REMASTERED with Fast Balancer.

A little tribute to "Firefly" TV series.

The idea to create this track came to me while testing @spitfire-labs Lap Steel library which came to my attention thanks to @baramataharipagi.

Disclaimer: I have no affiliation to producers of this series. I didn't use any of the music from it. It's pure fan production inspired by "Firefly's" atmosphere.

© & ℗ R.U.R. 2022

The Last Flight of "Serenity" (REMASTERED)

This piece was designed as the theme song for an imaginary detective series

On Youtube : https://youtu.be/U9AU223mhZ8?si=SYgQ1puWiEcjulRH

#filmscore
#filmsoundtrack
#netflix
#series
#sadmusic

Buried Secrets

An epilogue to the human race. Why do we so firmly believe that our species will survive? Over 99% of species that roamed the earth in the course of the past 4 billion years have vanished again. We only know of them, when we examine the fossile record. So, chances are (unfortunately) very high, that also we will become extinct some time and our memories are only preserved in the depths of the earth. 
Also, the Fermi Paradox (see, e.g., https://www.youtube.com/watch?v=sNhhvQGsMEc) leaves us puzzled why we see no other forms of life in the universe. 
Let us not get extinct! (and, on a personal note, I think, the  travelling to Mars is not exactly the solution to ensure the survival of our species. Rather, it is, not ruining our wonderful home planet)
A lyrics version will come out soon.

Compositionwise, the piece is structured in four parts. 
Part 1, introduces the lamenting theme, first in a very basic relaxed fashion with slow accompaniment and then becoming a tad more agitated. The chromatically descending accompaniment underlines the mournful mood. The second half of the part starting @0:24 is a bit more consoling but keeps the overall spirit. The other three parts (starting @ 0:48, 1:31, 2:15) are variations of the main theme with the last part leading @2:40 into the end that leaves more questions than answers)

The VST piano used for this recording was the Nils Frahm Noire (not the felt version) which I slightly brightened up to have more of the singing overtones.

Fossiles in the Making (Piano Miniature)

Vocals (Composition, Arrangement &amp; Performance): @elpiverse
Two Guitars (Composition, Arrangement &amp; Performance): Counterworlds Voltage
Mix &amp; Mastering: @elpiverse
Production: Counterworlds Voltage &amp; @elpiverse
Artwork: @elpiverse
🪬

Medusa

A new track from the New album....https://nomatesensemble.bandcamp.com/album/i-am-never-freer-than-when-i-am-with-you     
Daiphanousness features the following artists

Adam Meredith - Voice/Ford XD with XF front mods
Ariad Music - Piano
Axel Weiß - Synth
Banalytic - Hybrid Modular, Digital, Analogue Sounds
Belial Pelgrim - Digital Strings
Chicago Word Brigade - Electronica
Dane Renshaw - Cymbals
Dani Kirby - Voice
Frank Wilke - French Horn
Glenn Ward - Electric Guitar
Loop(c)y - Electric Guitar
Oily - Meows/Squeaky Toy
Paul Miller - Phat Electro Bass/Keyboards
Raul Mainer - Drum Programming
Rosin Dust - Violin
Scratch Kelly - Beats

Mat Ward - Arrangement/Digital Orchestration

Diaphanousness

J'ai le plaisir de partager avec vous mon morceau - Jane (Version live)
Vidéo : https://youtu.be/eI8yArJpvxc

Issu de mon nouveau set solo (qui deviendra peut être un trio) 
Projet intimiste jazzy/rock/blues/funk/hiphop, qui jongle entre old school et modernité, porté par un son de guitare rond, vivant, chaud, organique dont l'objectif est d'arpenter des terrains cosys, calmes et poétiques.

Le morceau Jane vient de sortir sur toutes les plateformes digitales 
Aujourd'hui 28/03/2025 alors n'hésitez pas a m'ajouter un peu partout pour recevoir les prochains morceaux

Toutes les infos ici : https://music.imusician.pro/a/rRi7Rkc-
Et là : https://matzizrecords.bandcamp.com/album/jane

A bientôt
Math

Jane - Video Live in Description

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025. The intro features the Nocefresca Choir - an impromptu group formed of artist residents I met in Sardinia in 2024. The group (none of us singers) were asked to vocalise in an ancient roman antechamber on a field trip by Sardinian Composer Gaia Aloisi. I recorded it on my zoom for hopeful future use - and here it is making up the intro to this 'song of praise' to the goddess of fog, mystery and chaos. 
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area (pictured). The speakers were tuned quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways  - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : ) 
Big thanks to everyone involved!!
Official press release below. 
Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video. 

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.

Featuring:
Amber Koroluk-Stephenson
Nadège Phillipe Janon
Joshua Santospirito
Rosie Hastie
Mat Ward
Ursula Woods

When The Fog Clears is curated by Loren Kronemyer and Produced by Constance ARI

This project is supported by Arts Tasmania and presented in partnership with Ten Days on the Island.

Caligo Paean (Intro)

In Euripides' tragedy 'The Suppliants', a group of Argive mothers travels to Eleusis to plead with Theseus, king of Athens, to help them recover the bodies of their sons, who fell during the failed assault on Thebes. The Thebans, in fact, refuse to return the corpses for burial. These mothers, immersed in profound grief, represent the universal symbol of maternal mourning in the face of the loss of their children in war.

Cover picture: Theseus and Amphitrite with Athena looking on. Interior from an Attic red-figure cup, 500–490 BC. Currently housed at the Louvre Museum of Paris (inventory G 105).

Composed by Michele Ansani (2023-2025).
Female vocals courtesy of VOX.
Posted on SoundCloud: 2025, April 4.

The Suppliants *

The train to nowhere has no end
As far as you can see around the bend
There always is another curve
Another chapter to the story
So we can continue to pretend
Not to see how our story ends

We try so hard to never see
The end of tracks go on endlessly
We hear them rumble beneath our feet
We feel the sway in perfect time
An effect for every cause we find
Creates our end in harmony

A life of storms with wind and rain
Teaches us to weather pain
There is no sense to lie and blame
Hardships on bad timing
The train that I am riding
Is my story just the same

The Train To Nowhere

From the rerelease of Newer Unknown Breeds. OUT NOW ON BANDCAMP:
https://moodexhibit.bandcamp.com/album/newer-unknown-breeds-expanded-edition

"Newer Unknown Breeds" was at the time a further development in sound for Blink Twice. The album expanded on the techno and electro genre much more than Blink Twice's debut "Other Locations". There was an increase usage of sampling on this collection of material, often with looped effects incorporated to add further density. With the blend of tribal and industrial elements remaining, it serves as an adventurous concoction of experimental rhythmic and darker ambient electronic music.

The underlying theme of "Newer Unknown Breeds" was the observance of mutations (both deliberate and natural) within organisms. Evolutionary results of obscure creatures and their advancement and place in the biological field.

Blink Twice - Rapid Growth

notes: now, that SHELLF LIFE - professional musicians throughout - have eventually handed back my soundcloud account, here’s a little proof of amateur ownership. yes, there is no translation - not even an interlinear one - since this is one of those poems that sound like utter gibberish in English – which would be fine, if that matched the German level of meaning. the poem, though, ponders the human condition. there might be some kind of pun in this observation, I guess.
method: all sounds have been created on the Behringer Crave (via a Flamma stereo modulation pedal into Zoom r12), apart from the artificial voice called Katja (via Magix hub) and some distortion and vocoding etc in post production (with Audacity and Samplitude).
image, composition, sounds and poem: copyright jo richter

was anders ist, das ist ein ding
auto, handtuch, schmetterling
wer pflanze ist, der ist kein tier
wachstumsschicht und kernholzring
wer mensch sein will, isst vom geschirr

lern schwimmen, seemann, oder lenzen
wer frei sein will, muss sich begrenzen
zarge, gehrung, feder, nut
zimmerweisheit in sentenzen
was lange währt, wird endlich gut

kein ding

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

Diaphanousness

No Mates Ensemble