★☆★☆★
HalloWorld
ᚨᚾᛞᚱᛖᚨᛊ 
oe9oc
Sets & Tracks 
Playlist 
Mix 
06-Oct-2025
ThankYouForTheMusic 
ॐ

ThankYouForTheMusic

Best of SoundCloud November 2025

A SPELL WAS DONE BY THE TRICKY BIRD

Found Treasures XVIII

Like 2

Copy of Your 2025 Playback

Fear Inoculum

TooL - Pneuma

The ether is on the other side

Looking for light in the Gloom …through a shadow that holds my hand ….from scars come stars ….✨

Sketch 01 - A Portrait of Pain By Andara

T⨋₼₱L⨊₡ĄS৳ # 114 - We Are Eternal

Sometimes we feel like drowning into an abyss of fears and disappointments and it seems that there is no way out but there is still hope and light in our souls that will help us to find the way to the light. 

Abyss Rflections

All links: https://ffm.to/windflow-lights-lumya-patros15-kde-si
Buy / DL: https://patros15.bandcamp.com/track/kde-si

Support https://soundcloud.com/windflowlights:  
https://linktr.ee/windflowlights

Support https://soundcloud.com/lumyamusic:
https://linktr.ee/lumyamusic

Support me: https://linktr.ee/Patros15
Thank you for support!

Kde si?

🍃 Xia Ke presents "Get Lost" Afterhour Sounds Podcast Nr. 308 🍃

[ GER] 
Nach einer etwas längeren Pause in unserer Podcastreihe begrüßen wir heute Xia Ke aus Shanghai. Der sympathische Producer, DJ und Labelbetreiber mit dem Hang zu organischen Klängen im deepen Downtempogewand ist uns bereits vor einiger Zeit aufgefallen. Seine Mixe bestechen durch eine große Dichte an Atmosphäre, welche durch überwiegend cineastische Übergänge erzeugt wird. Quasi ein Sound der auch gut zu unserer Reihe passt. Ein wenig angepasst hat er diesen aber trotzdem. aber hört selber und findet den Unterschied. 

Tausend Dand Xia für diese feine Reise ins Dickicht der organischen Afterhour. 

<<-->>

[ ENG ]
After a slightly longer break in our podcast series, we welcome Xia Ke from Shanghai today. We noticed this likeable producer, DJ, and label owner with a penchant for organic sounds in deep downtempo guise some time ago. His mixes captivate with their dense atmosphere, which is created predominantly by cinematic transitions. It's a sound that fits well with our series. He has adapted it a little, though. But listen for yourself and see if you can spot the difference. 

A thousand thanks to Xia for this fine journey.

>>> INTERVIEW <<<


✘ What are your musical influences? What is your musical background?
Post Punk/Noise Rock/Alternative Rock/Shoegaze ➡️ Ambient Techno ➡️ Melodic & MInimal Techno/Melodic & Organic House ➡️ Downtempo

✘ What makes good "afterhour"?
Chill, moody, slightly danceable and meditateable. 

✘ Do you have any thoughts you would like to share about your set?
It's a set prepared for our upcoming label tour. I want to illustrate a more moody downtempo soundscape to the Chinese local audiences. There are also some great productions from my label Autumn Equinox.

<<<<< RESPECT-ID List available on Spotify <<<<<
_____________________________

🖼 by Jim aka J.WOCKENFUSS (@jwockenfuss)
✍️ by arkadiusz. aka arkadiusz.the.dariusz (@arkadiusz-dmytrow)

__LINKS___________
✘ Artist: Xia Ke ( Autumn Equinox // Shanghai, China)
https://soundcloud.com/xiakes
https://www.instagram.com/xiakeofficial/

✘ Label: Autumn Equinox 
https://soundcloud.com/AutumnEquinoxLabel


┋InfoBox Afterhour Sounds┋
@afterhour-sounds
www.instagram.com/afterhoursounds/
linktr.ee/afterhoursounds

Xia Ke presents "Get Lost" Afterhour Sounds Podcast Nr. 308

Progressive Psytrance set at Ruigoord for Trance Orient Express 27/9/25
TRACKLIST
1		Mementomor - Roads - Universal Tribe
2		Headweller - The Frozen Touch
3		AIRI - Thinking Pattern - ETN 
4		Ebony Willis - Digital Chaos - Universal Tribe
5		Squid Inc - Longer & Darker (Underworld) - Trick Music
6		Centrifugal Man - Gyroscope Force	
7		Ectima - Evil Spirits
8		Kliment -  Feromon - Zenon	
9		Deuteroz - Orion - BTM edit shorter break
10		Headweller - Resonance of Uncertainty - Padang	
11		Jai - Come From - Sentimony Rec - BTM edit
12		Fractal Joke - Rain Harmony - Zenon
13		Slip Hypnotic & Mogwai - 12th Floor - Zenon
14		IGUA -  Terraform - Quantum Forest Rec
15		Persona & Sinegoma - Crystal Clear - Zenon
16		Taiyari - Electroids - Our Minds Music
17		Jungli - Memento Mori - Digital Shamans
18		Setherian - Runner Blade - Glowing Frame Rec

Back to Mars at Trance Orient Express - Prog Psy 27/9/25

Nu Jazz chill music with a throbbing beat at varying tempos. I used the same "tick-tock" synth from tracks on my Time Machine EP.

Happy Samhain! 🔥

Hour Glass is about time ⏳

An original composition, no AI, digital music created MIDI to DAW by a human

HOUR GLASS
I have an hour glass in my mind 
It measures life in bits of time 
Like TikTok videos
Showing how the sand flows 
All in a trickle 
Dancing Wu-Li masters remind
The consequence of time 

While the force of gravity 
can bring me to my knees 
The hour glass remains to hold
Above and below 
Before and behind 
Carry me forever
In the consequence of time 

.........................
70-52 bpm
Variations of Cm, Am, Fm, C7, G7
DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard
VST or E-INSTRUMENTS:
Concert Grand
Boesendorfer Grand
Ambient Lead
Clarinet Solo
Ethereal Mallets
Lunar Chords
Phantom Winds
Cellos
Modern Strings
Studio Double Basses
Deep Round Synth Bass
Upright Ballad Bass
E-PERCUSSION:
Timpani
Indian & Middle Eastern Kit
..........................

COVER ART is a surrealistic interpretation of the song as original CGI by SUNNYBECK using a composite derived from original and AI-generated images rendered by the DaVinci app, then altered, retouched, and designed in Photoshop.

Released on SoundCloud
October 31, 2025, 11:12 PM ET

.

Hour Glass

Thought we would give this another airing for the spooky season 🎃

John Buckle: Synths, Mood Sound Layering (@john-buckle-166792889)
Electrometis: Original composition, mix/master

Free download if you like it.

Thank you for listening ♥

Elvenland - Halloween 🎃 (feat. John Buckle)

After going through many stages, my signature hard rock track is now reborn! Thanks for listening!

Wolf’s Rock (New Edit)

Isn't it haunting? (2025) - Float like a ghost from post to post
“Isn’t It Haunting” is a dark, atmospheric pop track that explores the eerie side of digital life and social media escapism. Built on cinematic, ethereal synths with hints of chamber pop, it captures the feeling of floating like a ghost through endless feeds—connected, yet deeply isolated. With its haunting melodies and thought-provoking lyrics, the song asks: who are we when our art, memories, and connections exist only online? Perfect for playlists that feature moody, introspective, or futuristic pop, “Isn’t It Haunting” resonates with anyone who’s ever felt lost in the digital noise.

You can find this song on all streaming portals:
https://too.fm/ndm-isnt-it-haunting

Nadine de Macedo: composition, arrangement, piano, synthesizer, programming, production
Jessica Lynn Davis: lyrics, vocals

Where to find us:
https://linktr.ee/nadinedemacedo
https://linktr.ee/jayeldeemusic

Isn't It Haunting?

TRICK and TREAT

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision bass and Gibson SG electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
The Beautiful Dark -- @thebeautifuldark -- Carl -- vocals
J.J. Terrell– @j-j-terrell – organ and piano
Mistermark-- @user-432503709 -- Mark –- VST string and VST sax
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson custom T model electric guitar, production, mix, and mastering
Llanpsych -- @llanpsych -- Tez – Epiphone Les Paul electric guitar

This cover of the CCR version of this Screaming Jay Hawkins classic began as an idea Josh had for Eclectic Collective putting on a musical Halloween costume. He was inspired by his favorite band, Phish, who cover an entire album every Halloween as a musical costume. Although, which song we covered was up for debate from the start. 
  Once we decided on a song, Josh laid down the skeleton for it on his '71 SG. Once we had a framework to work with, Ken laid down his rocking drums, followed by Josh completing the rhythm section by adding his trusty P-bass. Even though the song was now in its infancy, Carl summoned all his Halloween spirit for his dynamic vocal performance.  
  Now that it was sounding like a real song, JJ dropped both the key piano part, as well as his expressive organ in there, too. Mark wasn't far behind, adding his magic via the sax to the solo section, and strings in the third verse. Stephen came through with the spooky tremolo guitar and the fiery first half of the guitar solo in the solo section right after. And to put the cherry on the musical sundae, Tez brought the lightning down for the second half of the guitar solo, as well as the solo work that leads the whole way to the end.
  We all enjoyed bringing this classic song back to life, and doing it in the spirit of what may be the most fun holiday on the callendar. We hope you enjoy listening to it as much as we enjoyed creating it. Happy Halloween!

I Put a Spell on You by Screaming Jay Hawkins-- Happy Halloween! (Eclectic Collective)

Bird

'My Drouthy Cronie' is a line from the Robert Burn's poem, 'Tam o' Shanter', and is a tribute to the many 'drouthy cronies' I have shared time with over the past 60 years or so. Some have passed and some are still alive and kicking. I thank them all for sharing some of their valuable time with me.

My Drouthy Cronie

Another snippet from Caligo Paean -

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025.
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area . The speakers were 'tuned' quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : )

Caligo is the Ancient goddess of Chaos. Born of the fog she controls the darkness, dwells in the void and is as old as the primordial matter that created the universe. This work is a tribute to the goddess as she continues to influence our lives and, in the case of this installation, the site and concept informing the show.

Official press release below for The Fog Clears

Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video.

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.

Caligo Paean (Isolation and Wonder)

Theo Bina: Music, Arr., Guitars,Bass ,Synth,Drum Loop,Mix
Bodo Bremer: Cover
Release : 2025-11-01

3+2 walk (Theo Bina)

This is how it’s done / FRAWSTAKWA & Paploviante
Lyrics and vocals written and performed by FRAWSTAKWA
@frawstakwa
https://soundcloud.com/tobedetermined-frawstakwa/this-is-how-its-done-160bpm
Paploviante: Music, Bass, other Instruments, Mix and Mastering

This is how it’s done (frawstakwa&Paploviante)

(No genIA involved. I use my voice and Vst instruments)
(Traduit plus bas)

In the land, the light is getting cold / colder
Feel your hands, the cold is biting more / deeper
Now listen, your heart is beating slow / beating slower, weaker 

See the sky, the colors start to fade / stranger
Hear the ground, the earth is shaking now / danger 
Understand, the change is coming close / coming nearer, clearer

In the land, the light is getting cold 
(In the silence, despair)
Feel your hands, the cold is biting more 
(Something's gone, yet waiting somewhere)
Now listen, your heart is beating slow
Beating slower, weaker 

It's getting harder these days
To understand how we may
Take life as it comes
When everything seems like a curse
One thing and its reverse
And when we only speak with guns

What should we do
When people go insane ? 

When every dream turns to dust  
And love’s replaced by mistrust  
When life sounds like a bad play 
I wonder how we'll get through
But still we can do  
Step by step, that's the way
Us, them, me and you
When life is about to change

x2

What am I supposed to do 
When comes the change

What am I supposed to do 
When comes the change

Change
change
Change
When comes the change
Change
change
Change
When comes the change
Change 

-----
Dans le pays, la lumière devient froide / plus froide
Sens tes mains, le froid mord plus fort / plus profondément
Maintenant écoute, ton cœur bat lentement / bat plus lentement, plus faiblement
 
Regarde le ciel, les couleurs commencent à s'estomper / étrange
Écoute le sol, la terre tremble maintenant / danger 
Comprends, le changement approche / se rapproche, devient plus clair

Sur la terre, la lumière se refroidit 
(Dans le silence, le désespoir)
Sens tes mains, le froid mord davantage 
(Quelque chose a disparu, mais attend quelque part)
Maintenant écoute, ton cœur bat lentement
Bat plus lentement, plus faiblement 

C'est de plus en plus difficile ces jours-ci
De comprendre comment nous pouvons
Prendre la vie comme elle vient
Quand tout semble être une malédiction
Une chose et son contraire
Et quand nous ne parlons plus qu'avec des armes

Que devons-nous faire
Quand les gens deviennent fous ? 

Quand tous les rêves se transforment en poussière
Et que l'amour est remplacé par la méfiance
Quand la vie ressemble à une mauvaise pièce de théâtre 
Je me demande comment nous allons nous en sortir
Mais nous pouvons encore le faire
Pas à pas, c'est comme ça
Nous, eux, moi et toi
Quand la vie est sur le point de changer

x2

Que suis-je censé faire 
Quand vient le changement

Que suis-je censé faire 
Quand vient le changement

Change
Change
Change
Quand vient le changement
Change
Change
Change
Quand vient le changement
Change

When Comes the Change

[I accidentally removed the track. Sorry about that - those who have already listened can just move on].
Unfortunately, the connection has dropped, and we cannot be sure what is happening in the apartment where, at such a late hour, the light is still on. Probably nothing; they’re likely watching a film or reading a book. They might be projecting their reactions outward, and what we see could therefore be nothing more than the reflection of someone else’s nightmares — or dreams. Certainly, we have now reached a turning point: nothing can any longer be regarded as real, or the opposite... (all talk!).

This is the fifth in a series of eight easy, acoustic, rather short, and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way. 

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 2 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-2-dawn
Part 3 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-3-noon
Part 4 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-4-late-afternoon
Part 6 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-6-dawn-again

Composed by Michele Ansani (2023-2025). This time I simply redid a piece I had posted in the spring of last year, slightly changing the atmosphere: https://soundcloud.com/michele-ansani/overlays
All the ambient noises and female vocals are taken from public sound archives.
Posted on Souncloud: 2025, October 16 and reposted on November 4.

In case nothing happens - part 5 (night again)*

A song about a magical ritual in a vampire forest near the Zhyzhavka River

https://open.spotify.com/album/137ohjbHlbwNICami2NneS?si=Ay0h5CwQTRi99fjRdJgu0Q

Vampire Forest

Vampire Forest (instrumental)

'Shouting Quietly' Is similar to when one is disgruntled about something or someone and mutters under one's breath, this is 'Shouting Quietly'.  

Shouting Quietly

Vocals: 2nick8
https://www.looperman.com/acapellas/detail/19830/once-in-a-lifetime-90bpm-rock-acapella
Second Vocal: Leslie dancing in the Moonlight
E Bass: Paploviante
https://soundcloud.com/paul-racle
Lillithe: Arrangement and Mix

Once in a Life Time feat. 2nick8 & (Paploviante-E Bass)

Proks 1

Renaissance (2025) Remastered

Two Anima To Respect is an electro‑ambient piece in F minor, shaped by a nostalgic undertone. Pulsing textures and restrained rhythms carry both longing and rigidity, while shimmering layers evoke desire and memory. The mood is contemplative yet tense, echoing the dialogue of two inner anima, one inviting, one resisting, woven into sound.  

Anima is Jung’s term for the inner feminine aspect of a man’s psyche — a symbol of emotion, intuition, and soul connection.

🙏🏻

Two Anima To Respect

History of fights

Ascetic

Without intentions

Five steps (each one with two parts) progressing along 3 minutes thru different styles: rock, psycho, pop, hard..., and finally back to the psychopoppy ones.

Letra / Lyrics:

No siempre he estado aquí (soy imperfecto) / I have not always been here (I am imperfect)

Cuando tengo frío, o tengo calor, / When I feel cold, or I feel hot,
cuando tropiezo, me quemo, o siento dolor… / when I stumble, I burn myself, or feel pain …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

Me siento extraño / I feel strange
donde tendría que estar a gusto, / where I should to be comfortable,
y me reconforto / and I feel better
cuando me relaciono bien con el mundo. / when I relate well to the world.

Empiezo a pensar en el tránsito; / I start to think about the passage;
que no siempre he estado ni estaré aquí; / that I have not always been nor will be here;
que mi vida es un entretenimiento / about my life being an entertainment
en el viaje a otro sitio. / along the trip to another place.

Y descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
si la meta de todo lo que hago / if the goal of everything I do
es comer y respirar, / is to eat and breathe,
¿qué clase de razón tengo en la cabeza? / what kind of reason do I have in my head?
¿qué soy yo dentro de este juego? / what am I within this game?

 descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
y me pongo a pensar, / and I start thinking,
y empiezo a pensar… / and I start to think …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)

Image: "Rocky sprout", photo by Ruizzoidman

No siempre he estado aquí (Soy imperfecto)

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

Caligo Paean (Isolation and Wonder)

No Mates Ensemble