From the annual Hexfarm get together where we fly/drive into a space for  a few days of improvising and laughing. This is from the 2024 sessions. The intro chaos somehow morphed into a piece Saxophonist Phil wrote many moons ago called Legacy(which itself was a massive vehicle for improv anyway). we sat with it for a few minutes : ) Looking forward to the 2025 get together. 
Hexfarm is   Dane Renshaw: Drums, Phil Bywater: Saxophones, Mat Ward: Bass

Hexfarm - (a Sort Of) Legacy

TRYING TO KEEP IT REAL IN THE FAKEST WAY POSSIBLE 
 
PURPLE JESUS STANDING BY I'm All 6's And 7's
Hey everyone! Welcome to my repost page! Please send me your music so we can all enjoy! everyone is welcome,  This is the site were we all come together and listen and rock the fuck out!
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Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

These are my explorations in sound painting… plus a song or two that accidentally resemble actual music. This is less like a record store and more like stumbling into an artist’s studio: things in progress, things half-finished, things I’m still trying to understand myself.

I’m a guitarist, improviser, and composer based in the Washington, DC area — a Berklee grad from way back when I still thought knowing modes and chord scales would fix everything. I now split my time between two worlds: textural, experimental solo work and the more traditional jazz language I explore with my trios.

In the solo pieces, I chase self-organizing sound — music that tries to form itself without asking my permission: fluid, dynamic, occasionally confused, but alive. With the trio, the focus shifts toward groove, swing, and melody, though improvisation remains the one thing I haven’t managed to ruin.

Both sides come from the same place: curiosity, listening, and trusting the music more than I trust my own plans.

If any of this resonates — or if you just want to talk shop, collaborate, or say hi — feel free to reach out. 🙏

Like my stuff? Hate fascists? Give me a like here:
https://maps.app.goo.gl/ArtdoYK2MorAKKL19


10. dec. 2025: 
I have canceled my monetary subscription to soundcloud. 
Let's see what (wont) happen now. 
-No ai used in the music.

Atmospheric electronic | Cinematic soundscapes | Emotional depth

Crafting music for the late hours — between dream and memory.
Music carved from silence.
A slow descent into cinematic atmospheres, dark textures, and ambient emotion.





TOP 10 FANS:
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 My musical background is varied. I started studies in music theory and violin at the age of 8. At the age of eleven, I started with  guitar. I 'm a self-taught guitarist. One year later I started in  a school to study harmony and modern piano for six years. In 2006 I moved to Madrid to study visual production and sound.

I'm part of several bands which plays different styles: Rock, pop, heavy ...

My favourite music style  is classical music and rock. I do not think that both worlds need to be exclusionary.

My musical instrument is the piano. I spend my time playing it with complete devotion.

Some samples that can be heard on SoundCloud serve to show the variety that I can cover. I give special priority to  symphonic samples.

Thanks to everyone who listen to my melodies
My live performances can be found on Facebook, link below.

Hexfarm - (a Sort Of) Legacy

No Mates Ensemble