The Valuable Friends:

@janinelevinson - Incredible Vocals and Voice Effects
@rick-4-1 - Beautiful Drums
@phil-mcwalter - The Other Stuff

WAITING FOR THE RAIN

And the vines abide
And lean on old familiar ways
From Hadrian to the Satellite Empire
You can feel it in your soul
Standing on Dryhill
You can feel it in your soul
Standing on Dryhill

The hidden lines and lives
Walk their natural time above the plain
From hill fort to the bunkers underground 
The hill can quicken up your pulse
Standing on Dryhill
You can taste it on your breath
Standing on Dryhill
Looking from Dryhill
Waiting for the rain 
Waiting for the rain

Aeons old and yesterday
In a scintillation (Standing on Dryhill)
A breathless moment under 
The curious twinkling stars (Standing on Dryhill)
The water moves beneath us
It moves below the ice

(below, be-low)

A long-gone, summer swift scream
The hill is not dry
The vines do not wither
Rippling the waters of our many lives
The heart of the hill 
Beats on
Pushing the sleeping rabbit to awake and run (run, run, run)
Seize the seasons
Hang the reasons
In a thousand years the hill will not remember us or its many names…
Our heads boiled, eaten down to the white bone

And the vines abide
And lean on old familiar ways
From Hadrian to the Satellite Empire
You can feel it in your soul
You can feel it in your soul
Standing on Dryhill
Standing on Dryhill
Waiting for the rain
Standing on Dryhill
Looking from Dryhill
Looking from Dryhill
Waiting for the rain
Waiting for the rain

Standing on Dryhill…

Phil McWalter Jan 2023
Recorded at Dryhill, Upper Rissington, Coventry and California
Art: My own manipulated image from the top of the hill...

Waiting For The Rain

Spotify

Hello… so have you ever noticed certain things about yourself that never change? This song, ‘Just Like I Always Do’ is about that very thing. I found myself  outside the other day, playing with rivulets of snow melt. Making channels with a rake, for the water to run down and I laughed… my feet were soaking wet and I was having a grand old time. Reminded me of a time in kindergarten, when I arrived late to school, soaked to the bone, as I was playing in the rain along the way. So that playful side of me has not changed at all. I also noticed, like flowing water, how vital it is for me to keep moving. A fluidity when it comes to living and learning about life. Recently, singing has been like that for me. Bear with me on this. A little backstory: As a kid, I had a brief stint in my middle school choir. I did not want to join the choir, that’s for sure. The music teacher had picked us out, after brief singing auditions. After our first performance, my mother, God rest her soul, told me I did not have to go back to choir anymore, if I did not want to. Out of the 50 kids on stage, I was the only one not singing. I just looked down so no one could see my mouth… except my eagle-eyed mom. Simple as that, I was done with it. There were other things I wanted to do as a precociously rebellious kid, running around the neighborhood, as it were. Now, half a century later, I have been learning to sing on my own. It has not been easy uncovering that latent voice of mine. Looking back, sometimes I wish I had stuck with it as a kid. So about a decade or so ago, this dude I worked with asked me if I’d show him some stuff on guitar. His mom was a musician and music teacher and he grew up with music in his life. He was always singing and playing guitar. As we hung out, he noticed I never sang and asked me why. After basically dodging his question, he told me the only thing stopping me from singing was me. Talk about a hard lesson to swallow. So now, bringing us up to speed, I had some fun exploring my nascent singing voice on this song. The image is of me and Garnet running the hills in early Spring. Hope you like it and thanks for listening. Take care, Mark

Lammbone's Album

Just Like I Always Do

Some serious Jazz and fun with five saxes.

Time After Time

A collaboration with https://soundcloud.com/aedificium and myself about the extinction of the Dinosaurs in the Cretaceous period 65 million years ago.
Thanks for listening.
Arranged and produced by, Mike Hllton &, Aedificium © 22/11/2023 
You-Tube - https://youtu.be/2izIAqiFSTU

Mike Hilton - Electric, Acoustic & Bass guitars
Aedificium - Percussion & further arrangement
Cover art - New York Times

Extinction

Extinction (collaboration with Aedificium)

A post-apocalypse artsy AI informercial Starring JTSUNRISE and Introducing the soulful rendition of “Tennessee Waltz” by the Seattle blues Pike Place busking $ensation. Prepare to be captivated by a unique blend of history and melody as JTSUNRISE takes you on a musical journey through the heart of Tennessee. Let the enchanting notes echo the rich heritage of this timeless classic, reimagined with the distinct bluesy charm that only JTSUNRISE can deliver. Experience the tragic magic of the Tennessee Waltz like never before, with a touch of Seattle’s vibrant street corner blues scene


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TEssesseeeWaltzz

TEnEsseeWaltzJTSUNRISE

C Mela Rasikapriya Scale (Melakarta №72)

Magical Oasis

Untitled Sketch 9

LET IT GO

Sally's Pepper Flakes Instrumental Jam
TMS Music, Mix, and Mix
MJ-Brewer-Bass

This song was inspired by a fun riff and cool guitars. Special thanks to Sally.

Sally’s Pepper Flakes w/ TexMex Shaman

This was a track that never saw the light of day.  Furball was a band I was part of, in the mid nineties.  We only lasted about 15 months.  I played the guitar (badly!)

Furball - Truman's Scam

Not Like Me | Emotional Cinematic Music |

Music by Pascal Geronimi Asano – Paintings by Youri Laubscher González

Untitled Sketch 9

Noir Moderne

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⭕️Ernesto Schmied⭕️

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