A ten-part, step-by-step podcast on how to get your first feature film made, using No Film School founder Ryan Koo's 2018 Netflix Original Film AMATEUR as a case study. Every episode covers a different phase of production, from screenwriting, to prep, to production, to release.

AMATEUR is available now worldwide at https://netflix.com/amateur

The First Feature: Case Study of Ryan Koo's Netflix Film AMATEUR

Dimitri and Khalid ruthlessly discuss the Dr. Jekkyl/MIB Hyde aspects of Noam Chomsky’s Radical Intellectual career, including: the legendary 1971 TV debate between Chomsky and Foucault, Lorenzoae’s “Chomsky and the Compatible Left” essay, Chomsky’s saintly status in the left-liberal alt-media ecosystem, his influential linguistics theories and simultaneous involvement with USAF command and control projects, Chomsky-as-Pentagon’s very own Lysenko, comparing Chomsky’s dismissal of left-wing “conspiracy theories” to Carl Oglesby’s “The Yankee and Cowboy War”, his bizarre insistence that the JFK assassination was a meaningless event, and why Chomsky reaches for his revolver whenever he hears the word “dialectics”.

For access to full-length premium episodes and the SJ Grotto of Truth Discord, subscribe to the Al-Wara’ Frequency at patreon.com/subliminaljihad.

[UNLOCKED] #53 - COLORLESS GREEN IDOLS PSYOP FURIOUSLY: Defrocking Chomsky

32 Pads

On June 30th, Tompkins Square will reissue two albums by Texas singer/songwriter Will Beeley - the self-released mega-rare (only 200 copies) private press LP Gallivantin' from 1971, and Passing Dream, originally released by Malaco Records in 1979.

Recorded in San Antonio, Gallivantin' shows Beeley's heartfelt, folky side - a wistful set of original tunes, plus a cover of Bob Dylan's "You Ain't Goin' Nowhere" and a spaced-out, 10 minute+ Eastern-influenced psych take on Buffy Sainte-Marie's "Little Wheel Spin And Spin / Co'Dine".

Recorded in Jackson, Mississippi, Passing Dream reveals the shifting musical direction of opposite sides of the 70's - a tougher, huskier, more alt-country sound emerging, presaging modern day troubadours like Chris Stapleton and Jamey Johnson. Released by Malaco Records in 1979, the album features the very first studio credit by guitarist Larry Campbell (Bob Dylan, Levon Helm), along with drummer James Stroud (Marshall Tucker Band, Eddie Rabbitt), keyboardist Carson Whitsett (Paul Simon, Tony Joe White) and other crack studio players.

Now a truck driver living in New Mexico, Will Beeley recently recorded his first new album since 1979's Passing Dream. Produced by Jerry David DeCicca of The Black Swans (who also produced Larry Jon Wilson's final album), the new one features Michael Guerra (The Mavericks), and is mixed by Stuart Sikes (Loretta Lynn's Van Lear Rose, Cat Power's The Greatest). The album is slated for release on Tompkins Square sometime in 2018.

PRE-ORDER : tompkinssquare.com

Gallivantin'  - CD - TSQ 5395 / LP - TSQ 5401 / digital
Passing Dream - LP only - TSQ 5418

Tompkins Square is distributed by INgrooves and Revolver in NA, Cargo for Europe

Rainy Sundays by Will Beeley

Here's Episode One of our new podcast series The First Feature. This is a step-by-step guide on how to get your first feature made, using Ryan Koo's new Netflix Original Film AMATEUR as a case study.

In this episode, we get into: The three questions you can ask yourself to help decide which movie to make; when you need an agent; how Koo lied his way into MTV (and New York); Koo's DIY web series with Zack Lieberman, The West Side; how new platforms represent an opportunity because of decreased competition; how failure can be more instructive than success.

AMATEUR will premiere on Netflix on April 6, 2018.

You can find all episodes of The First Feature at nofilmschool.com/firstfeature

How Do You Know Which Idea to Pursue? The First Feature: AMATEUR [Episode 1]

Here's Episode Two of our new podcast series The First Feature. This is a step-by-step guide on how to get your first feature made, using Ryan Koo's new Netflix Original Film AMATEUR as a case study. In this episode, we get into: Whether or not your short should be a proof-of-concept for a feature, how to make production manageable and cost-effective for a short film, auditioning, casting, and finding crew for a short without a lot of personal connections, production prep, how much money you need to make your short, and how to distribute it once its done. AMATEUR will premiere on Netflix on April 6, 2018. You can find all episodes of The First Feature at nofilmschool.com/firstfeature

How Do You Turn a Short into a Feature? The First Feature: AMATEUR [Episode 2]

In this episode of our step-by-step podcast on how to get your first feature made, we dive into the screenwriting process on No Film School founder Ryan Koo's Netflix Film Amateur (out now!). This episode covers many screenwriting tips and tricks, including: Tracking your hours to ensure you prioritize screenwriting in your life; Brainstorming out loud and recording yourself so you don't forget a lightbulb moment; Writing your first draft by hand to ensure you finish it and you can't go back and edit; Spending >50% of your time NOT in screenwriting software — researching, outlining, breaking the story; Why applying for grants can be helpful even if you don't win them; The Sundance Screenwriters Lab (which we did an entire podcast on at Sundance); Doing entire drafts from the perspective of supporting characters; Apps like Workflowy, Final Draft, and WriterDuet; and Workshopping your script with actors at table reads. Watch Amateur on Netflix, available now worldwide. You can find all other episodes of The First Feature at nofilmschool.com/firstfeature.

How Do You Become a Screenwriter? The First Feature: AMATEUR [Episode 3]

In this episode of our step-by-step podcast on how to get your first feature made, we dive into the pitching and financing processes on Ryan Koo's Netflix Film AMATEUR. This episode covers his experiences pitching Amateur eighty (!) times and eventually getting it to Netflix, including the following points: Making a pitch into a back-and-forth conversation as early as possible; What goes into a pitch packet other than the script, including a rip-o-matic/multimedia lookbook; Using CRM software to track producers and financiers (Ryan used Streak); How rejection can be a development process unto itself; Why "producer" is an amorphous term and how to identify producers with complementary skill sets; Who his producers were (Jason Michael Berman, Chip Hourihan, and Mark Moran) and what their roles were; and finally, How he got the film to Netflix. Watch Amateur on Netflix, available now worldwide at netflix.com/amateur. You can find all other episodes of The First Feature at nofilmschool.com/firstfeature.

This episode of The First Feature is sponsored by Music Bed. Get 20% off you next on-site license with coupon code "FirstFeature20."

How Do You Pitch Your Film and Find Financing? The First Feature: AMATEUR [Episode 4]

In this episode of our step-by-step podcast on how to get your first feature made, using No Film School founder Ryan Koo's Netflix Film Amateur as a case study, we dive into how to cast your movie—and what to expect when you go into prep. This episode covers Ryan's experiences attaching cast to Amateur, including Michael Rainey Jr. (POWER, LUV), Josh Charles (THE GOOD WIFE, SPORTS NIGHT), Sharon Leal (ADDICTED, DREAMGIRLS), and Brian White (RAY DONOVAN, SCANDAL). We then move into the prep process on the film, and  touch on: How a short film can help with attaching cast; The two-part process of auditioning Michael Rainey Jr. (who came us to via Jason Berman, who had produced a film with Michael in it, LUV); The value of a casting director (in Amateur's case, Jessica Kelly and Kate Geller; What an "offer" is and why you can only offer the part to one actor at a time; Doing street casting to find "real people," in this case, several basketball players who had never acted before; Location scouting and tax credits; Scheduling and what a "company move" is (and why we needed to avoid them); The challenges of working with a child actor and the resulting limitations on shooting hours; Rehearsing and read-throughs; Tech scouts... and more. Thank you to the Panavision New Filmmaker Program, Sony, G-technology, and Vision Research for their help in providing equipment on the film (which we'll cover more of in our forthcoming production episodes). Watch Amateur on Netflix, available now worldwide at netflix.com/amateur. You can find all other episodes of The First Feature at nofilmschool.com/firstfeature. This episode of The First Feature is sponsored by Music Bed. Get 20% off you next on-site license at musicbed.com/new with coupon code "FirstFeature20."

How Do You Attach Cast and Prep a Film? The First Feature: AMATEUR [Episode 5]

Television (feat. Wais P)

Prince - Mad

“One writer says that Brown's peculiar monomania made him to be ‘dreaded by the Missourians as a supernatural being.’ Sure enough, a hero in the midst of us cowards is always so dreaded. He is just that thing. He shows himself superior to nature. He has a spark of divinity in him. They talk as if it were impossible that a man could be ‘divinely appointed’ in these days to do any work whatever; as if vows and religion were out of date as connected with any man's daily work; as if the agent to abolish slavery could only be somebody appointed by the President, or by some political party. They talk as if a man's death were a failure, and his continued life, be it of whatever character, were a success.”
—H.D. Thoreau, “A Plea For Captain John Brown,” 1859.

Cabin is the new season from The Relentless Picnic. It's one story told over multiple episodes. It's a story about solitude and isolation, community and loss, Henry David Thoreau and Ted Kaczynski—and it's told through audio recorded throughout 2019 and 2020.

Support us at patreon.com/relentlesspicnic for access to a ton of bonus content.

Our web site is relentlesspicnic.com

SOURCES (Ep. 4):
- “A Plea for Captain John Brown,” by H.D. Thoreau (1859): bit.ly/2CPiMHT ; 
- Walden; or, Life in the Woods, by H.D. Thoreau (1854): bit.ly/3jS0Woq ; 
- Videos and resources on John Brown, the raid on Harpers Ferry, and its aftermath: youtu.be/EG4ukrMtdNs , youtu.be/bB_kbFAui-U , youtu.be/LPyqE2zpQCg , youtu.be/Ax7KjLUOt8w , youtu.be/roNmeOOJCDY , youtu.be/q-E-ffXl2Uk , youtu.be/MILN_17KH6M , youtu.be/dmyswQs6_Bw . 
- Henry David Thoreau: A Life, by Laura Dassow Walls (2018): amzn.to/2B22qdw ; 
- “Civil Disobedience,” by H.D. Thoreau (1849): bit.ly/2OYTQjz ; 
- Westward, I Go Free: Tracing Thoreau’s Last Journey, by Corinne Smith: amzn.to/2OUyYKi ; corinnehsmith.com ; thoreausociety.org ; 
- Thoreau’s letter to Parker Pillsbury, April 10 1861: bit.ly/2WVVdEg [“Blessed are they who never read a newspaper, for they shall see Nature, and through her, God. But alas I have heard of Sumpter, & Pickens, & even of Buchanan, (though I did not read his message)”] ; 
- Thoreau’s journals, 1860-61: bit.ly/2WXHUmI ; 
- “The Wreckage,” The Relentless Picnic, ep. 27: bit.ly/2By6Md7 ; 
- Joanna Newsom, “Does Not Suffice” (youtu.be/FkjkT-ohCpQ) & “Good Intentions Paving Company” (youtu.be/KCCl3nzL5PI) ; 
- Don DeLillo, Mao II (1991): amzn.to/30VqmJc ; 
- The Unabomber In His Own Words (2018), documentary on Netflix: bit.ly/2DbHkuh ; 
 - season photo: "Untitled #2214" by Todd Hido, 1998.

The Relentless Picnic

Cabin - Ep. 4

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In his third Design Matters interview, writer Seth Godin riffs on his 20th book—“The Practice”—a milestone text exploring creativity and the sheer power of doing the work and putting it out into the world.

Seth Godin

i was tired of not having the songs and i figured other people were looking for them too so here you go

Without My Enemy What Would I Do

DEATH

***As of 2020 the No Film School Podcast is no longer hosted on Soundcloud. Please subscribe via iTunes, Spotify, or the podcast app of your choice. Thank you!*** A podcast about how to build a career in filmmaking. No Film School shares the latest opportunities and trends for anyone working in film and TV. We break news on cameras, lighting, and apps. We interview leaders in screenwriting, directing, cinematography, editing, and producing. And we answer your questions! We are dedicated to sharing knowledge with filmmakers around the globe, “no film school” required.

How Do You Pitch Your Film and Find Financing? The First Feature: AMATEUR [Episode 4]

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