Flicking the boiler on! Day-Yum!  Ear protein without Julia Child's delivery service!  Holy hot plate! What a finger licking good cast...Funny, but true as allshell...I just got done eating a hard boiled egg before I delved in this pot of spooky motel brew!  Zuesy, this is the ultimate sppok's boner! >> 👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼😄❤🧡💛💚💙💜🤎🖤

fantastic. love the swells of chaos and peace~

Love the mix of sounds and voices, so creative and unique!

Fascinating journey what a colorful collage:)

many steps. many chapters. many happenings. many things  in serial fashion.

Deep, well constructed and entertaining journey!

No Way man--This is beyond Brilliant!! Crazy good!

THE CONQUEST OF YESTERDAY'S  WAVES' MOTEL

Songwriters : Richard Carpenter & John Bettis \ ISWC : T-070.161.059-4
Released : March 14th 1975
Publishers : Almo Music Corporation \ Universal Music
__________________________________________________________

The Carpenters are the Favourite band of all my celebrities.

Their songs have been a part of my childhood, my teenage years and even
now. Especially Karen's voice.
She had a fairly deep, medium-range voice, warm and colorful,
with an exceptional tone.
She was not only a singer, but also a very talented drummer.
Her brother Richard also has an extraordinary voice and does a lot of
backing vocals.

Their two voices alone amply cover the harmony of their tracks.
They're Unique.
-------------------------------------------------------------------------------------------------

I love this song; it's well-paced, as well as the bass and especially the drums.
For me, this song is very hard to sing, 
because the key starts off very low and rises quite high,
and the tempo also increases.

Honestly, I struggled to keep up with the rhythm in both choruses.
As I was saying, my voice isn't what it was 20-30 years ago. 🙂
__________________________________________________________

Arrangement (Yamaha PSR SX900) : Phong
Vocal : Anh
Recorded : May 31st 2025
__________________________________________________________

Only Yesterday - Cover (Carpenters)

original song: @neowakan- Mist
---
07-06-25

Mist

Conquest

released in Jan 2025 - https://nomatesensemble.bandcamp.com/album/i-am-never-freer-than-when-i-am-with-you. 


Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of  21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide part 3

Tajo Maijo Love

The Heatwave Mr Lexx & Keida VS JoeyStarr (Dramantic Remix).mp3

listen in it's proper order at https://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharinghttps://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharingoper order at

The album coming soon to Bandcamp

stall instruments and voices: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

he told me bout the trail in the tunnel
that I'm walking while
I'm thinking other people's thoughts
little voices
like your father's father's father's
farther than the others
all combined and confined to a tunnel of your thinkin
turn that little voice off in your head
he said

you may find it advantageous
in the long run
there's an exit but you gotta take it
while riding on the boxcars full of other people's junk
pulled by trains of thought
on shaky rails

scalar fields pt 3, tensor yields  -- featuring Jo Richter

Flowers.

Written in January 2024.

Published in July 2025.


During the first few months of last year, I was ill with my recurring kidney stone problems.

Fortunately, that passed.

I left some of the compositions I started unfinished, and some sketches were barely started.

This is one of them.

My mother lives in a typical Andalusian house in Seville.

One of the characteristics of these houses is that they usually have a courtyard where there are all kinds of flowering and non-flowering plants.

Obviously, they need to be cared for, watered, fertilized, etc.
My mother loves doing it, and in spring she reaps the rewards of her labor.

I always give my flower icons to the women I follow (I hope I'm not annoying them by doing that), so I thought it was interesting to draw inspiration from all of that to put this together.

17 Tracks native instruments MS2 & Old Xewton forum.
3 XPad 
2 iMini Arturia
1 iProphet Arturia
2 korg IM
1 Ob-xd 
1 flowtones 


Mix: my hear 
Software. Music Studio 2
Hardware.ipad

Cover. A part of the courtyard of my mother's house

Thank you for your comments

Next…. Crossroad

Flowers

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Spotify

Aurora

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation acoustic guitar, lead vocals, lyrics, and compostion
Scratch Kelly -- @scratchkelly — Sarah —  backing vocals
one man verity show – @one-man-verity-show – Scotty – Epiphone Casino melodic  electric guitar, backing vocals, artwork
Joe Stroffolino-- @joseph-stroffolino --  backing vocals, art 'polishing'
Mistermark-- @user-432503709 -- Mark – triangle and backing vocal arrangement 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Llanpsych -- @llanpsych -- Tez – Tom Anderson Custom T electric guitrar, mix, and production
TexMex Shaman– @texmex-shaman –Stephen — Fender Stratocaster electric guitar, production, mix, and mastering
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass

Mr Bringer-er Together-er is Josh. You may also know him as artist Entheogenic Psychnought, or the spine of Eclectic Collective. We all came across Josh in our own lucky ways, but he really sets a high bar for spreading constructive musical love and encouragement on SoundCloud. This song started out as a comment. I (Carl/TBD) went to call Josh Mr Bringer-er Together-er and my phone auto corrected it. the next morning K2 swooped in and said what I wanted so I used that as a trigger for the song.
So, I had a rough arrangement. We then invited a few artists, except Josh, to paint it for him. Then Scotty (One Man Verity Show) chimed in with some amazing guitar, trippy backing vocals, and the super artwork you get to enjoy. Mark brushed in a triangle and started things off with a 5-part harmony backing vocal arrangement. Then Scratch Kelly, aka Sarah, beamed through some amazing backing vocals, and not long behind Joe Stroffolino painted in some brilliant backing vox as well. Then Ken added those trusty drums. Tez then strutted in and added some super lead guitar, and not far behind him was Stephen with some epic rhythm guitar that showed the way for the song from that point of view showing a much better space to all the other instruments than the original demo guitar. That was a lovely lesson on less is more...

The song was now ready to give to the main man for him to paint, and he chose his trusty bass to put some strawberries on his own musical cake.

I now stared at 37 tracks and went... Hmmm Stephen, Help! Stephen mixed and mastered it to its crisp current form, and it was a very difficult mix. He basically had to merge 3 projects to one and really aced the challenging mix and master like the true shaman he is. We hope you enjoy the song that brought us together again. May it give us more togetherness like Josh so wonderfully demonstrates everyday.
You da brother man Josh 🤘🏽

Art by One Man Verity Show

(Lyrics)
Magnet of human
Moulded by melody mind
Just jester Josh delivers this kind
Collective of creed worth all our belief
Friendship
Togetherness through skill and relief

Sharing, Caring
Composer of purr
Human vibrations of the highest occur
Let's celebrate this human some more
It's Mr Bringer-er together-er

Mr Bringer-er together-er
Mr Bringer-er together-er

Loving, Not shoving
Honing, Not moaning
Positive to give
In music he live
Loving his kids
Like he loves us
The luckiest kids who take this EC bus
Josh is the driver
Mr Music Jeez
More Mr Bringer-ers together-ers please

Mr Bringer-er together-er
Mr Bringer-er together-er

The Joshua Tree collecting collective
Physical dreams
Metaphysical pleasures
Skills. New.
Unconditional prime time
The only thing we tow is how we making new time line

Mr Bringer-er together-er

You are the rod
You cast your spinners
You reel us back in from lake bitter winter
It's Spring all the time in your World and Page
Our Mr Bringer-er together-er sage

We all love ya mate

Mr Bringer-er together-er
Mr Bringer-er together-er Oh oo
Mr Bringer-er together-er
Mr Bringer-er together-er Oh oo

Mr Bringer-er Together-er (Eclectic Collective, with The Beautiful Dark & friends)

Trop de prisonniers politiques dans le monde!
J'ai composé cette chanson sur un texte de Boris Vian,  un écrivain, poète, parolier, et  chanteur français que j’admire beaucoup.
https://fr.wikipedia.org/wiki/Boris_Vian

Too many political prisoners in the world!
I composed this song on a text by Boris Vian, a French writer, poet, lyricist, and singer whom I admire very much.
https://fr.wikipedia.org/wiki/Boris_Vian

Les images ne sont pas des vrais prisonniers
The images are not real prisoners
 Translation after the French text


Le Politique (par Boris Vian, Extrait)

Ils ont sonné à ma porte
Je suis sorti de mon lit
Ils sont entré dans ma chambre
Ils m’ont dit de m’habiller

Le soleil par la fenêtre
Ruisselait sur le plancher
Ils m’ont dit mets tes chaussures 
On chantait sur le palier`

J’ai descendu l’escalier
Entre leurs deux uniformes 
Adossé à une borne
Un clochard se réveillait

Ils me donneront la fièvre
La lumière dans les yeux
Ils me casseront les jambes
A coups de souliers ferrés

Mais je ne dirai rien
Car je n’ai rien à dire
Je crois à ce que j’aime
Et vous le savez bien

Ils m’ont demandé mon âge
J’ai répondu vingt sept ans 
Ils ont écrit de mensonges
Sur des registres pesants

Ils voulaient que je répète
Tout ce que j’avais chanté
Il y avait une mouche
Sur la manche du greffier

Mais  je ne dirais rien 
Car je n’ai rien à dire
Je crois à ce que j’aime
Et vous le savez bien

Qui vous a donné le droit 
De juger votre prochain
Votre robe de droit noir
Ou vos figures de deuils

Si vous voulez que je vive
Mettez moi en liberté
Si vous voulez que je meure
A quoi bon me torturer

Mais  je ne dirais rien 
Car je n’ai rien à dire
Je crois à ce que j’aime
Et vous le savez bien



The Politician (by Boris Vian, Excerpt)

They rang my doorbell
I got out of bed
They came into my room
They told me to get dressed

The sun through the window
Streamed onto the floor
They told me to put on your shoes
We were singing on the landing

I went down the stairs
Between their two uniforms
Leaning against a post
A tramp was waking up

They'll give me a fever
The light in my eyes
They'll break my legs
With their iron-shod shoes

But I won't say anything
Because I have nothing to say
I believe in what I love
And you know it well

They asked me my age
I answered twenty-seven
They wrote lies
In heavy registers

They wanted me to repeat
Everything I had sung
There was a fly
On the sleeve of Clerk

But I won't say anything
Because I have nothing to say
I believe in what I love
And you know that well

Le politique

A mirror of its former light, slowed and reimagined. This version of Passed Light drifts through inverted spaces—where warmth becomes shadow, and echoes stretch longer than meaning. Each beat is a bridge between the shimmer that once was and the silence that remains. Descend into a downtempo dream where light isn’t gone—it’s just somewhere else.

Get the Track

Passed Dark (Zankyo Side)

Tenor saxophones wrapped around a moog core with injections of spacey flute and beats. 
(Headphones recommended).

Pic. (possibly CERN) c/o Pinterest.

DOUBLE WIRED

Chill theme for the lazy summer afternoons

Beauty In The Tiny

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

(Don't follow me here, best on my main page ;)

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide part 3

No Mates Ensemble

Recent comments

stonerjazz

Neon Dayze

Dough Factory

Dough Factory

Related tracks