No Mates Ensemble

ok so clown cloud limits playlists to 500 tracks! Human playlist 2 here. Shade Structure opens proceedings with a funny gem

Human Confirmed Part Deux

Like 2

REACH FOR WHITE EGGS IN THE GREENFIELDS

Retro's BIG ONE

Found Treasures XIX

[UNDER CONSTRUCTION]

Fantaisie track (courte) series no. 637

infinitely open ... except for the beat, no beat, or not enough to call it a beat, or too many of them either in succession or concurrent.

created: 2025/12/14

These tracks were uploaded in November and December 2025,
except for the following, older ones:
. . .

Capitalized tags are SoundCloud's suggestions.

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

[TO BE COMPLETED]

hk_fantaisies_tracks_637

Calma Aparente / Apparent Calm

I was honored when https://soundcloud.com/graphicsontelevisions asked me to remake ‘Tattlesnakes’ from their fantastic album ‘Pun’. Maybe it’s the wildest one, unpredictable but coherent, it inspired me immediately !!

I've remixed to my taste their original studio stems (drums & keyboards), adding my own vocals, guitars & more... hard recommendation of headphones again !!

Lyrics are from another of my ancient poems, where I played with oxytone & eproparoxytone rhymes (translated below but with lost effect in English).

Full versions album here: https://soundcloud.com/graphicsontelevisions/sets/another-pun-a-brand-new
Downloadable: https://graphicsontelevisions.bandcamp.com/album/another-pun
I suggest checking out the original tracks too: @https://graphicsontelevisions.bandcamp.com/album/pun !!!

Letra  /  Lyrics:

Claro que ya no soy plástico,  /  Clearly I’m not plastic anymore,
ni estoy falto de razón,  /  nor lacking of reason,
puesto que, siendo simpático,  /  since, being friendly,
de sangre es mi corazón.  /  of blood is my heart.

Claro que soy esporádico  /  Clearly I am sporadic
en locos cantos espléndidos.  /  in splendid crazy singings.

Gritos de loco dolor,  /  Screams of insane pain,
llenos de mudo amargor,  /  full of mute bitterness,
claro que ya no son gélidos.  /  clearly are not icy anymore.

Claro que ya soy simpático  /  Clearly I’m yet friendly
y estoy falto de amargor,  /  and lacking of bitterness,
puesto que mi corazón,  /  since my heart,
siendo de sangre, no es plástico.  /  being of blood, is not plastic.

Y en mis cantos esporádicos,  /  And in my sporadic singings,
claro que ya no soy gélido.  /  clearly I’m not icy anymore.

Gritos de loca razón,  /  Screams of mad reason,
ya no gritos de dolor,  /  not screams of pain anymore,
claro que ya son espléndidos!  /  clearly are yet splendid!

ER00EC11

Tardigrade & Tattlesnakes (with Graphics on Televisions)

Then She Reaches For The Gun was a one off project, bringing together more than 50 artists from across the globe, releasing an album in late 2022 nomatesensemble.bandcamp.com/album/the-…ely-future But it was so much fun we are back for more.
This track features the following Artists :
Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Ariad Music- Clarinet/Percussion/Piano
Axel Weiß- Robot Voices 
Dane Renshaw -Drums
Loop(c)y - Electric Guitar 
Paul Miller - Electronic Percussion
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator
Ten Atmospheres - Field Recordings/Synths
Mat Ward - Double Bass/Noise/Arrangement

Then She Reaches For The Gun - Feather Hunt

Ensaio do grupo Os Prometidos com a seguinte formação:

Heitor Dantas - violão de microtom, cordas de nylon, com acessórios
Vladimir Bonfim - violão de microtom, cordas de nylon, com acessórios
George Christian - violão de aço (CGDFA#E), com acessórios
Uru Pereira - fagote (convidado especial)

Gravado em 30 de outubro de 2024 na residência de Vladimir. Gravado, mixado e masterizado por Heitor Dantas.

* Nota: faixa 3 é parte de uma suíte de peças em partitura gráfica intitulada "Metamórficas" de George Christian. 

03 Metamórficas, página D - Descentrosamentos (Leitura Ocidental)

I love improvising and “being in the moment” of creating and playing music at the same time. It’s like taking an impromptu snapshot of a particular point in time, to be remembered later. This work was created late one evening this past week on a very cold, clear evening when the house was warm, quiet and still.  I might revise it in the future, but for now, I like the musical picture and the memory of the peaceful moment it was created.

Beginning (An Improvisation)

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025. The intro features the Nocefresca Choir - an impromptu group formed of artist residents I met in Sardinia in 2024. The group (none of us singers) were asked to vocalise in an ancient roman antechamber on a field trip by Sardinian Composer Gaia Aloisi. I recorded it on my zoom for hopeful future use - and here it is making up the intro to this 'song of praise' to the goddess of fog, mystery and chaos. 
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area (pictured). The speakers were tuned quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways  - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : ) 
Big thanks to everyone involved!!
Official press release below. 
Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video. 

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.

Featuring:
Amber Koroluk-Stephenson
Nadège Phillipe Janon
Joshua Santospirito
Rosie Hastie
Mat Ward
Ursula Woods

When The Fog Clears is curated by Loren Kronemyer and Produced by Constance ARI

This project is supported by Arts Tasmania and presented in partnership with Ten Days on the Island.

Caligo Paean (Intro)

Another snippet from Califo Paean, this time featuring bass guitar fighting for its life amongst the reverb. 

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025.
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area . The speakers were 'tuned' quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : )

Caligo is the Ancient goddess of Chaos. Born of the fog she controls the darkness, dwells in the void and is as old as the primordial matter that created the universe. This work is a tribute to the goddess as she continues to influence our lives and, in the case of this installation, the site and concept informing the show.

Official press release below for The Fog Clears

Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video.

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.


image credit: Rosie Hastie

Caligo Paean (Bass solo)

shellfish

dream

Sometimes we feel like drowning into an abyss of fears and disappointments and it seems that there is no way out but there is still hope and light in our souls that will help us to find the way to the light. 

Abyss Rflections

Everyone’s a victim of some shit these days
Lost in their addiction or latest malaise
Or some new craze I’m amazed our days ain’t hazier than this
It seems to me our dreams are broken
Tragic scenes ain’t left unspoken
They’re cracked open in the hoping
other folk can find the bliss
How has it come to this 
But when that like lights on 
It doesn’t feel so wrong 
So I guess I’m gonna have to join the wrong song club
And spill my guts
But that’s the way we’re programmed 
Put the shit aside I’m guessing no man really can decide if it’s really wrong or right any time of day or any time of night

Join the club

Well  I’m confused about the modern world, am I hero or villain?
Will the things my daddy taught me leave me in a cell just chilling
Well I’m willing to accept the change as long as daddy gets the blame
Cos I don’t even like the name he gave me
Now I don’t deal with stress that well
It should be daddy in this cell
And if he really loved me then he’d save me
I think that’s the size of this modern life , it’s never at my door
And I feign surprise at all the new lies I swear he’s heard before
Daddy tell em , tell em quick , tell em where you heard that shit
Before they nail my nutsacks to the floor
And I’m only 44
Could you please tell em for me that it’s been your reflected glory that I’ve been far too busy basking in
And from your hearts repository maybe rewrite my history
Tell em how much mummy loved her gin
So come on daddy step up and take the blame 
Don’t it break your heart to see me crying again 

Music and lyrics by Shane

Dads fault

für Charlotte

Another snippet from Caligo Paean - beware of gifts when chasing gods : ) 

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025.
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area . The speakers were 'tuned' quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : )

Caligo is the Ancient goddess of Chaos. Born of the fog she controls the darkness, dwells in the void and is as old as the primordial matter that created the universe. This work is a tribute to the goddess as she continues to influence our lives and, in the case of this installation, the site and concept informing the show.

Official press release below for The Fog Clears

Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video.

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.



Caligo Paean (A gift, a choice)

CANDLE IN THE DARK (Timeless floating in Space - Paploviante)
Backing Track Paploviante:
https://soundcloud.com/paploviante-and-friends/timeless-floating-in-space-open-collab-offer
Vocals Alley ( Gosthack)
https://www.ghosthack.de
Lillithe: Mix, Arrangement and Production
Lyric:
A candle in the dark
And in your own fashion
You burned it to the ground
Its sad but it's true
I can't get over you
I'm trying to breath 
But I'm choked by the fumes
Set me free
I'm just trying to breath
Let it go
Cus I can't keep hold
If I told you that I love you
Would you let everything slide
If I told you that I want you
Would I run and hide?


CANDLE IN THE DARK (Timeless floating in Space - Paploviante)

A song about using my defense mechanism of humor to avoid conflict and achieve romance. Dedicated to class clowns everywhere.
Sorry I've been off SC lately, I've been taking care of a few things.

Lyrics:
I was just having a drink
In a bar on the rough side of town
Yeah, minding my own business
And these tough guys come up to me
They say: "Hey, we're tough guys."
"we don't like you drinking sparkling Chablis,"

Well, I had a real good read on the situation
I've got the gift of gab (talk) from my Dad
I'm a samurai of summation
I buy my sarcasm firsthand

I said: Gentlemen, may  I suggest a truce?
Let me be the peacemaker and buy you a bottle of booze
Then I got loose
I left them with a bill
For a three hundred dollar
Bottle of Chartruse

Oh, I listened to what my Mama say
You're gonna have to fight those boys someday
But if you use your brain
Then you'll find another way
Fight back, hit em in the funny bone (3X)
Funny bone

I was a young undergrad
A full-time miscreant
A part-time handsome man
I needed to get the attention of the ladies
But I wasn't that good-looking
But I knew what I had

I had a good read on the situation
I have the gift of gab from my Dad
I'm a samurai of summation
I buy my sarcasm firsthand

I listened to what my Mama say
If those girls don't give you the time of day
You're gonna have to use your brain
Then you'll find another way 
Step back, appeal to her funny bone (3X)
Funny bone

Funny Bone

you can watch this jam here https://youtube.com/shorts/9d1VvIF2iUQ?si=VnRRu9WwyCEdthqf

random jam with Matt 02

In collaboration with Francess Harris. She played the piano composition and I did the composition of the orchestral arrangement. Thank you for listening and enjoy. Any comment is appreciated always.

The Calling (feat. Fr. Harris)

A song about a magical ritual in a vampire forest near the Zhyzhavka River

https://open.spotify.com/album/137ohjbHlbwNICami2NneS?si=Ay0h5CwQTRi99fjRdJgu0Q

Vampire Forest

Vampire Forest (instrumental)

Vocals: 2nick8
https://www.looperman.com/acapellas/detail/19830/once-in-a-lifetime-90bpm-rock-acapella
Second Vocal: Leslie dancing in the Moonlight
E Bass: Paploviante
https://soundcloud.com/paul-racle
Lillithe: Arrangement and Mix

Once in a Life Time feat. 2nick8 & (Paploviante-E Bass)

Nice to have a song featuring Kevin (Gibbons) on vocals!

1. Not so long ago,
I thought that i was happy on my own.
Feeling no connection
Convinced me I was better all alone.

Chorus
Then I reached out,
Didn't know  that I could have such feelings
When I reached out,
I saw a door, I saw a new beginning.

2. This prison, self-imposed
A captive in the walls of my mind
'If I could just escape
There would be contentment to find.

Chorus

Instrumental

Bridge
Seems to me
What I'm saying
Life is a state of mind.
It's up to you how you live
You can change it, anytime.

Chorus


Wigmore: Music, Production
Gibbons: Lyrics and vocals

Then I Reached Out

Rubybell lives in a tiny tree house just by the Enchanted Lake ..  https://soundcloud.com/abloamberelli/the-enchanted-lake .. All the pixie's, water nymph's, and fairies are having a party for her on the island on the lake .... All are invited .. but only if you believe.  I hope you enjoy.

Music, composition, arrangement, mix and production ... Pablo 
Cover Art :- https://mythopedia.com/

Rubybell's Party

Songwriters : Frank Miller - Richard Dehr - Terry Gilkyson
ISWC : T-070.234.56-3
Publisher :  Montclare Music Co Ltd \ Wise Music France
Released : January 25,1960

*****************************************************************
“The Brothers Four” are the Four harmonic voices.

*****************************************************************
This song really made an impression on me 
when I had already started playing the guitar
(more than 30 years ago...)
It was at Christmas dinner in 1979 
at my parents’ house.
At the end of the meal, my two older brothers had
a jam session. (Photo)
They played this track, with my eldest brother
Phi Van singing lead vocals and my second oldest brother
Phi Hai accompanying on guitar and singing backup vocals.
I didn't often see them sing together,
because they were almost never there for special occasions...
I told myself I had to play it and sing along.
Except that I quickly gave up...
I was all alone singing with my guitar,
and it sounded very hollow! 🙂

-------------------------------------------------------------------------------

Since August, I set myself a CHALLENGE:
To do all my covers myself 
(recording the guitar, vocals, and mixing).
The vocals are fine, the guitar isn't quite there yet.
But the mixing is a real headache. 😩
I think it will take a lot of time and practice of the mixing.
I still have a long way to go...

_______________________________________________

I really like this song.
Since I don't know how to sing choirs
To fill out the track, I did some Fingerpicking
(I've been practicing since the end of October, it was hard...)
I did a lot of takes to get there. It's not great!
I recorded the vocals and guitar accompaniment
at the same time and in one take.
There are still quite a few imperfections...
_______________________________________________

Anh / Semi-acoustic Guitar : Fingerpicking & Accompaniment, Vocal.
Recorded : November 26, 2025.
_______________________________________________

Greenfields - Cover (The Brothers Four)

Proks 1

Super stoked to be working with my good friend and awesome synthmeister (https://soundcloud.com/john-buckle-166792889) once again. Thank you so much for giving me the kick up the proverbial to continue with our Elvenland saga! ♥🎵

Chained and helpless, Raewyn closed her eyes, focusing on the ancient teachings of her people. The rain in the forest, the rustle of leaves and the songs of the birds all came flooding back, calming her mind and steeling her spirit.

Her voice was firm as she invoked the Ancient Ones: "May the Guardians of the Threshold watch over me, and the Light of the Silver Tree guide me through the darkness."

As she spoke, a faint, silvery glow began to emanate from her very being, a light that seemed to grow in intensity as she drew on the power of her Elven heritage.

Tresur Heldros flung the door open, his eyes narrowing and a flicker of unease dancing across his face. "You are strong, I'll give you that," he sneered. "But you are still chained, still trapped. And in the end, you will be mine."

Raewyn smiled, a cold, mirthless smile. "We shall see, monster," she whispered, her eyes flashing with defiance. "We shall see...."


John Buckle: Synths, Mood Sound Layering
Electrometis: Original composition, mix/master
Vocals: Ghosthack 

Thank you for listening ♥

Elvenland #6 - Ancient Teachings (feat. John Buckle)

Renaissance (2025) Remastered

Two Anima To Respect is an electro‑ambient piece in F minor, shaped by a nostalgic undertone. Pulsing textures and restrained rhythms carry both longing and rigidity, while shimmering layers evoke desire and memory. The mood is contemplative yet tense, echoing the dialogue of two inner anima, one inviting, one resisting, woven into sound.  

Anima is Jung’s term for the inner feminine aspect of a man’s psyche — a symbol of emotion, intuition, and soul connection.

🙏🏻

Two Anima To Respect

I've always wanted to make this song. I'm very happy with the way it came together!  There are 12 individual tracks and below is a description of instruments...
Celtic Flute (Keyboard)
Background Synthesizer (Keyboard)
Peavey Bass Guitar
Piano tracks 1 & 2
Glockenspiel (Keyboard)
Strings (Keyboard)
Harp (Keyboard)
4 individual Vocal tracks (1 Main and 3 for harmonizing choir)

Image: My parents' barn at the bottom of the mountain at their home in Tennessee, United States 20 years ago.

It was snowing all night while I finished this song up and that made it even more magical!! Hope you enjoy!! and MERRY CHRISTMAS!!!

White Christmas

Part 2 of the final track of Then She Reaches For The Gun's 2nd Album
released in Jan 2025 - nomatesensemble.bandcamp.com/album/i-am…m-with-you.

Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of 21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar - 2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel in Adelaide Part 2 (Yahtzee with Mackerel on the Bed Mix)

This composition will be my last post for the year, and would like to take this opportunity to wish everyone a Blessed and Happy Christmas, and may all your wishes come true for the New Year.....

Art picture is by IIbrahim Gueatar on Unsplash...

Bagatelle opus 15

A Midnight Clear

This is a combo of one of my favorite soundtracks and one of my favorite poems. I edited and remixed the soundtrack with added strings and atmosphere and narrated the poetry myself. I hope you enjoy, <3

Music written by Anthony Gonzalez https://soundcloud.com/m83 http://ilovem83.com/
Poetry by Redwave/Knight/Edge 
 http://www.webwriter.f2s.com/moody/lyrics/dofp.htm
http://www.moodybluestoday.com/ https://soundcloud.com/the-moody-blues
Narration/edit and mix/post- production https://soundcloud.com/abloamberelli

Cold hearted orb that rules the night
Removes the colours from our sight
Red is gray and yellow, white
But we decide which is right
And which is an illusion

Pinprick holes in a colourless sky
Let's insipid flickers of light pass by 
The mighty light of ten thousand suns
Challenges infinity but is soon gone
Night time, to some a brief interlude
To others the fear of solitude

Breathe deep the gathering gloom
Watch lights fade from every room
Bedsitter people look back and lament
About another day's useless energy spent

Impassioned lovers, they wrestle as one
Lonely man cries for love and has none
New mother picks up and suckles her son
Senior citizens wish they were young

Cold hearted orb that rules the night
Removes the colours from our sight
Red is gray and yellow, white 
But we decide which is right
And which is an illusion

Brave Helios, wake up your steeds
Bring the warmth the countryside needs

NIGHTTIME .......M83/MOODY BLUES.....Edit/ Mix

Woodwind,Brass and Percussion Track from NO MATES ENSEMBLE debut demo CD. Features Piccolo, English Horn, Bb Clarinet and some pretty silly drumming

Sweaty Meatball

Buy by Apple Music

Parte Del Juego

Magnetic Triangle (Beyond the Noise)

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!