CD: “Filipe Esteves – Sul e Sueste” · Miso Records (MCD.46.21)
Mais info: www.mic.pt/dispatcher?where=4&what=2&show=4&edicao_id=10817&lang=PT

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PT
Obras de Filipe Esteves seleccionadas pelo compositor no âmbito da entrevista Na 1.ª Pessoa/ Música de Invenção e Pesquisa, conduzida por Pedro Boléo.
Vídeo com a entrevista: ...

EN
Filipe Esteves' music selected by the composer in the context of the In the 1st Person/ Research & Invention Music interview, conducted by Pedro Boléo. 
Video with the interview: ...

Filipe Esteves · “Sul e Sueste – cais” (2021)

Recorded by Sagami river park Kanagawa.
February 2011

Melting snow

Canadian artist Hildegard Westerkamp narrates her walk around Kitsilano Beach in Vancouver, British Columbia. She also delves into the process of how she treats the sounds in the studio to highlight elements, and imagines different sound dreams from them.

Things to think about:

Westerkamp says “I could shock you or fool you by saying the soundscape is this loud…but it is more like this” (1:40–2:00). What does she mean? What is the difference between the two versions of the soundscape she presents and how do you think she created the difference?
Do you see the images she describes in her dreams too? What kind of images or situations do they conjure for you?

Kits Beach Sound Walk (1989) by Hildegard Westerkamp

Gold Lines | Bird & Renoult

Banda sonora original para a peça-de-teatro-em-camisolas "Final Moda", de Miguel Clara Vasconcelos, estreada nas "Manobras de Maio" de 1997, em Santa Apolónia (Lisboa).

Excerto sonoro das recolhas de Michel Giacometti, música e execução de Nuno Morão, com o apoio técnico de Rodolfo Morgado.

Final Moda [1997]

TransMongolian is a composition of unprocessed field recordings composed in soundscapes. I recorded these acoustic phenomena on my journey through Russia, along Lake Baikal, through Mongolia, China and South Korea to Japan. These countries do not only have very different landscapes and ways of life, they also differ in their sounds, a dimension which more often than not goes unnoticed. The 6 acoustic portraits reflect what I found to be representative of or very special about the countries.

More Information: http://www.gruenrekorder.de/?page_id=8407

TransMongolian | Roland Etzin

Domestic Weather is a parallel exploration of radio transmissions as carriers of meteorological data as well as the affects of weather on the propagation of radio signals. Through a series of interviews ham radio operators describe the positive and negative effects that atmospheric conditions have on their broadcasts. Their voices are interwoven with examples of meteorological information conveyed through radio such as weather, shipping and aviation forecasts and transmissions intercepted from Radiosondes - small weather probes that are sent into the atmosphere by balloon. Also interspersed throughout the programme are a number of ‘Domestic Weather’ experiments. Using household appliances as analogies of various weather conditions, real audio recordings of weather are micro-broadcast to small radios inside or in the vicinity of these devices with the resulting duet recorded - for example, the sound of a tornado coming from inside a tumble dryer, heavy rain in the shower or howling winds alongside a hairdryer – thus drawing attention to the micro-climate of our own domestic environment.

Special thanks to Gavin Mitchell and all members of the West Of Scotland Amateur Radio Society.

Produced by Mark Vernon and commissioned by Wave Farm and Kunstradio as part of their 'Climactic Climate' series.

First broadcast on ORF 1, Austria, 31st May 2015.

Supported by Creative Scotland.


Domestic Weather

colony #14

Set against a backdrop of the dreamy mountains of Labëria in southern Albania, Washed by the Moon, British/German filmmaker Dan Shutt’s directorial debut, is a rich journey through the region’s musical history.

Ahead of the film's premiere on 13 September at Calvert 22 Foundation, we invited Dan Shutt to compile a mix that best encapsulates the Albanian tradition of polyphonic singing.

Read more: http://www.calvertjournal.com/features/show/10628/albania-ancient-polyphonic-music-mixtape-dan-shutt

The Mixtape 47: Albanian isopolyphonic singing

water inhabits the stone 2018/2018
curation/concept: IRRUPTIVE CHORA  (Agata Kik & Ania Mokrzycka)

01:27 Ania Mokrzycka, lisbon recordings I
04:51 Valentina Bin, water inhabits the stone (read by Ariadne Radi Cor)
05:50 Nuno da Luz, Sound Screening for the (be)coming Film "The Voyage Out” (excerpt I)
07:25 email from the archive (read by Sotiris Gonis)
10:05 email from the archive II (read by Ines Geraldes Cardoso)
10:25 Nuno da Luz, Sound Screening for the (be)coming Film "The Voyage Out”(excerpt II)
18:52 Andre Romao, four poems, poem 1 (read by Ines Geraldes Cardoso)
19:28 Ania Mokrzycka, notes on unremembering and ocean currents
22:35 Ania Mokrzycka, lisbon recordings II
27:21 Andre Romao, four poems, poem 2 (read by Ines Geraldes Cardoso)
27:28 fictional script, read by Ines Geraldes Cardoso, Agata Kik and Ania Mokrzycka, written by Ania Mokrzycka, translated by Ines Geraldes Cardoso
32:39 Adriana Sa talking in Scratchbuilt studio, Lisbon, 2018
35:12 Live recording of Wednesday (John Klima, Thomas Kahrel, Nuno Morao), Desterro, Lisbon, 2018
43:59 Agata Kik, Monday 16 July 2018 and Tuesday 17 July 2018 diary entries
46:05 Ania Mokrzycka, untitled video (2018), sound excerpt
49:15 Andre Romao, four poems, poem 3 (read by Ines Geraldes Cardoso)
49:20 fictional script, read by Ines Geraldes Cardoso, Agata Kik and Ania Mokrzycka, written by Ania Mokrzycka & Agata Kik, transl. Ines Geraldes Cardoso
52:07 Palmario Recordings feat. Rawforest (Nuno da Luz and Joana Escoval)

water inhabits the stone, Resonance 104.4 FM (Bad Punk show), London / Lisbon, 2018/2019

Músico e engenheiro de som. Bateria, percussões, teclados e gravações-de-campo. | Musician and sound engineer. Drums, percussions, keyboards and field recordings.

Final Moda [1997]

Nuno Morão

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