Downlaod: https://www.patreon.com/posts/48330226

xtratrash vol. 1 by XtRaOrDiNaRxx.x [Sample Pack]
In this sample pack you can found:
Bass - 24 samples
Clap - 31 samples
Cymbal - 10 samples
Fx - 10 samples
Guns - 14 samples
Hi-Hat - 19 samples
Kick - 37 samples
Loops - 32 samples
Open Hat - 11 samples
Perc - 20 samples
Snare - 62 samples

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xtratrash Vol. 1 By XtRaOrDiNaRxx.x [Sample Pack]

PerfectPlasmaHarmony_mp3

Microcosmos, Macrocosmos! Worlds into Worlds!...
Observe and explore different-strange worlds, worlds that are even so close, but most people don't even notice!...This abstract-experimental track (among others tracks here) was used as background music-companion to a very succesfull abstract photo-art exhibition project (see below)
Photo: "Untitled" (from photo-art project "Travel in the country of rust") by well known and talented Greek photographer Chris Pourikas: photo.net/photos/ChrisPourikas
* Another special-extraordinary fact about this track is that I've used experimental software (AudioPaint) to create-extract part of the sound effects from these abstract photos (photo to sound!)

Astrofaros - Worlds into Worlds

Sand Castle

gate.fm/mdhQIC1
اوكا مهرجان اتدلع 1991

☼ Free Download ☼

G.Oka - 1991 ( Atdl3 )  ( جنرال اوكا مهرجان ( اتدلع

G::SPXL

Pre-Save "Mid-Life Crisis #1" here: https://distrokid.com/hyperfollow/sha... 

Stream "Are You Sure" here: https://open.spotify.com/artist/6q8QM...

Connect with me!  Join my mailing list for EP updates at musicbyshauna.com. 

instagram: @shaunanan
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Are You Sure? | original

Dance of the Deserted Spaces is composed using field recordings taken from four different locations across the globe after the Covid-19 outbreak resulted in mass public lockdowns. The sonic character of these places shifted dramatically once stripped of the dominance of human activity and previously hidden aural worlds built from nature, automated machinery, the reverberation of open space and the earth itself revealed themselves.
The piece takes these ‘background’ sounds and give them a stage of their own to dance, converse, expand and exist independent from their relationship to human presence. These normally unregistered noises evolve rhythmically and harmonically in an autonomous celebration
of sound itself.
The idea developed from my last night on duty at the museum I work for in Tasmania, Australia. With the museum suddenly closed indefinitely to the public I walked from gallery to gallery shutting down all but the most basic power and lighting systems and listened as the empty
building revealed a new sonic atmosphere of gentle creaks, air-conditioning and essential plant mechanics. There was a sense of spirit emitting from the vacant architecture and the ever working
but unchampioned infrastructure the allowed these places to be habitable.
The sounds of the museum were recorded that night and form the raw material for Dance of the Deserted Spaces along with field recordings sent to me from a deserted intersection in Brooklyn, the empty auditorium of an international school in Yokohama and the entrance to the Parc des Buttes-Chaumont in Paris.
Ideas of dystopia, harmony, freedom, tension and evolution are explored as the global sounds come together in defiance of cultural classification, revelling in the peopleless space and time.
Life and energy beyond the reductive parameters of humanity and society are given a platform to create a celebratory noisescape of the omnipresent sounds the secretly surround us.

Dance Of The Deserted Spaces

atmosphère translucide

Feeling very lucky to be involved in this recent festival project. Link to website at the bottom of this info. There is a lot to this one! The short version is under the guidance of Composer Madeleine Flynn myself and 6 other musicians performed a beautiful work on two different rivers in my home state of Tasmania during the MONA FOMA 2021 festival. The instrumentation included horns, strings, sirens/fog horns, intonarumori and many other sound and trad instruments as well as a beautiful and moving text from Theresa Saintly. Here is a small summary from the program guide. ...
Relay / Country Remembers Her Names

Madeleine Flynn, Tim Humphrey with Theresa Sainty

A slowly unfolding relay of land and sea signals echoes across our fair island, opening and closing the festival. Foghorns streamed from Low Head, boat horns, sirens, experimental intonarumori instruments, palawa kani (the language of Tasmanian Aboriginal people), bagpipe streamed from Queenstown, and other sound-making apparatus call each other over land and water, and ask us to reflect on where we are. From wukalina / Mount William and pilawaytakinta / Low Head, to Queenstown, Launceston and nipaluna / Hobart.  

You will hear the work projected from a moving vessel meandering close to shore. In Launceston, listen from the banks of kanamaluka / Tamar River around Riverbend Park, Royal Park and Seaport. In Hobart, listen from the banks of the Derwent around the Hobart foreshore, to Long Beach, Sandy Bay, and on the eastern shore between Howrah and Bellerive. 

The full story and list of all involved (there was lots live stuff streamed to the vessel as well as the onboard musos) can be found here
https://www.relaysound.art/

relay//country remembers her names

Prompt: Scale

A collaborative track done with musician/artist Aversion To Reality, and essentially a remix of track by the same name. The individual stems are separated in a theoretical 3D space and panned and spaced directionally to give the aural appearance of being a 3D live space. Sounds should jump from ear to ear, move around the listener's head, and "appear" to wash over the user, especially in the lower ranges. This type of ambisonic mixing works well to give the listener a sense of audible scale and feel as if in a large or strange space. Headphones or surround sound/multi-channel speakers necessary to hear the full effects.  

This was done for the Year In Studies project hosted by artists Quinn Taylor and Marie Raupp.

Year In Studies: Scale - Spatial Rifts - Ambisonic Mix (feat. Aversion To Reality)

NMTArts

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