oh yeah.... keep on rockin'it my friend.... 👊🤘

Fantastic track & production, amazing guitar.

aww amazing great track well done.👍🎶👌😎

this reminds me about the good old Megadeth times! Wonderfully done !

oh this is a  great moment of guitars..Energy here!

Credits: 
N.o.b.S. : guitar, bass, keyboards, drum production, mix and mastering

Voyage to the God of Destruction

Voyage to the God Of Destruction

Tidal Whispers

"Asterism" blends cosmic keys, hip-hop lofi beats, and atmospheric guitar to stir deep emotions. Like stars in an asterism, which aren’t part of constellations, this track shines with its own unique message from the universe.

Life

SUPPORT

Asterism

COVER PHOTOGRAPHY: Fraser Cormack at https://www.facebook.com/profile.php?id=61559043332127

"Sleight," a 10-minute contemporary classical and orchestral journey from composer Jeremias Langsämmer, serves as a poignant centerpiece in his upcoming album *Morpheme*. With its delicate blend of an ostinato piano motif and the evocative tones of the French horn, this composition weaves a tapestry of melancholy and hope. The track’s cinematic strings, lush and immersive, create a soundscape that resonates with emotional depth, inviting the listener into a world where sorrow meets solace. Echoing the atmospheric and introspective style of Ólafur Arnalds, "Sleight" is a contemplative exploration of transient moments, where each note lingers like a memory—ephemeral yet deeply felt. Perfect for moments of quiet reflection, this piece captures the essence of longing and renewal, making it a standout in Langsämmer's evocative repertoire.

Sleight by Jeremias Langsämmer

Evolution is an experimental jazz fusion composition. With smoky rhodes keys, deep double bass, and a sax that vibes with guitar solos, this track flows through mixolydian, japanese, and dominant phrygian scales. It’s all about that natural evolution - merging, adapting, and connecting everything into one smooth, endless groove.

Evolution

Tomorrow's People

Ontogeny is an evocative piece from the album LIFE, weaving the complex and vibrant threads of jazz fusion into a story of survival, freedom, and growth. At its core, a driving bebop double bass sets a fierce, rhythmic foundation, symbolizing the unyielding pulse of life. Over it, fast, intricate guitar solos rise and fall, their fluidity representing the unpredictable twists of evolution, pushing boundaries as they soar beyond the familiar. As the composition reaches its apogee, a lush string section enters, embodying unity and resilience, underscoring the universal fight to preserve life and its endless potential to evolve - not just on Earth, but across the universe.

Ontogeny

Welcome to the first in the series "Of Fire and Ice" - Music of Norse Mythology, where we musically explore the grand and mysterious world of ancient Norse Myths! 
This musical tribute seeks to capture the legendary essence of the Norse myths. You’ll hear melancholic Norse melodies, as perhaps the Gods might have heard in their minds, the distinct sounds of traditional Nordic pagan frame drums and soaring targelharpa fiddles, flutes and the harp-like lyre. All this blends with orchestral instrumentation, sounds of nature, harmonies and the soaring sounds of James Hill’s trumpet.

#1 “Creation”: 
The world began in a void called Ginnungagap, between the icy realm of Niflheim and the fiery realm of Muspelheim. When the ice melted, the giant Ymir and the cow Audhumla were formed. Audhumla revealed Buri, the ancestor of the gods. His descendants Odin, Vili, and Ve killed Ymir and used his body to create the world: his flesh became the earth, his blood the seas, and his bones the mountains. They then created the first humans, Ask and Embla, from tree logs, and established the World Tree, Yggdrasil, to connect the realms.

The full music series is now available on all streaming services and I'll regularly update YT videos for you in the series.
Video: https://youtu.be/BiJKgLb2PFo?si=268ajVao5JokACkj

'Creation' - Music of Norse Mythology

Welcome to the second in the musical series "Of Fire and Ice", where we explore the mysterious world of ancient Norse Myths! What did the Gods hear in their minds during their adventures? Listen to the distinct sounds of pagan frame drums and soaring targelharpa ‘fiddles’, flutes and the harp-like lyre. All this blends with orchestral instrumentation, sounds of nature, harmonies and the soaring sounds of the trumpet of James Hill.
Video: https://youtu.be/LUZZAIqfW1s?si=2UTzLkz6QgLLKLQJ

Episode #2:  “The Mead of Poetry”
After war between the Aesir and Vanir gods, a peace was sealed by creating a being named Kvasir from their combined saliva. However, two dwarves, Fjalar and Galar, killed Kvasir and mixed his blood with honey to create the ‘Mead of Poetry’, which granted anyone who drank it the ability to compose poetry and gain wisdom.
The dwarves later killed a giant named Gilling and his wife, attracting the wrath of Gilling's son, Suttung. To save themselves, the dwarves offered the mead to Suttung, who hid it in a cave guarded by his daughter, Gunnlod.
Odin, seeking the mead, embarked on a complex quest, using trickery and disguise. He worked for Baugi, Suttung's brother, and eventually convinced Baugi to help him reach the cave. Odin seduced Gunnlod, spending three nights with her in exchange for three sips of the mead. However, Odin drank all of it, transformed into an eagle, and escaped back to Asgard. Odin distributed the mead to the gods and the most talented poets, although a small portion was lost, thus becoming the source of poetic inspiration.

The Mead of Poetry - Music of Norse Mythology

RUN TO YOU BRYAN ADAMS KOVAH OF THE GODZ FOR NINI

The Seventh Sun

Get it in HQ

Rock, Rock, Rock and no Alternative …
Rock is not dead, you can validate the evidences here.
People who want to get mellow might be wrong on this site, but are more than welcome to take up some energy here 😀
I am playing guitar and Bass. Keyboards and Drums are programmed.
Mix and Mastering was done in the „N.o.b.S. Moonshine Studios“ in Mainz Germany.
Nearly everything had been recorded during the night, sometimes at daylight on weekends.

Voyage to the God Of Destruction

N.o.b.S.

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