: https://www.nts.live/shows/moxie/episodes/moxie-27th-july-2022

Moxie on NTS Radio w/ FYI Chris (27.07.22)

Freq With Love Letters & Mike Servito @ The Lot Radio 08 - 02 - 2022

Illusions explores psychedelic Acid House and Techno, ranging from forgotten 90's soundscapes to present day discoveries.

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Illusions w/ Swoose - August 2022

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Recording of Margie's set at Dekmantel Festival 2022.

Dekmantel Festival 2022

Margie at Dekmantel Festival 2022

Borne Fruits with Amaliah - 31 October 2022

Freshly moved from Melbourne to London, DAWS is already starting to make her mark in the capital. In her native Australia, she's cemented her name in the underground dance music and queer party scenes with her energetic, joy-filled sets that bridge her love of classic and contemporary house music.

Listening to her bright and punchy selections, you can tell she puts the fun front and centre; there's no room for seriousness and chin stroking round these parts.

This lightness and high-spirited outlook feeds into her own music too. Lockdown was the fuel to shift her focus on to production, and it was during these months where clubs were closed and events cancelled that she found a her voice as a producer and began to gain international recognition doing so. On top of original productions and remixes, which have been released on the likes of Rogue Cuts, Phenomena and Parry Talks, she shared a bunch of personal edits in her charity-focused ADHD series which unearth and rework some of her favourite pop tracks from the early noughties.

Next April will see her share her biggest work to date: a debut EP on Hot Haus Records which is primed for euphoric moments on the dance floor. As she gears up for the release, whilst keeping herself busy in the studio and gracing clubs across the UK and Europe, she pieces together a mix of playful electronics, bright house grooves and vibrant rhythmic excursions to get you through your working day...

DAWS: The 'Shine A Light On' Mix

Rinse FM Podcast

Hammer - 26 November 2022

London-born Visionist, (Louis Carnell,) has rapidly ascended the ranks of producers and DJs at the forefront of modern club music. Quickly categorized as one of the leaders of the international new school of Grime, However, Visionist looks beyond Grime and into the unknown, crafting a heavenly opus continuing on from his critically acclaimed "I'm Fine" on Lit City Trax. The outcome is his utterly original take on this comprehensive club music spectrum of the past two decades -- hyper-minimal and brooding while remaining ethereal. Visionist's tracks on I’m Fine sound vast, as if mapping vivid, emotional landscapes. His approach to production is introspective, with an eye for detail and an ear for tension, focused on opening up space rather than cluttering it.

Visionist maintains his own record label, Lost Codes, which while rooted in Grime, is centered around the genre-breaking imagination and inventiveness of his artists (SD Laika, Acre, Saga, FIlter Dread, Bloom). Avoiding looking back in time to recreate the past, now he's helping to usher in the new vanguard. Like Visionist, these artists are creating an identity true to themselves.

On I'm Fine, Part II -- the final EP in a twofold installment on Lit City Trax -- Visionist explores each of the stages of grief; denial, anger, bargaining, depression and acceptance -- coming to terms with loss and suffering by deconstructing and rebuilding the past into a myriad of pensive musical styles. 

I'm Fine, Part II attempts to offer resolution for the grief stricken listener, and closure to some of the problems explored on I'm Fine. The opening track "Eye Try" opens the flood gates. An extended intro, coupled with reverb-dripping vocal chops, a heart stopping reese-bass drops into the tune, eventually unravelling into a plaintive female chant.

"More Pain" remains skeletal and hyper-minimal like it's predecessor "Pain" -- the songs call back and forth to each other. Resourceful as ever, Visionist recycles the same vocal to create a moving, skeletal and largely beatless composition. The songs stays in motion,  propelled forward by a divine choir-like lead and bass stabs trailed by sparse, haunting percussion.

"The Way" starts stark and drops into complex, pulsing bass, tied in with heartbreaking cries of "Without You". While not a Grime track, the melodies coupled with the tough bass, are reminiscent of the forward thinking ethic of producers from the days before Grime's inception.

In quick contrast, "First Love" is a direct ode to the Grime of Visionist's youth. This most percussion heavy track on the whole record yet the emphasis somehow remains on an overwhelming, chopped vocal melody. The syncopated beat and bass drop and urge you to move. This is soon followed by two sharply contrasting bass leads, bringing this constantly evolving track to its peak.

Playing off a UK Funky groove, "Acceptance" once again is a forward thinking take on this undeniably British sound. Immediately the kick drum leads you into more complex polyrhythms between the shakers, low end and kicks. Another concise track, Visionist gets directly to the point. "Acceptance" is a unique club banger, using his own distinct palette.

I'm Fine, Part II closes with "Something Old, Something New", which was Visionist's earliest foray in this manner. Beginning with a spacious pulse, what has become his signature vocal chops, swiftly begin to unravel into progressive, ethereal harmonies. The track culminates with the most direct vocal. "Make me float" rings out, concluding the EP and suggesting a resolution to the grief portrayed throughout the "I'm Fine" series -- a new beginning.

With I'm Fine, Part II, Visionist creates something far greater than the sum of its parts. The record is jarring and undeniably British.  I'm Fine Part II explores heavy vocal manipulation, appropriating samples into powerful melodic tools. The record is an ode to Visionist’s dark musical past and a love note to his bright future.

Whither is fled the visionary gleam?
Where is it now, the glory and the dream?
       -Wordsworth

Visionist - First Love

Taken from the forthcoming EP 'Heterocetera'.
Out March 3rd 2015 digitally and on 12".

Lotic - Heterocetera

Taken from 'Corra Linn', out on Numbers and available everywhere today. 
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Corra Linn

Moo Orphaned Drift

Lanark Artefax - Moo Orphaned Drift (clip)

Aiming to enhance a future that connects us across the boundaries of class and race. Fight fascism & racism - in every space and on every level! Ravers for a culture in solidarity and resistance. All proceeds of the U.R.A.F. Tape (and Digital) sales will be donated to these no profit associations: Seebrücke, the Auschwitz Memorial and to the fundraiser of Aboubakar Soumahoro.

Seebrücke. A movement who created (among other things) save habours in over 62 european municipalities in which citys welcome refuges who have been recued from distress at sea. seebruecke.org/leavenoonebehind/aktionen/

A fundraiser by Aboubakar Soumahoro who aims to support the black farmhands working in the agricultural fields of the Italian South and provide them with food, basic necessities and medical supplies.
www.gofundme.com/f/portiamo-il-cibo-in-tavola-ma-abbiamo-fame

The Auschwitz Memorial and Museum which is a place of great importance to remember the atrocities and consequences of fascism.
auschwitz.org

U.R.A.F. — a compilation of music with a strong political thought.
credits
releases June 19, 2020

Lanark Artefax - Moo Orphaned Drift (clip)

Numbers

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