Goluptious Global Gegenschein Ghawazi

What.............WHAT?!!! YET ANOTHER Quadruple Black Diamond-Rated Random Playlist, Albeit As Deep As Marianas Trench This Once? Who Spiked Your Honeydew Again? ;)

Classic

وموسيقى ...

music for work

simon shaheen

simon shahheen

Hungarian Rhapsody No.2, simplified version with original cadenza - Franz Liszt (1811 – 1886)

Pianist: Ryo Fukaura, UCL medical student, playing the piece from memory, in the Peter Samuel Hall at the Royal Free Hospital.

soundcloud.com/uclsound/sets/ryo-fukaura-piano

UCL is consistently ranked as one of the world's top universities. Across all disciplines our faculties are known for their research-intensive approaches, academic excellence and engagement with global challenges. This is the basis of our world-renowned degree programmes. Visit us at http://ucl.ac.uk.

Ryo Fukaura: Liszt - Hungarian Rhapsody No.2

سيمون شاهين _القنطرة

2002

Egyptian Suite

Instrument + Piano
For Cello and Piano on 5 Egyptian folk themes
· Salma Ya Salama
· Ya NAkhlitin fil Alaly
· Atshan Ya Sabaya
· Ayyob
· Kont fen ya Alli
The Winner work of the Egyptian supreme council of culture composition competition 2003 (first Prize between 3 candidates)

Egyptian Suit For Cello And Piano 1st Movement Salma Ya Salama

2005
 
Dancing on dead bodies

Piano Trio
Piano Trio

Program Notes
·      1st. Movement
Adagio
Current Events
Slow scene, usually repeated at every moment and connected with any kind of a massacre in the Middle East or anywhere in the world.
Always we see the same scene of ambulances collects scattered Corpses in various parts. this scene always telling us about a tragedy, telling us about the strength of the human suffering from the war scourge, it always reaffirms and confirm that the war mean's nothing but the life itself.
·      2nd. Movement
Allegro Agitato
Flash Back
As events rapidly with the disasters, second movement tells us the story of the strong warrior, the person who always gives the order, to let the war starts, although it was always a tongue's dance, but it's always like an ugly dance, the dance, which kills a thousand of innocents.
The dance transited from tongue's movement, to be the dance of the death, which has effected to escape the soul from the live human ground objects

Dancing On Dead Bodies Piano Trio For Violin Cello And Piano Berlin Concert

Ballade No. 1, Op.23 - Frédéric Chopin (1810–1849)

Pianist: Ryo Fukaura, UCL medical student, playing the piece from memory, in the Peter Samuel Hall at the Royal Free Hospital.

soundcloud.com/uclsound/sets/ryo-fukaura-piano

UCL is consistently ranked as one of the world's top universities. Across all disciplines our faculties are known for their research-intensive approaches, academic excellence and engagement with global challenges. This is the basis of our world-renowned degree programmes. Visit us at http://ucl.ac.uk.

Ryo Fukaura: Chopin Ballade No. 1, Op.23

Domino

Simon Shaheen & Qantara-Waving Sands

Simon Shaheen - Dance Mediterrania سيمون شاهين - رقص متوسطي

Hey Guys it's my New track really an heavy one with dubstep elements ;)

This one has been mastered by pimpernel jones so many thanks for his work ! 

Cheers !

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Kiwistar - Prohibited

Ömer Faruk Tekbilek | Your Love Is My Cure

Sazvučja S02E07 Simon Shaheen

Check me out on YouTube - https://www.youtube.com/channel/UCDzy_vRuLr4T6xlReJ6sDyg


Little Einsteins Mix

Original Track by Salim Sulaiman
Featuring  Shradha Pandit
Remixed by Karsh Kale

Aiyo Ji - Salim Sulaiman (Karsh Kale RMX)

Socorro

Transcription of a solo by Basaam Saba. Performed at the Middle Eastern Festival at the BPC on February 18, 2009. The guitar and saz soloists are Ben Levine and Sabi Saltiel.

Saraab (Dawn) by Simon Shaheen

Blue Flame - Simon Shaheen

Breeze of Bisaan - Simon Shaheen

Dance Mediterrania - Simon Shaheen

A collaboration made for the "Samaya" Compilation from which all proceeds go to the Cheb I Sabbah Cancer relief fund . 
get the album here...
https://www.sweetrelief.org/program/cheb-i-sabbah/

Composed and Produced by Nitin Sawhney and Karsh Kale
Mixed by Karsh Kale
guitars and madonlin - Nitin Sawhney
tabla, programming, elc santoor, keys - Karsh Kale
vocals - Natasha Atlas

Nomadic Sky - Karsh Kale, Nitin Sawhney and Natash Atlas

مــدام تحب بتنكر ليه
سولو كمان-أحمـــد الحفنــاوى


موسيقى مدام تحب بتنكر ليه-سولو كمان أحمد الحفناوى مع خماسى الحفناوى-مقام نهاوند-ألحان القصبجى

Rose Colored Glasses

كمان حزين

[ Nkata Mawewe | Khulumani ]

Simon Shaheen - Mudnaka (The Music Of Mohamed Abdel Wahab)

One year on from his seminal debut, the undead returns for his sophomore extended player.And what a year its been for 23-year-old Joshua Mellody. Having only made his first piece of electronic music six months prior to signing to Never Say Die, Zomboy has well and truly been thrown in at the deep end, and straight onto festival stages worldwide. Remixes for DJ Fresh, Skrillex, Flux Pavilion and Hadouken! have kept the hoards of fans (90,000 and counting) at bay, but the time has come for the follow up E.P of the year.The Dead Symphonic is a snapshot of a producer who is developing his palette at an alarming rate. No tempo is left uncovered as the EP twists and turns through hands-in-the-air drumstep, daft punkesque electro, orchestral interludes and of course, the sonically perfected dubstep for which he has become so well known for.
Less...

Zomboy online:
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http://nsdx.uk/NSD-Official


Hoedown

للمَزيد من الإبْداع , عليكم بزيارتنا عبر الفيس بوك

نضرب ع وتر الأحساس بمعزوفات فوق القانون ~♥~
http://www.facebook.com/m3zofaty

دُمُوع كَمـانْ - ♥

رقص متوسطي - سيمون شاهين

يامو عزف كمان فرنسيس اسبنيولي yamo

Hamza el Din - Escalay: The Waterwheel - for String Quartet
Performed by: Berneck Quartet - January 2012 - Switzerland (Charity Concert)
Violin: Lyonel Schmit, Christop Brüggemann
Viola: David Quiggle Cello: Viturin Döring

Water Wheel is a complete description of the experience of the boy who keeps the water wheel going. He rises early, before dawn, and begins, sleepily, to hitch up the oxen, adjusting the tension so that both animals are pulling equal weight. As the wheel slowly begins to move, the huge wooden gears of the wheel creak and groan. Gradually, lulled by the warmth of the morning sun, the movement and the sound of the wheel, the boy tending the oxen begins to hum to himself. As the wheel turns more quickly and strongly, he begins singing more loudly, merging the sound of his own voice with that of the wooden gears. Eventually even his song is lost in the drone of the wheel. One gear, like one note, meshes with the other gears, and increasingly complex overtones develop like the movements of a great fugue. And the fugue grows, like waves from a pebble dropped into the water. The waves move out, touch the shore and return, making new waves until all the water is ruffled and moving. Soon the boy sitting on the water wheel becomes entranced, hypnotized by the insistent song of the wheel and he sits staring vacantly into space, only awakened from his trance by someone calling to him to keep the animals moving. In this work, Hamza El Din demonstrates clearly his mastery of the oud and his innovations in the use of this instrument. Note especially that while he plucks the bass string continually in one rhythm, he hammers with the left hand on two other strings, and uses alternatively the remaining strings to set the pattern of the melody against the other rhythms. This creates a harmonic whole, which describes perfectly in musical terms the hypnotic humming of the water wheel.

Hamza El Din war ein nubischer Oud- und Tar-Spieler und Sänger. Er wuchs im nubischen Teil Ägyptens unter dem Eindruck traditioneller nubischer Musik auf. El Din studierte an der König-Fouad-Universität in Kairo und am Musikinstitut des Ibrahim Shafiq. Am König-Fouad-Institut für mittelöstliche Musik erlernte er das Oud-Spiel, danach studierte er westliche Musik an der Accademia di St. Cecilia in Rom. Anfang der 1960er Jahre unternahm er erste Konzertreisen durch die USA, wohin er 1964, nachdem sein Heimatort in den Fluten des Assuan-Staudamms versunken war, übersiedelte. Hier entstanden Alben wie Escalay: The Water Wheel (Wasserrad), das als Schlüsselwerk der World Music gilt und Einfluss auf Komponisten wie Steve Reich und Terry Riley hatte.

Wasserrad ist eine komplette Beschreibung der Erfahrung des Jungen, der das Wasser Rad in Bewegung haelt. Er steht frühr auf, vor Sonnenaufgang, und beginnt, noch halb schlafend, die Ochsen anzuspannen, die Spannung zu pruefen, damit beide Ochsen mit demselben Gewicht ziehen. Während das Rad langsam beginnt sich zu drehen, das Riesen Getriebe des Holzrades beginnt zu ächzen und zu stöhnen. Sich um die Ochsen kümmernd, geborgen in der aufgehenden Morgensonne, und dem Klang des sich Bewegenden Rades, beginnt der Junge langsam zu summen. Mit steigender Geschwindigkeit des Rades singt der Junge lauter und lauter, seine Stimme mit dem Klang des hölzernen Getriebes zusammenkommend. Manchmal geht seine Stimme im rhythmischen Geräusch des Wasserrades unter.

Die Komposition wurde für die Oud, ein mittelöstliches, langhalsiges Saiteninstrument - Vorgänger der europäischen Laute - geschrieben und aufgenommen. 1992 wurde die Tondichtung für das Kronosquartett adaptiert.

ESCALAY - The Waterwheel - by Hamza El Din - Berneck String Quartet

Simon Shaheen & Vishwa Mohan Bhatt - Ghazal (Saltanah)

From the album Fly By Wire, out now on CD, LP, cassette, and digital. Order the album here: http://polyvinylrecords.com/flybywire

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Simon Shaheen & Qantara-Waving Sands

Music With No Borders