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Fire

Watch the officla music video for The Curse here - http://www.youtube.com/watch?v=gxWxiuJRApU

The Curse

Neighbor Song

Here are a few songs that I have produced, engineered, mixed and or written. 

Half Moon Run - Fire Escape (Producer - Engineer - Digital Editor)

Down Like Silver- Light That Match

The Barr Brothers - Beggar in the Morning

Brandi Carlile - "The Things I Regret"

Download this track FreeGratis:
http://www.darlingside.com/whitehorses

Written, Arranged, and Performed by Darlingside (D. Mitchell-A. Mukharji-H. Paseltiner-D. Senft)

Produced by Darlingside and Dan Cardinal

Engineered and Mixed by Dan Cardinal
Assistant Engineer: Ariel Bernstein

Recorded and Mixed at Dimension Sound Studios (Jamaica Plain, Ma)
Additional recording by Darlingside at home (Watertown, Ma) and on a hill somewhere (Pownal, Vt)

Mastered by Jeff Lipton at Peerless Mastering (Boston, Ma)
Assistant Mastering Engineer: Maria Rice

Artwork: "Downward" (detail) by Barbara Takenaga
(Adjusted to black and white)
2012, Acrylic on wood panel
Courtesy of the artist and DC Moore Gallery, New York

℗ & © 2015 Darlingside All Rights Reserved
Darlingside Music Publishing (ASCAP)

White Horses

Off 'I Climbed a Tree' EP order here:

EP http://davegerardandthewatchmen.bandcamp.com/album/i-climbed-a-tree

Find us at http://facebook.com/davegerardmusic

Hesitate

Chris and Thomas-Broken Chair

Ivan & Alyosha - Running for Cover

We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. 

"No one sees the barn," he said finally. 

A long silence followed. 

"Once you've seen the signs about the barn, it becomes impossible to see the barn."

He fell silent once more. People with cameras left the elevated site, replaced by others.

We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." 

There was an extended silence. The man in the booth sold postcards and slides. 

"Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism." 

Another silence ensued. 

"They are taking pictures of taking pictures," he said.

Contact: noah.gund@gmail.com

Booking: brian@highroadtouring.com