naviarhaiku485

The rain is over:
South Mountain puffs out
Spring clouds.

(Tr. Sōiku Shigematsu)

One of the most influencial modern Japanese writers, Natsume Soseki’s literary career started in 1903, with a series of haiku and renga published on various literary magazines. Between 1900 and 1903 he studied at the UCL in London, but this proved to be quite a dramatic experience for the young Soseki:

“The two years I spent in London were the most unpleasant years in my life. Among English gentlemen I lived in misery, like a poor dog that had strayed among a pack of wolves.“

Despite this, when Soseki returned to Japan he exploded into prolific writing activity.

Seven days to make music in response to the assigned haiku: to participate visit [https://www.naviarrecords.com/about/naviar-haiku](https://www.naviarrecords.com/about/naviar-haiku?fbclid=IwAR13scfvxClSzTfbNs1PyRDX65m4R99UML_QBEtUPDsPMit3Jyu6uT0xpvk)

Deadline: 26th April 2023

haiku by Natsume Sōseki
picture by Daniel J. Schwarz

Tension (naviarhaiku485)

Tordai-hasadék, Turda Gorge. Gateway to the South. Gateway to the North. The photo of a tree shaped like South America or inverse upside down Africa, minus a few horns, taken in this Gorge is default image for my Soundcloud since taken by Karolina in 2015 on our first visit.

Cheile Turzii 2022

LOOPDIGGERS CHALLENGES

DON'T MESS - LOOPDIGGERS SUNDAY ROULETTE 127

The Sludgefork

This track was inspired by the Disquiet Junto Project 0608 (see below for details);
A field recording made on an IC train in the Netherlands (and already used for the track https://soundcloud.com/rabmusiclab/aankomst-amsterdam-zuid) was fed into the free transcription tool https://editor.flixier.com/transcribe/. The resulting Spanish text was translated into English. The free text-to-speech tool https://ttsfree.com/ was then used to create the voice pronouncing this text.

The field recording and the voice are accompanied by various instruments improvised to the existing soundscape.

The track-title is one of the translated sentences the AI has thought to recognize from the sounds of the train's interior.

The lyrics created by this magical approach are:

Marta,
Educates,
Alicia.
Thank you.
For if we are to what we are.
I have,
I don't know to yes.
Left number, the B.
Yes,
no nothing.
All right,
Miles,
I love me.

Sorry, Marta.
Thank you, Marta.
Don't go on.


More on this 608th weekly Disquiet Junto project, Nature-to-Text (The Assignment: Using a speech-to-text tool, turn a field recording into instructions for a composition), at: https://disquiet.com/0608/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 2: https://llllllll.co/t/disquiet-junto-project-0608-nature-to-text/

For if we are to what we are (Disquiet0608)

Drone and Pulse steady state fall asleep basked in moonlight.

LazingIntheShadowsOfMoonRays(NaviarHaiku504)

Sound Fantasy on

Lazing in shadows,
Conceding the drawing room
to moonrays

by Natsume Seibi
Naviar Records Haiku Challenge 504

Lazy Moon

Lazy Moon_Naviarhaiku504

Synth track inspired by haiku by John Hinks

Deep, dark Summer night
A sudden shaft of moonlight
Blesses the temple

John Hinks, aka FlownBlue, is a prolific and talented composer, and a regular participant in the Haiku challenge. Aside from his solo project, John is also involved in multiple projects: ‘Windfall Light‘ (with Jim Tetlow), ‘Abstract Blue‘ (with Kevin Buckland), ‘Light Fragments‘ (with Steve Escott), Szukanie (with Michał Wojciechowski), and Meadowlight (with Emma Reed).

Blessed Is The Temple

Blessed Is The Temple - (naviarHaiku508)

contains elements of Funky to the bone & fair child

3 hours challenge cooked in 2h30
lots of fun 
Loop Diggers rocks!

Lazy Moon_Naviarhaiku504

noble-earths

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