Tracklist:

Alva  - Nuevo Dia [Alva]
Kesudio - Talan (Dummy Splash Remix) [Kosa]
Magupi feat. Ekoa - Breath [Cosmic Awekenings]
Labek & Chrobak feat. Fatima Gozlan - Tanta [BeTe Remix} [Move Gently Rec]
Soble, Lilith - Freedom Frequencies (Moon Voyager Remix) [Amselcom]
Paul A. George - Cedar [Turntables on the Hudson]
Erhan Yilmaz - Stereo Bed [Lump]
Olendo - Padrino [Shango Records]
Noah Jaegson - Antigua [Olendo Remix]
Orkidz - Peru a Camboya [Wayu]
Seba Campos & Kermesse - Paloma [The Hubsters}
Saand - Those Days (Dr. Parnassus Remix) [Zephyr Music MX]
Laurence Paul - Cumbia del Bosque [Laurence Paul Music]

CHILL DUB BEATS #5 by Noah Jaegson

Soul, rhythm and everything in between.
demos: https://tstack.app/trust-the-machine
out now- "koser - Keep Dancin'"  >>
https://did.li/utYaa
Contact: trustthemachine95@gmail.com

Mt 14:22-33🦋

Everything I do is from the heart. 🤍

Producer & DJ

World Influenced electronic grooves...




jaegson.music@gmail.com

Metanoia Radioshow
Desde Mayo de 2019 - Since May 2019
Jueves 17hs AR // Thursdays  21hs DE
www.soundcloud.com/metanoia-radioshow

Follow Metanoia:
biolinky.co/metanoiaradioshow

Songwriter - Composer - Percussionist - Vocalist - Producer
Contact, collabs & Booking: philswain.music@gmail.com

Songwriter, composer, performer, Phil Swain started his musical adventures in 2013. Diversity in his music, depth in his lyrics characterise his style. A subtle blend of funk, jazz, house and groove afford the listener and the spectator a very special experience...
From his very beginnings in music as backing vocalist and drummer in a choir, his project was to create tracks composed only with percussions. But the idea soon evolved. Adding a melodic voice and chords were the starting point of a long series of eclectic compositions. His voice gained in subtlety and his style was enriched with various influences – 70s English pop, jazz, funk and reggae from the 80s, 90s electro, Drum’n’Bass, House and African music. To enrich his compositions, Phil collaborates with musicians coming from various horizons. He describes his style as electro pop, and has created his own electro biotope, influenced by funk, reggae, jazz and Latino music – a universe very much his own. 
He performs very frequently in Costa Rica, where he takes a big part of his inspiration. The incredible lushness of nature there allows him to recreate an atmosphere of universal horizons. 
In May 2017, he released his debut album, Evolution on the Move, with 11 tracks, distributed on digital platforms. We discover diversity in the musical style and depth in the texts... This album has the lush atmosphere of the vegetation that envelops the recording studio in which he works during his stays – as well the blue shades of hope that dwells in his lyrics, directed towards peace and harmony through self-change. 
The Buddhist philosophical influence in his texts give depth to his world. The meeting of nature and keyboards produces a wonderfully groovy ecological electronic music. 
Fluids of positive energy also emerge from lyrics that call for refusing the fury of the present world and enjoying the present moment. Each track reminds us of the urgency to respect our good old planet and the earthlings that populate it, sung in a very warm voice...

SE IL NOME DELLA BAND PUO’ SEMBRARVI  STRANO SIETE LE PERSONE GIUSTE ,ESSO E’LA FUSIONE DÌ DUE PAROLE BEN DISTINTE YOGY, IL MAESTRO IL GURU LA MENTE MA NON IL BENE E YETY LA BESTIA L’ANIMALE  L’ISTINTO UMANO MA NON IL MALE QUINDI LA FUSIONE  TRA LA RAGIONE E L’ISTINTO ANIMALE CHE E’ IN NOI.

LA LORO STORIA E QUESTA:

CRESCIUTI A LOADSTONE SI ERANO CONOSCIUTI DOPO CHE IAN AVEVA MESSO UN INSERZIONE PER FORMARE QUELLA CHE POI SAREBBE DIVENUTA LA LORO CREATURA, SCRIVENDO SOLO COSI: ”CERCO MUSICISTI PER TROVARE IL SUONO PERDUTO ALLA RICERCA DEL IL SUONO PRIMORDIALE DEL VAGITO DEL MONDO E VOLEVANO FARLO ATTRAVERSO LA LORO MUSICA”.

“LASCIATE OGNI SPERANZA O VOI CHE’ ENTRATE… “ ….A LOADSTONE, PICCOLA CITTADINA AI PIEDI DELLA CITTA FANTASMA DÌ RHYIOLITE NEI PRESSI DÌ ZABRISKIE POINT NELLA VALLE DELLA MORTE, TUTTI LA CONOSCEVANO, MA PIU’ CHE UNA SALA PROVE QUELLA DÌ IAN,JIN, MARS, E COSMOS  SEMBRAVA UN LABORATORIO ALCHEMISONICO, PREGNANTE DÌ RELIQUIE ROCK RINVENUTE COME ARCHEOSONICI RICERCATORI INTENTI A SCOPRIRE  L’ORIGINE DEL SUONO, DEL SUONO AUREO PERFETTO, IL SUONO FILOSOFALE DOVE IL SUONO NON SI CREA NON SI DISTRUGGE MA TUTTO IL SUONO SI TRASFORMA, E TUTTO TRASFORMERA NEL CORSO DELLE LORO VITE.