ID plz ?? I heard another version of this sound but still searching

In anticipation of Love International 2022, we’re launching Transmission to Tisno – a b2b mix series featuring festival favourites and new artists locked in for this year’s fifth anniversary event.

Traversing minimal synth, new age and sublime house, this mix from Amsterdam staple Orpheu the Wizard and Japanese virtuoso Powder will surely serve as an ideal soundtrack to a lazy afternoon adrift in rhythmic contemplation. 

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Transmission to Tisno: Orpheu the Wizard b2b Powder

Listen back to Saturdays DJ set by the one and only Samo DJ. Expect the best from genres like reggae, hiphop, electronic, beats and underground. Tuck in!

@samo_dj for IDs

Nitty Gritty Store Hours - Samo DJ

Our friend in Berlin, Flørist, also known as his moniker Pavilion, sent us a special one. It’s an hour-ish mix of a few vinyls he collected over his summer travels. Chuggy, bouncy, some great basslines, spiritually it’s somewhere between the pacific west coast and Anjuna Beach. Enjoy your trip.
Thank you all for listening to our mixes this year. Stay warm, and see you again next year!
@fl-rist

DREAMING 018 : Flørist

recorded at daytime session 13th of july 2019, Samo and 5ive warmed up before DJ Jus-ed and Powder. slowed down the recording in december 2022 - to make the moment last forever.
how about slowing down the tempo of life this year, let´s not be hasty.

find the official merchandise at www.alfabetbutik.com

Sattaoja Musik Mix - Episode 3 - 5ive & Samo - TUPPLURS mix 2

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.

https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-10th-january-2023

Pender Street Steppers 100123

For Trushmix 200 we got two mixes by the founders of it all!
LA 2000 and DJ Fett Burger in the mix.

LA 2000 recorded a fantastic balearic mix in 2007. It was early on when the balearic genre was rediscovered as a thing. Really good tunes selected in a masterful way!
Just to put it in context, This was in 2007, so balearic wasn’t as familiar like now, only heads started to pick this up again after the heydays in the 80’s, so some really good compilations started to float around, and that became a spark. Also DJ Harvey hadn’t yet made his euro comeback so it was a whole different time back then, it was very marginal. Very nice in many ways. A fantastic mix, that is recorded a bit too loud on a lousy PC.

The second mix, by DJ Fett Burger is a quite eclectic mix recorded in 2009 for a CDR label called Sony Norge, under a different DJ alias. 
This mix matches the previous mix in an odd way, a proper out there balearic interpretation, with some Norwegian cuts that make it local in a global way. So we got a package full of surprises here! You never know what will come next! 

As one mix, these two become quite something, a perfect journey for a 200 mix celebration on Trushmix! It’s a listening party for people who want to take things to a special level. And it really catches the essence of what Trushmix is about!

Music from the top!
Enjoy!

To read the special Trushmix interview on Inverted Audio go HERE:
https://inverted-audio.com/feature/12-years-of-trushmix-dj-fett-burger/

Trushmix.com

Trushmix 200 - LA 2000 & DJ Fett Burger

SWAYMIX 006 - Ramzilla

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

Originally broadcast on NTS. Download and tracklist > www.noiseinmyhead.com.au/2017/03/280217-w-plo-man-hashman-deejay/

@plo_sound @acting-press
@hashmandeejay @mood-hut

www.noiseinmyhead.com.au

Noise In My Head w/ PLO Man & Hashman Deejay 28/02/17

Recording of Terekke's set at the listening stage during Dekmantel Festival 2019.

Dekmantel Festival 2019

Listening Stage: Terekke at Dekmantel Festival 2019

NTS Radio Show - Episode 10 w/ phubu

NTS Radio Show | Record Label | Party Series | Publisher 

Bookings | james@watartists.com

Noise In My Head w/ PLO Man & Hashman Deejay 28/02/17

NOISE IN MY HEAD

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