Amsterdam-based electronic duo Peaking Lights (Dekmantel, Mexican Summer) remix 'Lady Blue' by Saccades. The track is originally taken from 'Flowing Fades', the new solo album from The KVB's Nicholas Wood out everywhere now. https://fuzzclub.lnk.to/flowingfades

Saccades - Lady Blue (Peaking Lights Remix)

Shows On TV

She Wore Lilacs in Her Hair

Solo album by Julian Klincewicz. Released on 08-31-2019. 
part of a larger multi-media body of work "HEY, I LIKE YOU"

Hey, I like you

LUST

'My New Career' is the first song from No Sister's upcoming EP 'Influence', set to be released 23 August 2019. 

You can pre-order the 7": nosister.bandcamp.com

Influence

My New Career (single)

My New Career

Pendant un mois la vie m’a paru belle
Surprise d’un soir à Paris même 
faut croire que le morceau ne t’as pas plu
Est-ce que c’est pour le côté sensuel ?

La prochaine fois je ferai un effort
Ce joint qu’on a fumé était trop fort 

Depuis un mois des journées similaires
Surprise d’un soir en quartier populaire
Sur le trottoir je finis ivre mort
Si j’avais su que j’avais tord

J’imaginais une fin plus romantique
Une marche au pas de manière bucolique
Si j’avais su que j’avais tord 
Qu’le slow était une métaphore
 
À peine parti je cours m’acheter une bière
Juste au rond point de la rue traversière
J’ai cru que tout ça était authentique 
J’ère de manière fantomatique  

Peut-être qu’il y a encore des choses à dire
Peut-être qu’il y a une histoire à bâtir
Mais ce soir je me prends la tête
Je m’en vais seul pour faire la fête

Encore merdé

Composed & Performed by GIIRLS
Produced by Bernard Marie
Mastered by Bob de Wit
Cover by GIIRLS

Far Reality

Control

'Gridlock' is taken from Vintage Crop's forthcoming album 'Serve To Serve Again' out August 7th on Upset The Rhythm & Anti Fade.

Available to pre-order now: http://upsettherhythm.bigcartel.com/

Serve To Serve Again

Vintage Crop - Gridlock

03 - Glaswen - Symmetry

First single from Pet Shimmers second album of 2020, 'Trash Earthers', out 2nd October. Pre-order on tasty ltd translucent red vinyl ere: https://petshimmers.bandcamp.com/album/trash-earthers

Amy Gough: incredible visuals
https://www.instagram.com/aegough/

Facebook: https://www.facebook.com/petshimmers/
Twitter: https://twitter.com/petshimmers
Insta: https://www.instagram.com/petshimmers/
Bandcamp: https://petshimmers.bandcamp.com

As if faith waits for pillars of proof, well so do you
With a head full of history too, said “feeling cute”
Still, we’re all going home in an ambulance
Best stay cognisant, someone to give the driver directions

Of, blind ambivalence, in the aftermath.
A reckless optimist, of symbolic swells.
We’re all just playing along, two flaws in unison.
Overcome with overthought, until we’re inside out.

Back stepped, all things, conscious, comets, honest, summits

My inklings fade with false alarms
Her ink face decorates his arms
Tied perfect knots around the tubes
And your mother looks confused
Because you still buy baby’s shoes
Just one’s you know you’ll never use
Spoken like the truest friend
So, make a move, I’ll make the next

The moment passed, it came and went
It never started, never ends

Traced steps, flawless, conscious, comets, secret, handshakes, complex, dissuade, obsessed, haunted,
safe space, flightless, nervous, oh nothing!

Imber (ft. Ellie Rose-Davies)

'In The Stone' is taken from Normil Hawaiians' new 7" out September 11th through Upset The Rhythm.

https://upsettherhythm.co.uk/

When Upset The Rhythm released Normil Hawaiians’ lost album ‘Return Of The Ranters’ back in 2015, the band members got back in touch with each other after a 30 year break and starting playing music together again. Out of this the group played a launch show for the album and followed that up with more concerts, including an appearance at Supernormal, a residency at the Edinburgh Festival, gigs at Cafe OTO and supporting Richard Dawson in London too. They even recently toured Greece in support of having all three of their renowned exploratory post-punk albums finally back in print.

Throughout this time, Normil Hawaiians revisited their original songs for these live performances. However for a group always so interested in evolving their sound and seeking nuance, it comes as no surprise that they shirked the idea of a faithful retread of old material in favour of reimagining their songs. The group experimented by pushing their songs into new inventive dimensions, still progressive at heart, but now imbued with a cosmic uncanny. A cinematic, even pastoral approach that was always quietly present has come to the fore. The quaint weirdness of folk song, the humanity of communal practice and the group’s ecological mindedness have all found a place in Normil Hawaiians’ current sound world. With this conducive atmosphere brewing, the band’s first new songs in decades started to emerge.

Being far-flung across the UK, the Family Hawaii encamped to Tayinloan, a small village on the west coast of the Kintyre peninsula in Scotland with the intention of recording new music. They set up their own studio in an isolated, windswept house overlooking the sea and started the tape rolling. Noel Blanden from the band explains how the spirit of the location was such an inspiration to the group during this initial recording session: “Our time immersed in the place and the unique energy it generated in us allowed us to write ‘In The Stone’. It goes right back to our first album, this need to document experience before it passes over and eludes us. We were grabbing at the musical ether and letting it shape itself through the band.” From loose, improvised sessions and reflective periods of listening in Tayinloan, Normil Hawaiians captured the moment. ‘In The Stone’ is a motorik thrill of distorted guitars, locked rhythms and morphic resonance. Guy Smith is joined by Zinta Egle on vocals, skilfully sharing lyrics informed by Alan Garner and Nigel Kneale’s ideas around recurring events being linked to place and historical artefact;  a kind of residual haunting known as ‘Stone Tape’ theory. In keeping with the context of the song, sounds from several previous live recordings of the track were woven into its present being. Flipside ‘Where is Living?’ is a decidedly more delicate affair of questioning lyrics and eerie traces, droning strings and impressions smudged. This resultant 7” is a tantalising glimpse of Normil Hawaiians now, an echo from the past, an echo from the future.
 
Website: https://normilhawaiians.com/